A chamber opera in one act for soprano tenor baritone and bass soli TTBB chorus and orchestra commissioned for the Wells 800 Celebration in 1982. Libretto by Peter Porter. Vocal score with piano reduction. Duration: c. 55minutes.Orpheus is a Chamber Opera or perhaps more properly might be described as an ‘Opera-Cantata’. It is designed to be performed as a short opera fully staged and c…

This work for tenor/baritone and piano was first performed at Westminster School London with Gavin Carr baritone and Jonathan Katz pianist.Vocal score.

Michael Head (1900-1976) was a British composer pianist and baritone. He studied Piano Organ and composition at the Royal Academy of Music where he later became Professor of Piano - a post he held for nearly fifty years. He wrote over 120 songs most of which he performed himself while he also maintained a successful career as an accompanist. Money O! was first performed in 1928 and first pu…

Par GREGSON EDWARD. The five song set the texts As I pass at dusk (Robert Kent), The day is gone (John Keats), Carol (C Day Lewis), Come live with me (C Day Lewis), and To my brother (Siegfried Sassoon). Also available for Baritone or High Voice. / Musique contemporaine / Répertoire / Mezzo-Soprano et Piano

Smoke Gets In Your Eyes-Four popular classics by the likes of Cecil Mack and Cole Porter have been lovingly arranged as close-harmony songs for men's voices. Capturing perfectly the mood and spirit of the original Broadway favourites David Nield presents a programme of guaranteed crowd-pleasers that continue to transcend fashion as the years go by brimming with the swing and swagger of the Barbe…

This is the Full Score and Parts for The Voices Of Our Ancestors by Thea Musgrave. This work is scored for a chorus with soloists (Soprano Mezzo-Soprano Tenor and Baritone) Brass Quintet and Organ. A full performance of the work lasts around 30 minutes. The text for The Voices Of Our Ancestors is drawn from 12 poems that are united in their attempt to answer the question of human existence. I…

Four popular classics by the likes of Cecil Mack and Cole Porter have been lovingly arranged as close-harmony songs for men's voices. Capturing perfectly the mood and spirit of the original Broadway favourites David Nield presents a programme of guaranteed crowd-pleasers that continue to transcend fashion as the years go by brimming with the swing and swagger of the Barbershop style.Arranged for…

All this time was commissioned by Harrow School, for their 2012 Carol Service. There are two chapel choirs at Harrow - one of four parts, and the other, consisting of tenor and baritone voices, of two parts. For the Carol Service the two part choir sings from the Gallery, which also houses the organ, while the four part choir sings from the choir stalls at the east end of the Chapel. This carol is…

For soprano alto and baritone voices with piano accompaniment this is a great secular piece for developing independent voices listening across the choral fabric and teaching phrase shape. Try it with your middle school choir.

Once Did I Breathe Another's Breath was commissioned for the 2013 Ludlow Weekend of English Song with funds provided by Finzi Friends and specifically Ernie Kay Brian & Mary Midgley and Adrian & NormaWilliams.The first performance of Once Did I Breathe Another's Breath was given by Ashley Riches and Iain Burnside on 31st May 2013 at the Ludlow Weekend of English Song in Ludlow Assembly Rooms.

In Praise Of Laughter

Ah! When The Last Dread Hour

Dirt Simple Upright Bass. Although designed for newcomers to the upright bass and bluegrass music in general, this unique approach to creating basslines has something for everyone! The first half focuses on bass-playing essentials, giving the reader a solid technical footing with the instrument. Then, using his own baritone voice and the classic bluegrass song, 'Going Down the Road Feeling Bad,' a…

'Le Vin c'est Dieu c'est Dieu le Père'

One of Tcherepnin?s favourite instruments was the cello for which he wrote about ten works (for example the Georgian Rhapsody other works for violoncello and orchestra and several ensemble and solo pieces). He worked together with cellists such as Paul Grümmer Paul Tortelier Pierre Fournier and Gregor Piatigorsky and for this reason his cello works seem to be especially well suited to the …