Par BENJAMIN GEORGE. George Benjamin’s Sometime Voices for baritone, chorus and orchestra is a setting of Caliban’s famous speech in Act III Scene 2 of Shakespeare’s The Tempest. Composed in 1996, the 9-minute work places long, forceful baritone lines above an orchestra that drifts between an eerie tranquillity and mercurial activity. Behind this, the chorus, acting as spirits – sometimes benign, …

Par SMITH PAUL. The text of Let’s Walk Together, by Daniel Simpson, neatly sums up the character of its composer Paul Smith and the vocal ensemble he founded, VOCES8. Connection, interaction and movement are all characteristics. Composed for SSAATTBB unaccompanied choir with baritone solo, this three-minute piece has sonorous hymn-like chords which introduce cascading faster voices in its middle. …

All this time was commissioned by Harrow School, for their 2012 Carol Service. There are two chapel choirs at Harrow - one of four parts, and the other, consisting of tenor and baritone voices, of two parts. For the Carol Service the two part choir sings from the Gallery, which also houses the organ, while the four part choir sings from the choir stalls at the east end of the Chapel. This carol is…

Vol. 1: Lyric. OperAria is the ideal 'vocal coach' for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria offers in every book - a well-founded repertoire collection of common audition arias and rarities, which a…

Par LIVINGSTONE ANGELA / MAXWELL DONALD. 25 popular works for baritone or bass voice with piano accompaniment featuring selected works from the major exam board syllabuses, spanning Grades 5 to 8 and beyond. Includes a preface and performance notes by Donald Maxwell and Angela Livingstone, and a digital version of the book to view on any device./ Recueil / Baryton ou Basse et Piano

This Wanted On Voyage sheet music includes every song from the enormous talent George Ezra's UK #1 début album, arranged for Piano, Voice and Guitar.Since singing his way onto the scene in 2013, singer-songwriter George Ezra has come a long way. Now, with his debut album garnering international acclaim, you can learn to sing and play every brilliant song exactly as he wrote them. This songbook con…

three intertwining songs for soprano, mezzo soprano & bass-baritone. Par LIM LIZA. Three Intertwining Songs For Soprano, Mezzo Soprano And Bass-Baritone / Niveau : Avancé / Répertoire / Voix

Baritone and Alto Flute. Par SAARIAHO KAIJA. Changing Light was written for Edna Michell’s Compassion project. The composition follows the idea of a dialogue, suggested by the chosen text. The intimate nature and fragile sound world of the duo mirror the fragility of our uncertain existence. This version is for baritone and alto flute. / Date parution : 2025-01-21/ Répertoire / Chant

Score total pour 2010 de Henze réglage de Franz Werfel drame en vers surréaliste 'Sacrifice' pour voix et orchestre de concertantes pour piano. / Choeur TTBB Et Orchestre

Par ANDREWS DOUG. Blow, Blow, Thou Winter Wind by Douglas Andrews arranged for tenor and baritone voices and piano. / Choral Music / Répertoire / Voix d'Hommes et Piano

Par ABOULKER ISABELLE / JANIKOVSZSK. Si J'Etais Grand is a song for Children and Baritone voices, composed by Isabelle Aboulker, with lyrics by Eva Janikovszky. It is only a part of the full piece, which is to be sung with a Flute, an Oboe, a Clarinet, a Bassoon and a Piano. Really easy, with range and intervals adapted to children's capacities, this song is very entertaining in term of lyrics and…

Seven canons based on compositional elements from Falling Man (2008-2010), an extended scena for baritone voice and orchestra. The original vocal text, adapted for setting by J.D. McClatchy, is based on a fragment from Don DeLillo's powerful post-9/11 novel Falling Man. / Piano

Par BENJAMIN GEORGE. 'An atmospheric and subtly orchestrated piece, it compels attention from the opening wisps of sound on xylophone and mandolin, threading its way through forceful baritone phrases (William Dazeley, excellent) and Daphnis-like choral spirits into a perfectly-paced crescendo before dying away in a trance.'Financial Times (Andrew Clark), 16 September 1996/ Répertoire / Conducteur

/ Recueil / Chant et Piano