Arr. John Moss. Par KAMEN MICHAEL. / Répertoire / Concert Band

Par BACH JOHANN SEBASTIAN. Version of 1736 (final version) Bach ?s St. Matthew Passion passed through several stages in its progress towards its final form, stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas?s Church, Leipzig, in a version of which the copy made by Bach ?s son-in-law Johann Christoph Altnic…

Par JANACEK LEOS. The composition “ 1. X. 1905 , ” generally referred to as a “sonata, ” stems from the autumn of 1905, the peak of the riots between the Czech- and German-speaking populations in Janá ek ’s hometown Brno. Reacting to the violent death of a Czech worker, Janá ek wrote a three-part composition for Piano originally bearing the title “From the Street, on October 1, 1905. ” Dissatisfie…

Arr. Roland Kernen. Par TRADITIONAL. Song of Israel is based on a world-famous tune, the traditional song from Israel entitles Hatikva. Roland Kernen makes creative use of this melody, presenting it a variety of styles, including a section with a ‘rock’ feel, to produce a cheerful concert work. / Niveau : 2.5 / Musique légère originale / Répertoire / Concert Band ou Harmonie

Kantate Zum Neujahrsfest. Par BACH JOHANN SEBASTIAN. A new edition of the Neujahrs-Kantate, which previously appeared in an edition based on manuscript copies from the 19th century. The present edition is based on a manuscript from 1762 which was first discovered in 1971; this source varies considerably from the previously known manu-scripts and it presents a clearer version of the cantata./ Réper…

Kantate Zum Neujahrsfest. Par BACH JOHANN SEBASTIAN. A new edition of the Neujahrs-Kantate, which previously appeared in an edition based on manuscript copies from the 19th century. The present edition is based on a manuscript from 1762 which was first discovered in 1971; this source varies considerably from the previously known manu-scripts and it presents a clearer version of the cantata./ Réper…

Kantate Zum Neujahrsfest. Par BACH JOHANN SEBASTIAN. A new edition of the Neujahrs-Kantate, which previously appeared in an edition based on manuscript copies from the 19th century. The present edition is based on a manuscript from 1762 which was first discovered in 1971; this source varies considerably from the previously known manu-scripts and it presents a clearer version of the cantata./ Réper…

Kantate Zum Neujahrsfest. Par BACH JOHANN SEBASTIAN. A new edition of the Neujahrs-Kantate, which previously appeared in an edition based on manuscript copies from the 19th century. The present edition is based on a manuscript from 1762 which was first discovered in 1971; this source varies considerably from the previously known manu-scripts and it presents a clearer version of the cantata./ Réper…

Kantate Zum Neujahrsfest. Par BACH JOHANN SEBASTIAN. A new edition of the Neujahrs-Kantate, which previously appeared in an edition based on manuscript copies from the 19th century. The present edition is based on a manuscript from 1762 which was first discovered in 1971; this source varies considerably from the previously known manu-scripts and it presents a clearer version of the cantata./ Réper…

A saxophone feature based on the Passion Chorale. Par HASSLER HANS LEO. Cette mélodie intemporelle de Hans Leo Hassler (1564-1612) est devenue célèbre après avoir été intégrée dans la Passion selon saint Matthieu de Jean-Sébastien Bach, dans des harmonisations particulièrement riches. Elle est généralement accompagnée du texte O Haupt voll Blut und Wunden (Chef couvert de blessures) du pasteur et …

Par BACH JOHANN SEBASTIAN. Johann Sebastian Bach’s 'Magnificat' BWV 243 was composed in its first form in E flat, right at the beginning of Bach’s period in Leipzig, possibly for the Visitation of Mary on July 2, 1723. Its performance on Christmas Day 1723 is well documented. Following a Leipzig tradition, Bach wrote four extra Christmas movements for this occasion.Only in the 1730s did Bach arran…

Par MONTEVERDI CLAUDIO / GOMBERT NICOLAS. Monteverdi's Missa in illo tempore for six voices, together with the Vespers form a collection of church music which was printed in Venice in 1610 and dedicated to Pope Paul V. During the period of transition from the older [16th century] polyphonic style to the new concertante style Monteverdi displayed his compositional abilities in this collection using…

Par WALTON WILLIAM. Reduction for solo instrument and piano of a central concerto from the repertoire Derived from the new Walton Edition volume and fully consistent with that and the new hire material Violin and piano reduction of Walton's Violin Concerto, based on the edition published in the Walton Edition Violin and Cello Concertos volume. Commissioned by Jascha Heifetz, the work was completed…