Les mélodies de Maurice Ravel (1875-1937) couvrent toute la chronologie de sa production créative, dès sa première chanson, écrite pendant ses années d'études, le cycle Don Quichotte à Dulcinée, sa dernière composition en tout genre. Mélodies vocales de Ravel sont élégantes et raffinées, classique dans leur structure de la phrase, avec une attention méticuleuse aux détails. Les influences musicale…

Cosi fan Tutte ossia La Scuola Degli Amanti.

Lent and Easter Cantatas. Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Lent & Easter - High Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring, the 72 solo cantatas ha…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Ode For St. Cecilia'S Day. Par HAENDEL GEORG FRIEDRICH. Haendel composa le poème de John Dryden 1736 la 'Fête d'Alexandre ou la puissance de la Musique' sous la forme d'une cantate en deux parties. À la suggestion du baron Gottfried van Swieten 1790 Mozart édité cette ode en l'honneur de sainte Cécile. Ce traitement était la traduction allemande du poème par Karl Wilhelm Ramier base à partir de 17…

Par GILL JOANNA. This work is a reflective setting of a popular blessing used regularly in both church services and within choral concerts. Scored for unaccompanied mixed choir, the four parts are often divided to create an eight-part texture. The main melodic interest is carried in the soprano line over a supporting line of six parts provided by the lower voices. Within this short setting a var…

with optional combinations of instruments - mit variabler Besetzung. The volumes of the Ad libitum series contain duos, trios and quartets of easy, medium and advanced levels of difficulty, which are playable with various combinations of instruments. Ad libitum Family Edition volumes are recommended mainly for families or groups of friends where at least three people play an instrument. Each of th…

Motet for 4 Voices, 2 Violins, Viola, Bass and Org. Par MOZART WOLFGANG AMADEUS. Motet For 4 Voices, 2 Violins, Viola, Bass And Org / Niveau : 3 / Classique / Répertoire / SATB + Accompagnement

Par PART ARVO. Estonian minimalist composer Arvo Pärt has adapted his celebrated work, Summa, for recorder quartet. Originally written for four solo a cappella voices, it is also available in arrangements for string quartet, string orchestra, and choir with organ. Summa bears the distinctive qualities of Pärt's music, masking its great collective complexity with simplicity in each part. This arra…

The Song Of The Volga Boatmen arranged for Voice (Bass) and Piano. / Voix Basse Et Piano

Par TRACY MIKE. Every musician should have a basic understanding of how and why pianists voice chords in certain ways. This book, designed by a horn player, addresses and explains the basics of authentic, hip sounding chord voicings in simple, non-pianistic language. You’ll be comping on your own over Standards in a short period of time. Includes written voicings over many of the most popular Aebe…

Par LIFERMAN / MAREUIL. La Lune Est Morte is a piece for SATB containing the score for Mixed voices or Equal voices, on music by Georges Liferman. With lyrics by Jacques Mareuil, this lyrical piece is quite melancholy: ; Cry Pierrots, Poets and Black cats, the Moon is dead being the main recurrent sentence. The chorus is sung by all voices, while the verses lyrics are only sung by the Tenor and th…

A syncopated opening bass lick lays the groundwork for this quintessential a cappella spiritual. When the other voices join, we begin a journey of texture, harmonic development, and form, indicative of the great spiritual tradition. Strong choral writing, with some divisi in the women's voices as the impassioned piece unfolds. / Choeur SATB A Cappella