Lullay, my liking is scored for accompanied two-part choir, allowing for various upper-/lower-voice combinations: two-part trebles or sopranos, upper voices only (S/A), or men only (T/B). If performed by a four-part choir, sopranos and tenors should read the upper line, and altos and basses read the lower. The keyboard part can be played on piano or organ, or harp. An inspiring selection of new wo…

Partitur und Stimmen - P/ST - for recorder quartet s(t)a(b)a(b)t(b) Arrangers: Beutler, Irmhild / Rosin, Sylvia C. Estonian minimalist composer Arvo Pärt has adapted his celebrated work, Summa, for recorder quartet. Originally written for four solo a cappella voices, it is also available in arrangements for string quartet, string orchestra, and choir with organ. Summa bears the distinctive quali…

Arrangeur: Matt Johnston. Par FAURE GABRIEL. Although mostly known for his orchestral music and Requiem, Gabriel Faure (1845 - 1924) composed more than 70 works for voice and piano, and was once commended by Maurice Ravel for saving French vocal music from the dominance of the German lied. One of the most famous of these art songs, Apres un reve (Op. 7, No. 1) is arranged here for either Alto Clar…

Piano Voicing Method for All Musicians by Phil DeGreg - Book/CD set Large 248 page spiral-bound book and CD. A practical and systematic method that teaches how to practice jazz piano voicings so that they become automatic and intuitive. The method progresses step by step from 2-voice to 7-voice chord structures with fourths and upper-structure triads. Each chapter presents essential harmonic pro…

Par LIFERMAN / MAREUIL. La Lune Est Morte is a piece for SATB containing the score for Mixed voices or Equal voices, on music by Georges Liferman. With lyrics by Jacques Mareuil, this lyrical piece is quite melancholy: ; Cry Pierrots, Poets and Black cats, the Moon is dead being the main recurrent sentence. The chorus is sung by all voices, while the verses lyrics are only sung by the Tenor and th…

A syncopated opening bass lick lays the groundwork for this quintessential a cappella spiritual. When the other voices join, we begin a journey of texture, harmonic development, and form, indicative of the great spiritual tradition. Strong choral writing, with some divisi in the women's voices as the impassioned piece unfolds. / Choeur SATB A Cappella

Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with or…

Line Playing · Voice-Leading · Chromaticism · Bebop Scales
A clear and practical step-by-step approach to chromaticism, line playing and voice leading. The CD contains 23 play-along tracks (most of them played in two tempos), based on standard chord progressions, performed by a professional rhythm section, featuring Renato Chicco on piano, Dave Santoro on bass, and Adam Nussbaum on drums. In …

Published in 1648, Heinrich Schütz's 'Geistliche Chor-Music? is still regarded as one of his seminal works.A two-volume performance edition based on Werner Breig's revised new text was published in 2012 and 2013 (BA 5901/BA 5902).Now selected motets are being issued in separate volumes. They offer a modern notation and layout, retain the original keys and include an integrated figured bass realisa…

Par SAARIAHO KAIJA. Vocal Score. This is a work for SATB, percussion and double bass in which the choice expresses itself both in unison and in fragmented voices, in opposing groups, and as isolated individuals. / Date parution : 2022-06-08/ Répertoire / Chœur, Percussion et Contrebasse

Par CARMICHAEL HOAGY. For SATB Voices and Piano, with optional Guitar, Bass and Drums. Arranged by Kirby Shaw. / Niveau : Elémentaire / Rép International / Feuillet / Chant

Published in 1648, Heinrich Schütz's 'Geistliche Chor-Music? is still regarded as one of his seminal works.A two-volume performance edition based on Werner Breig's revised new text was published in 2012 and 2013 (BA 5901/BA 5902).Now selected motets are being issued in separate volumes. They offer a modern notation and layout, retain the original keys and include an integrated figured bass realisa…

Mozart's 'Missa in C major? (K. 220), nicknamed the 'Sparrow Mass? for its frequently recurring characteristic motifs in the violins, has retained a firm place in the choral repertoire to the present day. Now it has been arranged for female choir and is appearing as part of the recently started 'Bärenreiter Female Choir? series.Heribert Breuer has judiciously transferred the tenor and bass solos t…