Roberts Timothy (Ed). Par ROBERTS TIMOTHY. Edited by Timothy Roberts High voice, bass and basso continuo CONTENTS Tho' my mistress be fair (Purcell) (D - A) and (F - D) How sweet, how lovely (Eccles) (F - A flat) and (B flat - D) In some kind dream (Purcell) (D - G) and (D (E) - D) Go, perjured maid (Blow) (C - A) and (A - F) Lucifer’s fall (Blow) (A - A) and (D (E) - E) Upon a quiet conscience (P…

Farewell to St. Petersburg. Par BRYARS GAVIN. This concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken from Glinka’s song cycle Farewell to St Petersburg. Bryars writes ‘The orchestration is quite light throughout, so that the singing quality of the double bas…

Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Cantatas for the Sundays after Trinity - High Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring, the 72 solo cantatas hav…

Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Lent & Easter - Medium Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring, the 72 solo cantatas have remained very popular…

Par ROYAL BLOOD. How Did We Get So Dark? is the artist-approved matching songbook to British rock duo Royal Blood's No.1 album. The music is transcribed for voice and bass guitar in standard notation and tablature, plus the book includes all the technical info you need to make your bass sound just like Mike Kerr's, as well as an 8-page colour section./ Tablatures / Chant et Guitare Basse Tablature…

Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey, written by Don Black and set to music by John Barry. This SSA arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment. / Choeur De Femmes (SS…

Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey, written by Don Black and set to music by John Barry. This TTBB arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment. / Choeur TTBB Et Pian…

Weihnachtskantate. Par SCHMELZER JOHANN HEINRICH. With this pastoral Christmas cantata by the long-serving Royal Hofkapellmeister of Vienna, Johann Heinrich Schmelzer, we wish to draw attention to a prominent baroque composer whose vocal and instrumental works have yet to achieve their historical place in the “early music scene“ which they richly deserve. Schmelzer’s easily performable pastoral mu…

Weihnachtskantate. Par SCHMELZER JOHANN HEINRICH. With this pastoral Christmas cantata by the long-serving Royal Hofkapellmeister of Vienna, Johann Heinrich Schmelzer, we wish to draw attention to a prominent baroque composer whose vocal and instrumental works have yet to achieve their historical place in the “early music scene“ which they richly deserve. Schmelzer’s easily performable pastoral mu…

Weihnachtskantate. Par SCHMELZER JOHANN HEINRICH. With this pastoral Christmas cantata by the long-serving Royal Hofkapellmeister of Vienna, Johann Heinrich Schmelzer, we wish to draw attention to a prominent baroque composer whose vocal and instrumental works have yet to achieve their historical place in the “early music scene“ which they richly deserve. Schmelzer’s easily performable pastoral mu…

Recueil de morceaux Blues Play-Along: Blues Standard - Volume 13 8 moreaux avec accompagnement par un groupe professionnel Arrangé pour instruments en Sib, Mib, Do et clef de basse Chaque chanson sur le CD est en 2 versions: mixage stéréo complèt et une piste Mix séparé avec guitare, basse et piano-voix commutable Difficulté moyenne CD inclus / Hal Leonard

Kantate Zum Fest Mariae Reinigung. Par BACH JOHANN SEBASTIAN. Setting in E minor. A new edition of the version for solo soprano by Bach, which can hold a place alongside the version for bass solo. Bach originally composed the cantata for the Feast of Purification for a solo bass in the key of C minor [CV 31. 082/00]. Since its scoring for only one solo voice made it easily adaptable for performanc…

Kantate Zum Fest Mariae Reinigung. Par BACH JOHANN SEBASTIAN. Setting in E minor. A new edition of the version for solo soprano by Bach, which can hold a place alongside the version for bass solo. Bach originally composed the cantata for the Feast of Purification for a solo bass in the key of C minor [CV 31. 082/00]. Since its scoring for only one solo voice made it easily adaptable for performanc…

Kantate Zum Fest Mariae Reinigung. Par BACH JOHANN SEBASTIAN. Setting in E minor. A new edition of the version for solo soprano by Bach, which can hold a place alongside the version for bass solo. Bach originally composed the cantata for the Feast of Purification for a solo bass in the key of C minor [CV 31. 082/00]. Since its scoring for only one solo voice made it easily adaptable for performanc…

Kantate Zum Fest Mariae Reinigung. Par BACH JOHANN SEBASTIAN. Setting in E minor. A new edition of the version for solo soprano by Bach, which can hold a place alongside the version for bass solo. Bach originally composed the cantata for the Feast of Purification for a solo bass in the key of C minor [CV 31. 082/00]. Since its scoring for only one solo voice made it easily adaptable for performanc…