Aus: Matthäuspassion 'Laßt Uns Mit Ernst Betrachten'. Par TELEMANN GEORG PHILIPP. This aria is equally suitable for use in a service or as Passion music. The voice and recorder alternate with the tutti strings. The voice part has the unusually limited range e1–e2, but it demands some vocal agility. / Date parution : 1980-12-01/ Répertoire / Solo Ms, Flûte à Bec F1, 2 Violons, Alto et Basse

Aus: Matthäuspassion 'Laßt Uns Mit Ernst Betrachten'. Par TELEMANN GEORG PHILIPP. This aria is equally suitable for use in a service or as Passion music. The voice and recorder alternate with the tutti strings. The voice part has the unusually limited range e1–e2, but it demands some vocal agility. / Date parution : 1980-12-01/ Répertoire / Solo Ms, Flûte à Bec F1, 2 Violons, Alto et Basse

Par WIMBERGER GERHARD. Détails de la formation instrumentale: 2 (auch Picc.) · 1 (auch Engl.Hr.) · 2 (1. auch Altsax. u. Es-Klar. - 2. auch Es-Klar. u. Bassklar.) · 1 - 2 · 1 · 1 · 1 - P. S. (Trgl. · 3 Gl. · Beckenpaar · hg. Beck. · Tamt. · Tamb. · 2 Tomt. · 2 Bong. · kl. Tr. · gr. Tr. · Woodbl. · Glsp. · Xyl. · Vibr.)(2 Spieler) - Hfe. - Str. - Durée: 130' - Langue: German -/ Recueil / Chant et P…

Voices (6), Vl I, Vl II, Bc, Violoncelle/ Recueil / 6 Voix (SSATTB), 2 Violons et Basse Continue

Voices (5), Vl I, Vl II, Violoncelle, Bc/ Recueil / 5 Voix (SSATB), 2 Violons et Basse Continue

Horn, Paul (Arr.) - Mh 837. Par HAYDN JOHANN MICHAEL. The Missa sub titulo Sti. Leopoldi pro festo Innocentium MH 837, written for the choir boys of the Salzburg Cathedral, was the last completed work of Johann Michael Haydn. Haydn composed more than thirty works to Latin and German settings for his “beloved choir boys” in a scoring for two or three treble voices. The composition of the Leopoldi-M…

Horn, Paul (Arr.) - Mh 837. Par HAYDN JOHANN MICHAEL. The Missa sub titulo Sti. Leopoldi pro festo Innocentium MH 837, written for the choir boys of the Salzburg Cathedral, was the last completed work of Johann Michael Haydn. Haydn composed more than thirty works to Latin and German settings for his “beloved choir boys” in a scoring for two or three treble voices. The composition of the Leopoldi-M…

Horn, Paul (Arr.) - Mh 837. Par HAYDN JOHANN MICHAEL. The Missa sub titulo Sti. Leopoldi pro festo Innocentium MH 837, written for the choir boys of the Salzburg Cathedral, was the last completed work of Johann Michael Haydn. Haydn composed more than thirty works to Latin and German settings for his “beloved choir boys” in a scoring for two or three treble voices. The composition of the Leopoldi-M…

The new Urtext edition of Schubert's lieder edited by Walther Dürr continues with volume 7, presented in separate volumes for high, medium, and low voice. This new volume contains the lieder that Schubert composed between May and August 1815, including his setting of Schiller's ballad 'Die Bürgschaft? (D 246).- Based on the Urtext of the 'New Schubert Edition?- Clear, well-presented engraving- For…

Kantate. Par BUXTEHUDE DIETRICH. Buxtehude's numerous vocal compositions which was written for performance in the Lübeck Marienkirche, are stylistically quite varied. The cantata 'Also hat Gott die Welt geliebet' is a concerto for solo soprano, with a text taken from the Gospel of St. John. The text employs the principle of dialog as a musical competition between individual instruments or between …

h-Moll. Par TELEMANN GEORG PHILIPP. Telemann’s unusually lightly scored Kyrie-Gloria Mass is a work of his Leipzig period [1701–1705]. In seven movements the young composer knew how to create with the voice [a–d2] and the small instrumental ensemble a rich palette of forms and affections. / Messe / Répertoire / Solo à (B), 2 Violons et Basse Continue

h-Moll. Par TELEMANN GEORG PHILIPP. Telemann’s unusually lightly scored Kyrie-Gloria Mass is a work of his Leipzig period [1701–1705]. In seven movements the young composer knew how to create with the voice [a–d2] and the small instrumental ensemble a rich palette of forms and affections. / Messe / Répertoire / Solo à (B), 2 Violons et Basse Continue

Kantate. Par BUXTEHUDE DIETRICH. Buxtehude's numerous vocal compositions which was written for performance in the Lübeck Marienkirche, are stylistically quite varied. The cantata 'Also hat Gott die Welt geliebet' is a concerto for solo soprano, with a text taken from the Gospel of St. John. The text employs the principle of dialog as a musical competition between individual instruments or between …

Kantate. Par BUXTEHUDE DIETRICH. Buxtehude's numerous vocal compositions which was written for performance in the Lübeck Marienkirche, are stylistically quite varied. The cantata 'Also hat Gott die Welt geliebet' is a concerto for solo soprano, with a text taken from the Gospel of St. John. The text employs the principle of dialog as a musical competition between individual instruments or between …