For Violin, Viola and Piano (Reduced from the orchestra version). Britten was so remarkably prolific as a young composer that many of the works from his teens were put aside to await revision or completion as he rushed on to the next piece. This was particularly the case around the time of his Opus 1 Sinfonietta , composed in the summer of 1932, his second year as a student at the Royal College Of…

Volume 1. Par WEBER ALAIN. French composer, Alain Weber (b. 1930) writes Leçons Progressives de Lecture et de Rythme with much experience and expertise. This first volume, which considers note and rest values, time signatures and clefs in great detail, is essential to accompany basic theory progression. Following graduation from the Paris Conservatoire, Weber spent time in Italy to develop his own…

for piano. Par LARCHER THOMAS. One could say that it is very natural to write for a “natural” [as opposed to prepared] piano - yes, maybe, but for me this had not been natural for many years. Exploring new things and sounds sometimes also has to do with not wanting to face the status quo, hiding oneself in a so-called future. In many of my earlier pieces I had fled into preparing the piano, wantin…

The House of Blues et les producteurs de The Rock House Method s'unissent pour vous offrir ce cours accéléré guitare acoustique conçu pour vous emmener dans les premiers stades de débutant à joueur intermédiaire en un rien de temps.Il est plein à craquer avec l'instruction qui couvre un éventail complet de techniques et de composants pour guitare acoustique. Vous allez apprendre les parties de la …

Par MARTIN JUAN. Juan Martin's internationally-acclaimed series which reveals the art of playing the flamenco Guitar. A video series of six lessons is now presented on two DVDs with a total duration of three hours. Juan Martin explains and demonstrates the essential techniques and rhythmic forms of flamenco Guiar playing in six lessons, designed for all players from beginning to advanced. The less…

Un quartet d'emo-pop de Las Vegas, panique ! At The Disco fait ses débuts en 2005 avec ce CD et a remporté la vidéo de l'année à la cérémonie MTV Video Music Awards en 2006. Ce recueil de chansons caractéristiques 11 tous suivre y compris, mais c' est mieux si vous le faites, Camisado, I constamment remercie Dieu pour Esteban, j'écrire péchés pas tragédies, la seule différence entre martyre et Sui…

Un CD convivial + forfait de livre, bourrés de riffs, licks & astuces vous pouvez apprendre aujourd'hui... et facilement incorporer dans votre propre style de jeu. Ce livre unique et audio inspirera vous à se rebeller contre mainstream rock et l'expérience de toute une gamme de styles de roche et des idées de jeu peu orthodoxes développé au cours des 40 dernières années. Depuis les débuts du rock …

Par VERSCHAEVE MICHEL. 'Du point de vue spectacle, l'opéra-comique français est, dans l'ensemble, une réussite, et la musique y joue un rôle souvent fort plaisant. Tout cela est vif, alerte, spirituel, habile, parfois pétillant - cela chante dans toutes les mémoires, et il n'est nul besoin de connaître le rudiment du solfège pour s'en délecter. La musique, presque uniquement mélodique, encore qu'e…

for Clawhammer Banjo. 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature. Par PERLMAN KEN. The island of Cape Breton & its close neighbor, Prince Edward Island in eastern Canada are home to two of the oldest, strongest, and most vibrant fiddling traditions in North America. Cape Breton gave rise to a professional Celtic-based fiddling scene to rival anything coming out of Scotland &…

Hot Rock Guitar - Grade 5 includes eight hit songs to play in your Rockschool exam, GCSE music or just rocking out. Hot Rock Guitar - Grade 5 works in addition to your Rockschool Guitar Grade 5 book to provide you with further song choices for your exam.You can select up to two pieces from Hot Rock to play in your Rockschool Guitar Grade Exam or three to play in your Rockschool Guitar Performance …

Par PART ARVO. 'In principio' takes its words from the Gospel of John 1:1-14 and puts them into a five-movement form. This work, as in all of Pärt's music, is governed by a strict formal design, with the clarity of the musical structure corresponding to that of the Latin text. The first movement (vv. 1-5) and the fifth (v. 14) are limited to two opposing formal elements: a static, syllabically art…