C-Dur. Par BARCHET SIEGFRIED. Langue : o Spr/ Répertoire / 2 Violons, Alto, Violoncelle et Contrebasse

Par VIVALDI ANTONIO. Sonates Pour La Musette/ Répertoire / Flûte Traversière ou Hautbois ou Violon et Basse C

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

C-Dur. Par VIVALDI ANTONIO. Langue : o Spr/ Répertoire / Flautino, 2 Violons, Alto, Violoncelle ou Contreba

G-Dur. Par MOZART WOLFGANG AMADEUS. Tonalité : G-Dur - Horn, Paul / Boesch, Christian / Nagora, Klaus (Arr.) -/ Répertoire / Solistes SSSSSTTBB, Flûte Traversière, Hautbois, C

Par KAREL RUDOLF. Rudolf Karel, the last student of Dvorák, was able to compose the Nonett in short score before his death [1945] in the concentration camp in Theresienstadt. From this score, Václav Snítil, the longtime leader of the Czech Nonett, has been able to complete and instrumentate the work. In spite of death and suffering around him, Karel was still able to portray the belief in a place …

Tonalité : Es-Dur - Op.: 107 -. Par DIABELLI ANTON. Obwohl Diabelli mit seinen [Land-]Messen in Instrumentation und Schwierigkeitsgrad den Gegebenheiten in ländlichen Gebieten entgegenkommen wollte, übertrifft die Messe in Es sowohl in Hinblick auf die Länge als auch auf die Anforderungen diesen Bereich. / Messe / Répertoire / Solistes SATB, Choeur SATB, Flûte Traversière, 2 C

Par MAUTE MATTHIAS. / Répertoire / Flûte à Bec Soprano ou Violon ou Cornet et Basse C

Offertorium. Par MOZART WOLFGANG AMADEUS. Since the two verifiable autographs of the offertory Misericordias Domini have been lost, for the present new critical edition Robert Münster was able to rely for the first time on the manuscript parts from the music of the Court of Munich which he discovered. These can be traced back to the material used for the first performance of the work in Munich in …

Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, …

C-Dur. Par BARCHET SIEGFRIED. Langue : o Spr/ Répertoire / 2 Violons, Alto, Violoncelle et Contrebasse

Tonalité : Es-Dur - Op.: 139 -. Par RHEINBERGER JOSEF GABRIEL. Langue : o Spr/ Répertoire / Flûte Traversière, Hautbois, Clarinette, Basson, C

Suite. Par CHARPENTIER MARC-ANTOINE. Suite/ Répertoire / 2 Violons, 2 Altos ou 3 Violons et Alto et Basse C

C-Dur. Par VIVALDI ANTONIO. Langue : o Spr/ Répertoire / Flautino, 2 Violons, Alto, Violoncelle ou Contreba

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…