Par MASSAINO TIBURTIO. Canzon á 16 by Tiburtio Massaino, arranged for Bassoon Choir by Matt Johnston. Instrumentation: 16 Bassoons. / Date parution : 2022-11-29/ Répertoire / 16 Bassons

Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the mus…

Tonalité : C-Moll -. Par HASSE JOHANN ADOLF. Gattungen: Messen, lateinisch - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Latin / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Opus : 36/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Wq 215. Par BACH CARL PHILIPP EMMANUEL. Gattungen: Magnificat - Verwendung / Kirchenjahr: Wei cor achten - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par MOZART WOLFGANG AMADEUS. Tonalité : B-Dur - Bernstein, Walter Heinz (Arr. ) - KV 125 / Date parution : 1990-10-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Kantaten I-Iii. Par BACH JOHANN SEBASTIAN. ?A widely-accepted form for the Christmas Oratorio is to perform parts I?III exclusively. In their concentration on the actual Christmas story they form a rounded whole. The present edition is conceived especially for this kind of performance. ? [Singen und Musizieren im Gottesdienst, Juli/August 2000] / Oratorio / Répertoire / Solistes SATB, Choeur SATB…

Kantate Zum Ratswechsel In Mühlhausen. Par BACH JOHANN SEBASTIAN. Tonalité : C-Dur - Horn, Paul (Arr.) - Lunn, Jean (Trad.) - BWV 71/ Répertoire / Solistes SATB, Choeur SATB, 3 Trompettes, Timbales

Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. Messen, lateinisch - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Miniature Score. Par MAHLER GUSTAV. Widely regarded as the crowning achievement of his career, Mahler's Symphony No. 8 received overwhelming recognition at its first performance in 1910. Scored for orchestra, eight solo voices, double chorus, boys' choir and organ./ Répertoire / Partition de Poche

/ Soli (STB), Choeur Mixte (SATB) Et Orchestre

Arrangeur: Klaus Hofmann. Par TELEMANN GEORG PHILIPP. This psalm setting was originally the opening and concluding movement in the Epiphany cantata from the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn, ” published at Nuremberg in 1744, and it is also from the “Biblische Sprüche” [see p. 12]. As in the cantata, here the vocal bass part may also be omitted. The lively alternation…

/ Soli (SATB), Choeur Mixte (SATB), Orchestre Et Orgue

Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV …