Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto …

Seven custom arrangements made especially for The Canadian Brass, the world s favorite brass ensemble, recorded on the 2013 CanadianBrass release Christmas Time Is Here. Includes: 'Angel Choir and the Trumpeter,? 'Bach's Bells,? 'Hark, the Herald Angels Sing,? 'My Little Drum,? 'O Tannenbaum,? 'Skating,? and 'What Child Is This?? There are separate part books for Trumpet 1 (00122451), Trumpet 2(00…

Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio'), Bach reveals a special fondness for colourf…

/ Soprano, Basse, Choeur Mixte Et Orchestre

Dominicusmesse. Par MOZART WOLFGANG AMADEUS. Tonalité : C-Dur - Horn, Paul (Arr. ) - KV 66/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Vl2. Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Rifkin, Joshua/ Répertoire / Solistes, Choeur et Orchestre

Par BRITTEN BENJAMIN. Britten's last completed work, written for young people's Chorus and Orchestra, is in five short sections: March, Roundel and Canon for Orchestra and Choir, and Jig and Modulation for Orchestra alone. This Vocal Score edition features a Piano reduction of the original Orchestral score. / Niveau : Assez Facile / Répertoire / Voix Mixtes

Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the…

D-Dur. Par MOZART WOLFGANG AMADEUS. Durch ihre große Besetzug, ihre beachtliche Ausdehnung und ihre virtuose Solopartien gehört diese Litanei zu den 'Litaniae solemnes', die im Salzburger Dom zur Aufführung kamen. / Hymnes et chorals / Date parution : 2001-05-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2

Par GARCIA JOSE MAURICIO NUNES. Garcia, born in 1767 in Rio de Janeiro, and priest and music director at the cathedral there, is still hardly known. Among his spiritual works are four settings of the Mass for the Dead. The present „Missa dos Defunktos“ was commissioned by the Portuguese King Dom Joao VI in the memory of Queen Maria I, who died in 1816. The composition, in the key of D minor, shows…

Aus: Drei Geistliche Hymnen Aus Der Schauspielmusik Zu 'Thamos, König In Ägypten'. Par MOZART WOLFGANG AMADEUS. Tonalité : D-Dur - KV Anh. 123 / Hymnes et chorals / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par MOZART WOLFGANG AMADEUS. Ausgaben Für Die Praxis Nach Der Neuen Mozart-Ausgabe. Urtext/ Répertoire / Solistes (SATB), Choeur Mixte (SATB), Orchestre et

Tvwv 20:39. Par TELEMANN GEORG PHILIPP. Kantaten, Weltliche Chorsätze - Langue : Allemand/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par GOODALL HOWARD. Veni, Sancte Spiritus a été commandée par Tyim Hastie-Smith pour la réunion des directeurs et Conférence des directrices en 2008. La première représentation a été donnée par Dean étroite Chamber Choir, menée par Benjamin Nicholas, du service de conférence à l'abbaye de Westminster, le mardi 30 septembre 2008./ Feuillet / Choeur

Par ROSSINI GIOACHINO. The “ Petite Messe Solennelle ” is the finest work of Rossini ’s late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the consecration of her private chapel, where the work received its first performance in March 1864. Together with the “Stabat mater”, the mass is one of the composer’s most important sacred wor…