Tonalité : B-Dur -. Par SALIERI ANTONIO. Gattungen: Passionen - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Kantate Zum 1. Pfingsttag. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Lunn, Jean (Trad. ) - BWV 74/ Répertoire / Solistes SATB, Choeur SATB, 3 Trompettes, Timbales

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based…

Choral. Par MENDELSSOHN-BARTHOLDY FELIX. The German setting of the Te Deum was comissioned for the celebration of the 1000th aniversary of the German Reich in the Berlin cathedral. In the entirely homorhythmic choral arrangement, Mendelssohn seeks variety of sound through colorful harmonies and contrast between the different groups [choir, organ, brass and strings]. / Date parution : 1997-06-01/ R…

Par DE HAAN JACOB. Remembrance Day (Totengedenken) is a chorale-like piece in memory of those who have died in service. Jacob de Haan composed this work for a concert by the symphonic wind orchestra Symphonic Winds, which he conducted in Germany on Volkstrauertag (national remembrance day). The composition is based on a text from Totengedenken (Commemoration of Those Who Have Died). This narrative…

Tonalité : D-Moll - Horn, Paul (Arr.) -. Par NAUMANN JOHANN GOTTLIEB. Johann Gottlieb Naumann, who today is becoming increasingly well known, achieved recognition during his lifetime as a composer of operas, among them the first Swedish “national opera, ” Gustaf Wasa. In addition he wrote a large number of sacred compositions for the Court of Dresden, where he was employed for many years, includin…

For Chamber Choir or 12 Solo Voices. Par LANG DAVID. / Date parution : 2023-06-01/ Répertoire / Chœur de Chambre ou 12 Voix Solo

Tonalité : D-Moll - Kv 65 (61A). Par MOZART WOLFGANG AMADEUS. Gattungen: Missa brevis, lateinisch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

Schöpfungsmesse. Par HAYDN FRANZ JOSEF. Tonalité : B-Dur - Hob. XXII:13/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

Par TIPPETT MICHAEL SIR. Opera In 3 Acts/ Répertoire / Solistes, Choeur et Orchestre

Sinfonia Und Kantate. Par BACH WILHELM FRIEDEMANN. Eine - bis auf den Schlusschoral - rein solistische Pfingstkantate des ältesten Bach-Sohnes ist eine lohnende 'Ausgrabung', da man Wilhelm Friedemann, wenn überhaupt, dann vor allem als Instrumentalkomponist kennt [Konzerte, Sinfonien, Orgel- und Cembalomusik]. Der Kantate vorangestellt ist eine ebenfalls aus Bachs Hallenser Zeit stammende dreisät…

C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Opus : 36/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Sinfonia Und Kantate. Par BACH WILHELM FRIEDEMANN. Fk 85/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par OLSEN TAWNIE. for upper voices (SSAA) and SATB (with divisions) unaccompanied This innovative setting of the Magnificat celebrates the strength of teenage girls and is suitable for both liturgical and concert performance. The upper-voices sing in the style of Bulgarian choral folk music, using a visceral sound that contrasts with the SATB choir. / Date parution : 2022-03-05/ Répertoire / SSAA …