When I Grow Up comes from Matilda he Musical , the award-winning stage version of Roald Dahl's classic children's novel from the Royal Shakespeare Company. The song is a wish list of the kind of pleasures adulthood is imagined to bring. Of course it is a poignant list because in this case all it contains is freedom from the trials of childhood. Tim Minchin's song is performed by the company led by…

This rousing triple meter choral is infused with traditional gospel harmonies, rhythms, and articulations, and the uplifting text conveys an urgent message for peace. The classic 'Dona Nobis Pacem' canon is quoted in three parts in the middle of the piece. An inspirational powerhouse! / 2 Parties Mixtes

Arrangeur: Alfred Mann. Par HAENDEL GEORG FRIEDRICH. The best-known and most beloved large-scale musical work in the English-speaking world, Messiah was first performed in Dublin over 200 years ago to benefit local charities. Since that time, it has given millions of performers their primary experience in singing classical music. Today it is the supreme example of the English oratorio. A meditatio…

This rousing triple meter choral is infused with traditional gospel harmonies, rhythms, and articulations, and the uplifting text conveys an urgent message for peace. The classic 'Dona Nobis Pacem' canon is quoted in three parts in the middle of the piece. An inspirational powerhouse! / Choeur Mixte (SATB)

The whimsical 1971 acoustic song by Cat Stevens has a gentle folk feel to it that transfers beautifully to a choral setting. Singers will love learning such a warm and welcoming song and audiences will enjoy listening! / Choeur Mixte (SATB)

Par POOS HEINRICH. Durée: 3', Langue: German, Format: Schott Choral Publishing (C-Order Numbers)/ Feuillet / Choeur d'Hommes (TTBB)

Choral Highlights. Par HUFF MAC. You'll have a jolly holiday indeed with the songs from the new hit Broadway production! With melodies from the classic Disney movie and some new favorites, you and your audiences will have a supercalifragilisticexpialidocious good time!/ Recueil / SATB

Par DOVE JONATHAN. Jonathan Dove?s We Are One Fire, was commissioned as a birthday present for the 90th anniversary of the BBC Symphony Chorus. Dove turned to playwright Alasdair Middleton for a text that could serve as both a response to and an echo of the sentiment in Schiller?s Ode to Joy, celebrating humanity?s ?shared ancestry?. / Choral Music / Répertoire / Voix Mixtes

Kikapust. Par TRADITIONNEL. Enregistrées sur CD sampler de Jonathan Rathbone gratuit, contactez-nous pour obtenir votre copie. Le Kikapust qu'offre de série Choral choeurs un vaste choix de clôture-harmony un arrangements cappella. Tous nos arrangeurs / compositeurs - Jonathan Rathbone, Ben Parry et Mark Willi ams - étaient membres de longue date de Swingle Singers. / Niveau : Débutant / Jonatha…

Un nouveau volume par le célèbre compositeur choral anglais Karl Jenkins. / Choeur De Femmes (SSA) Et Piano

Par STANFORD CHARLES VILLIERS. A jewel of English music, The Blue Bird first appeared as the third of these eight-part songs to words by the Victorian poet and novelist Mary Coleridge. Published shortly after her death in 1908, Op. 119 is the first of two such cycles composed in response to the refined sensibility of her poetry, which proved an ideal match for Stanford’s mastery of word-setting an…

Choeur Seul. Par POULENC FRANCIS. The Litanies a la Viergne Noire signaled a new phase in Poulenc’s career, one marked by religious choral works of a mysterious, ethereal, and often extremely moving nature. Not surprisingly this was influenced by personal losses in his life. A beautiful work for female (SSA) voices, which features a modal, chant-like style, which avoids conventional cadences. Avai…

Choral Cantata. Par RAPHAEL GUNTER. / Répertoire / Choeur Mixte (SATB) et Orchestre

These three a cappella movements each originate from different largescale compositions, some for fairly substantial forces. In these works, when the focus is turned on the essence of a statement, I have (probably out of pure instinct) permitted all adjuncts - such as subtle orchestral accompaniment, opulent percussion, soloists, electronics etc. - to fall silent and tried to express myself through…