'O Lux Beata? ('O Blessed Light') was commissioned by The Fotheringhay Singers (Marius Carney, conductor). The work, a setting of a 4th-century hymn text ascribed to St Ambrose of Milan, contrasts a plainsong style melody over the organ pedals with the rich and lyrical outpouring of larger choral sections. Although challenging in places, the subtle chromaticism and occasional lush close-harmonies …

Singer-songwriter John Legend's chart-topping hit is a testament to the power of love, with a compelling acoustic piano underlay and honest, heartfelt lyrics. A superb selection for concert and pop choral groups! / Choeur Mixte (SATB)

A forlorn sailor stares out to sea, longing for the one left behind as 'whispers on the water' summon memories of home. This contemplative choral is deep in meaning, rich in texture, and replete with artistry. The notes are not difficult, affording the opportunity to focus on musicality. / Choeur Mixte (SATB)

Par HOLMBOE VAGN. Landi Ljómandi - A collection of Choral Works in Faroese by Vagn Holmboe. Texts by J.H.O. Djurhuus, William Heinesen, Chr. Matras og Karsten Hoydal./ Recueil / Choeur SATB

ShowTrax CD. Par DYLAN BOB / EMERSON ROGER (Arr.). Covered countless times by artists around the globe, Bob Dylan's seminal work was originally composed as a lullaby for his eldest son Jesse, bestowing wishes and blessings upon him. As a choral, ?Forever Young? works especially well as a adulatory song for graduations! / Date parution : 2021-11-03/ Accessoire / Choeur

Boosey's Choral Miscellany No. 254. Par SULLIVAN SIR ARTHUR SEYMOUR. Langue: English, Format: New Edition portrait/ Répertoire / Choeur Mixte (SATB)

Par VAUGHAN WILLIAMS RALPH. for SATB and piano Jonathan Wikeley's choral arrangement of Vaughan Williams's Four Last Songs offers a new way to engage with these beautiful late works. The first and last songs are accompanied with the middle two unaccompanied. The original settings are available in the first volume of Collected Songs by Vaughan Williams. / Date parution : 2023-03-11/ Répertoire / SA…

From Lerner and Loewe's My Fair Lady, this stunning ballad offers a soaring melodic line, exquisite harmonies and full choral sonorities. / Voix Mixtes

The familiar Latin text has been set many times by many composers, but this dynamic and rhythmic composition rises above. Opens with a driving marcato theme, which is brilliantly contrasted by the expressive, legato B section. A dramatic choral work that delivers an impressive effect. / Choeur SSA

Par PERGOLESI GIOVANNI BATTISTA. In 1732 Giovanni Battista Pergolesi composed a setting of the Vespers in honor of St. Emidius, Naples’s patron saint and protector against earthquakes. All that has survived are the introit Domine ad adjuvandum and three psalm settings: Dixit Dominus, Laudate and Confitebor. Malcolm Bruno’s reconstruction consists of Pergolesi’s Hymnus, Magnificat, several short in…

The beloved melody for Danny Boy is combined with a beautiful original Christmas lyric for a choral blessing that will create a moment of sheer magic at the close of every Christmas concert or service. Optional a cappella, or piano with glockenspiel. Available separately: SATB, SAB, SSA. Duration: ca. 2:15. / Choeur Mixte (SATB)

Facilement chantantes arrangements de 4 spirituals fraîches et les évangiles, chanteur composés par le célèbre arrangeur choral Klaus Heizmann. / Choeur Mixte (SATB)

The lyrical song from Liverpool Oratorio, made famous by Kiri Te Kanawa's hit single, in separate choral arrangements for SA and SAB, each with piano. / Choeur (Unisson), Voix Hautes Et Voix Egales

Par SCHWARTZ STEPHEN. From ?The Prince of Egypt? (the Dreamworks animated film of the life of Moses), the majestic and inspirational opening melody gradually builds in intensity and grandeur leading to a simple and lyrical Hebrew prayerthat unfolds into a great choral outpouring of emotion at the final breathtaking chorus. May be performed with piano alone, with CD accompaniment or with the full i…

These three choral vignettes are inspired by the whimsical poetry of Emily Dickinson. All three pieces require a free play of fancy and imagination. Using extended, aleatoric passages, non-metrical and free harmonic writing, directors and singers are given a pallet to create a piece that will be new every time it is performed. / Choeur Mixte (SATB) A Cappella