The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual, and not filled with off-putting diagrams, this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language or to singing in a specific context. In each volume of the series, works…

Description This collection of well-known classical pieces can be used on its own or as supplementary material to the iconic A Dozen A Day techniques series by Edna Mae Burnam. The pieces have been arranged to progress gradually, applying concepts and patterns from Burnam?s technical exercises whenever possible. Teacher accompaniments and suggested guidelines for use with the original seri…

Par BERTOLI PIERANGELO. SUGML761/ Recueil / Chanson

Kantate Zum 1. Weihnachtsfeiertag. Par TELEMANN GEORG PHILIPP. This solo cantata for the Christmas season [St. Stephen’s Day] dates from Telemann’s years in Frankfurt [1712–1721]. The string part is intended for “Violini all’Unisono” [i. e. , for several players], but in accordance with the practice of that timeit can be played by a solo violin, and is also suitable for an oboe. / Date parution : …

Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach’s “most inspired ideas” [Alfred Dürr], was composed for the 3rd day of Christmas 1725. Flute and oboe d’amore lend pastoral coloring to the chamber music sound picture. The oboe d’amore was not originally included in Bach’s s…

Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach’s “most inspired ideas” [Alfred Dürr], was composed for the 3rd day of Christmas 1725. Flute and oboe d’amore lend pastoral coloring to the chamber music sound picture. The oboe d’amore was not originally included in Bach’s s…

BWV 248. Par BACH JOHANN SEBASTIAN. For this edition, Carsten Klomp has transferred the orchestral movement of the 1st cantata from Johann Sebastian Bach's Christmas Oratorio to the organ. It not only enables a performance with a reduced line-up, but also a tonally appealing and surprisingly coherent rendition of this wonderful music. The way the voices are distributed on the manuals and pedal and…

Kantate Zum Sonntag Laetare. Par TELEMANN GEORG PHILIPP. A cantata from the annual cycle “Musicalisches Lob Gottes” [1744], which celebrates Laetare [the third Sunday before Easter] – “rejoice” – with a jubilant opening chorus. According to Telemann’s notes, it can be performed in several different combinations of parts. The opening chorus is also in the “Biblische Sprüche” [see p. 12]. / Date par…

Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach’s “most inspired ideas” [Alfred Dürr], was composed for the 3rd day of Christmas 1725. Flute and oboe d’amore lend pastoral coloring to the chamber music sound picture. The oboe d’amore was not originally included in Bach’s s…

A Cantata for Congregation and Choir. Par SORENSON HEATHER. A truly unique offering for the holidays, this one-of-a-kind resource puts congregational participation to front and center in the service of song. Ideal for a Lessons and Carols service or community carol sing, this compilation will be an essential part of your choral library. From tender manger cradle songs to glorious shouts of praise …

Kantate Zum 1. Weihnachtsfeiertag. Par TELEMANN GEORG PHILIPP. This solo cantata for the Christmas season [St. Stephen’s Day] dates from Telemann’s years in Frankfurt [1712–1721]. The string part is intended for “Violini all’Unisono” [i. e. , for several players], but in accordance with the practice of that timeit can be played by a solo violin, and is also suitable for an oboe. / Date parution : …

Kantate Zum 1. Weihnachtsfeiertag. Par TELEMANN GEORG PHILIPP. This solo cantata for the Christmas season [St. Stephen’s Day] dates from Telemann’s years in Frankfurt [1712–1721]. The string part is intended for “Violini all’Unisono” [i. e. , for several players], but in accordance with the practice of that timeit can be played by a solo violin, and is also suitable for an oboe. / Date parution : …

Kantate Zum Sonntag Laetare. Par TELEMANN GEORG PHILIPP. A cantata from the annual cycle “Musicalisches Lob Gottes” [1744], which celebrates Laetare [the third Sunday before Easter] – “rejoice” – with a jubilant opening chorus. According to Telemann’s notes, it can be performed in several different combinations of parts. The opening chorus is also in the “Biblische Sprüche” [see p. 12]. / Date par…

Kantate Zum Sonntag Laetare. Par TELEMANN GEORG PHILIPP. A cantata from the annual cycle “Musicalisches Lob Gottes” [1744], which celebrates Laetare [the third Sunday before Easter] – “rejoice” – with a jubilant opening chorus. According to Telemann’s notes, it can be performed in several different combinations of parts. The opening chorus is also in the “Biblische Sprüche” [see p. 12]. / Date par…

Par HAZELL CHRIS. Unison and keyboard Written by a celebrated arranger and composer of popular classic Holy Moses, this lively and inspiring cantata is a pageant of Christmas past and present - including 'An Elizabethan Christmas Present', 'Mysterious Handel', 'Mozart's Mince Pies', 'A Victorian Cockney's Lament' and 'Christmas Rapping'. Stuffed full of memorable tunes, it ends with a rumbustuous …