Another fine 2-part piece by Sally Albrecht, COME, LET US SING is an exciting partner song with a final descant. Includes an optional, easy, trumpet part and an optional text suitable for Christmas. A great festival piece for young choirs or for any concert. Singable, repetitive rhythms highlight the strong melody. / 2 Parties Mixtes

Par . The ?à la carte? series from Ensemble Dreiklang of Berlin has visited the Emerald Isle! In ?Irish Coffee?, they offer intermediate arrangements of well-known Irish dances and ballades, including ?The Irish Washerwoman? and ?Down by the Salley Gardens?. The arrangements are for descant (soprano), treble (alto) and bass recorders although arranger Sylvia Rosin recommends switching from soprano…

French and Spanish Music. 'The Schott Recorder Consort Anthology' presents a wealth of music from the fifteenth to the seventeenth centuries. Although the bulk of the collection is laid out for a variety of four-part ensembles there are also duets and trios, as well as five- and six-part pieces. The repertoire includes both original instrumental works and transcriptions of vocal pieces. There are …

Par ARCHER MALCOLM. for SATB and organ or piano With words by the composer, Archer's carol joyfully describes the Nativity story with a lilting melody in 3/4 time. The voices culminate in a powerful unison statement with an angelic descant, all the while underpinned by flowing keyboard accompaniment. Perfect for services and concerts./ Répertoire / Choeur SATB et Orgue ou Piano

Par TELEMANN GEORG PHILIPP. This Telemann Album brings together 14 arrangements of Georg Philipp Telemann pieces for descant (soprano) and treble (alto) recorders with piano and/or tenor recorder. The arrangements have been made by Walter Bergmann.  / Ensemble Music / Recueil / Flûte à Bec et Piano

Par L'ESTRANGE ALEXANDER. Commissioned by BBC Music Magazine, Love came down at Christmas is Alexander L'Estrange's stunning setting of the classic poem by Christina Rossetti. The music reflects the direct, sincere and expressive text in a simple strophic form, the melody passing to the basses for the second verse while the sopranos provide an angelic descant. A unison coda draws the piece to a se…

Dalglish a magistralement fixé ce texte tranquille avec un simple, s'écoulant mélodie. La qualité chatoyante de la hammer-dulcimer est un complément parfait à la ligne vocale legato. La partie descant facilement accessible contribue à l'importation de texte et de la qualité apaisante de la mélodie. / Choeur De Femmes (Choeur D'Enfants) Et Hammer Dulcimer (Cordes frappées) (Piano)

Par DE HAAN JACOB. This composition is based on a passacaglia theme, in which artistic perfection, symphonic drama and oriental melody lines play a role. The passacaglia is originally a dance made up of a series of variations above a bass line constantly present as an ostinato. It is not in this sense that the 'Symphonic Variations' are in the passacaglia form but in the sense of the open form of …

Here's an exuberant a cappella feature, equally appropriate for school and church. Traditional choral writing, a familiar form, a characteristic bass line, and a soprano descant give this original composition its authentic spiritual sound. A contrasting middle section features reflective phrases from well-known 'Mary Had a Baby.' / Choeur SATB A Cappella

/ Flûte A Bec Soprano

/ Flûte A Bec Soprano

A powerful concert work featuring a strong piano accompaniment and driving, repetitive rhythms. Features an 'echo' section, and a closing soprano/tenor descant. Uncomplicated voice-writing with much repetition makes for easy learning, a Jay Althouse trademark. Effective dynamic changes. Original, English text has no sacred references and is well-suited for school concerts. / Choeur Mixte (SATB)

Duos faciles pour les enregistreurs de descant, allant de Beethoven à la blues, à encourager l'apprentissage de nouveaux billets et de rythmes. Convient pour les deux joueurs ou ensembles de classe, avec des accompagnements piano dans les livres des enseignants. Idéal pour utilisation aux côtés des livres de tuteur enregistreur des débuts. / Flûte A Bec

Full Orch. Par TROTTA MICHAEL JOHN. A wonderfully expressive a cappella setting of the traditional Christmas text. Carefully prepared dissonances and use of close harmonies thoughtfully paint the text as a sense of awe and wonder permeate the setting. The work concludes with the opening material sung on 'Alleluia ' with a soaring soprano descant. May be performed in English or Latin. / Date paruti…

Gilliam Dona (Arngd-Edt). Par GILLIAM DONA. La pratique de vos favoris hymnes avec un accompagnateur à la maison ou dans votre studio ! Hymnes pour flûte et Piano Made Easy est une collection de quinze hymnes traditionnels arrangés pour flûte solo avec accompagnement au piano: une puissante forteresse notre Dieu - Laud tous de gloire et honneur - Amazing Grace - Christ Seigneur est ressuscité aujo…