fifty etudes to make the flute be your voice. Par PRETTO GIAMPAOLO. Into Sound stems from the need to provide the basics and technique of flute sound emission, through a pragmatic approach that analyses all aspects related to posture, lip support and breathing. The author emphasises the importance of the different parts of the body involved, highlighting the areas used to execute certain technique…

24 tubes de rock : Bang a Gong (Get It On) · Can't Fight This Feeling · Carry on Wayward Son · Cold As Ice · Come on Eileen · Come Together · Crocodile Rock · Down on the Corner · Every Little Thing She Does Is Magic · Free Fallin' · Hurts So Good · The Joker · Livin' on a Prayer · Maggie May · Mr. Roboto · Money for Nothing · One More Night · Peace of Mind · Reeling in the Years · Smoke on the Wa…

Mauro Giuliani is considered today to have been the most important guitarist-composer of the early nineteenth century. Not only was Giuliani the foremost player of his day: his fame reached far beyond the realm of guitar enthusiasts, earning him a place among the musical élite as a complete, versatile musician. Even so, by the end of the nineteenth century he was largely forgotten and his music ma…

Born to an Italian father and a French mother, Eugène Bozza (1905-1991) divided his music studies between the Academia Santa Cecilia in Rome and the Conservatoire de Paris, where he was taught by Henri Büsser and Henri Rabaud. His chamber music compositions reveal a marked predilection for wind instruments, as reflected in Fantaisie pastorale for oboe and piano (1939) and New-Orléans for bass saxh…

Brought together for the first time, a comprehensive collection of timeless choruses newly engraved in recent editions from the historic Novello series of vocal scores. For programming festivals, concerts, celebrations or just run-through practice for the choral society, events can be organised at last from a single volume of classics without the need for the singers to carry scores of any number …

Par BULLA STEPHEN. Let your brass band play the blues. This inivotive work makes use of traditional blues harmonies over a strong rock beat. The cornets carry the melody first, but this is soon taken over by a solo percussion break. The piece also makes use of mixed time signiatures where the whole band plays the blues scale in an uneaven seven beats! / Niveau : 2.5 / Répertoire / Educatif

This novelty piece in rondo form features the clarinet section removing one section of their instrument at a time. As the piece progresses, the instruments become smaller and smaller until the main theme they carry is totally absent from the accompaniment part played by the rest of the ensemble. The creative possibilities with this piece are limited only to the director's imagination! (2:10) / Con…

The violins carry the duet lines all while in 1st position while the other sections have challenging arpeggios creating a beautiful string transcription that is very close to the original. Perfect to expand students' understanding of opera! (3:45) / Orchestre A Cordes

Compositeur(S): Emile Carrara. Par CARRARA EMILE. Auteur: MITZI/ Feuillet / Chant et Piano

Par . Terri Lyne Carrington, Founder and Artistic Director of the Berklee Institute of Jazz and Gender Justice, has curated a wide range of jazz compositions written by women composers, from obscure to popular, historic to current, blues to be bebop, and beyond in this important collection. These compositions are supplementary and alternatives to the jazz standard canon that has served students, t…

Compositeur(S): Emile Carrara. Par CARRARA EMILE. Auteur: MITZI/ Feuillet / Chant et Piano

Compositeur(S): Gus Viseur And Emile Carrara. Par CARRARA EMILE. / Feuillet / Chant et Piano

Terri Lyne Carrington, Founder and Artistic Director of the Berklee Institute of Jazz and Gender Justice, has curated a wide range of jazz compositions written by women composers, from obscure to popular, historic to current, blues to bebop, and beyond in this important collection. These compositions are supplementary and alternatives to the “jazz standard” canon that has served students, teachers…

Par . Cahier de musique et chant avec des portées musicales sur une face et des grands carreaux SEYES sur l’autre face. Dimension au format A4 : 210 X 297 mm. Papier 90 grammes. 48 pages. Reliure piquée. Le cahier de musique standard pour tous les élèves de classes des écoles et conservatoires de musique. C’est la référence des cahiers pour prendre en note les cours sur une page à carreaux et illu…

Par REICHA ANTOINE. Cette édition du concerto pour piano en mi bémol majeur est basée sur le manuscrit D-11708 (1) de la Bibliothèque nationale de France. Les feuillets du manuscrit comprennent les parties individuelles pour piano et orchestre, mais n’incluent pas de conducteur. Reicha n’est pas cité dans le titre comme compositeur, mais le nom « Reicha » a été ajouté sur la couverture, probableme…