Arrangeur: Mark De-Lisser. Par DE-LISSER MARK. This arrangement of the timeless classic Stand By Me was written in the gospel style by Mark De-Lisser for the wedding of H.R.H. Prince Harry and Meghan Markle in the Chapel of Windsor Castle. It was performed by the Kingdom Choir, directed by Karen Gibson and heard by millions of people across the globe. For SATB choir and tenor soloist, this beautif…

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wacht! Euch Zum Streit Gefasset Macht. Par BUXTEHUDE DIETRICH. The Amsterdam Baroque Orchestra and Choir, / Koopman, Ton / Mertens, Klaus / Karasiak, Andreas / Blaze, Robin / Zomer, Johannette / Isidro, Orlanda Velez / Stam, Caroline (Trad.)Anh. 3 / Oratorio / Répertoire / Solistes SSSATB, Choeur SSATB, 2 Violons, 2 AltoS

The definitive Advent anthem! The haunting opening call of keyboard and flute (optional, part included in choral) summon a solo male voice singing this most beloved of all Advent carols. The choir men respond in unison, followed by the full choir singing 'Emmanuel shall come to you, O Israel.' For large or small choirs. / Choeur Mixte (SATB)

Music for Royal Occasions is an exciting volume of pieces written for coronations and other royal celebrations over the past five centuries. It includes long-standing favourites, such as Handel's Zadok the priest and Parry's I was glad - and works from earlier years, such an Henry Purcell's I was glad and the delightful Rejoice in the Lord alway . Many well-loved composers were commissioned to wri…

Par SCHUTZ HEINRICH. Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (cello or organ) My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi…

Par SCHUTZ HEINRICH. Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (cello or organ) My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi…

Favoritchor/OrgelBc. Par SCHUTZ HEINRICH. Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (Cello or Organ). My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz 's impressive and musically colourful setting of the Magnifcat from 1665 shows the …

Welcome is a work composed by Edward Gregson, arranged for Upper Voices and Piano. It was originally composed for boys' voices, Organ, Brass and Percussion in 1996, but ten years later Gregson created a new version especially for the Kinder Children's Choir of the High Peak. This latter version appears here, and lasts around 4 minutes.The text of Welcome consists of the word 'Welcome', repeated nu…

Par JANSSON MARTEN. Tonight I Dance Alone for double choir a cappella consists of three poignant episodes from the life of an old man. We encounter him before his wedding, before celebrating his wedding anniversary and now as an elderly widower who says to his grandson: ; Soon we will dance in the God-light, My love and I. Soon will the moon be ours again, And the endless shining stars In the hall…

Par RUTTER JOHN. for SATB (with divisions) and organ This touching carol for choir and organ sets a tender text by G. K. Chesterton. Immaculately crafted, it has at its heart another winning melody from arguably the world's most famous living composer of carols. Offprinted from Carols for Choirs 6. / Date parution : 2023-07-31/ Répertoire / SATB [div.] et Orgue