Choral. Par MENDELSSOHN-BARTHOLDY FELIX. The German setting of the Te Deum was comissioned for the celebration of the 1000th aniversary of the German Reich in the Berlin cathedral. In the entirely homorhythmic choral arrangement, Mendelssohn seeks variety of sound through colorful harmonies and contrast between the different groups [choir, organ, brass and strings]. / Date parution : 1997-06-01/ R…

Choral. Par MENDELSSOHN-BARTHOLDY FELIX. The German setting of the Te Deum was comissioned for the celebration of the 1000th aniversary of the German Reich in the Berlin cathedral. In the entirely homorhythmic choral arrangement, Mendelssohn seeks variety of sound through colorful harmonies and contrast between the different groups [choir, organ, brass and strings]./ Répertoire / Solistes SATB, Ch…

Choral. Par MENDELSSOHN-BARTHOLDY FELIX. The German setting of the Te Deum was comissioned for the celebration of the 1000th aniversary of the German Reich in the Berlin cathedral. In the entirely homorhythmic choral arrangement, Mendelssohn seeks variety of sound through colorful harmonies and contrast between the different groups [choir, organ, brass and strings]./ Répertoire / Solistes SATB, Ch…

Choral. Par MENDELSSOHN-BARTHOLDY FELIX. The German setting of the Te Deum was comissioned for the celebration of the 1000th aniversary of the German Reich in the Berlin cathedral. In the entirely homorhythmic choral arrangement, Mendelssohn seeks variety of sound through colorful harmonies and contrast between the different groups [choir, organ, brass and strings]. / Date parution : 1997-06-01/ R…

Par BACH JOHANN SEBASTIAN. Piano score for mixed choir, solo voice and piano. Soli: SATB and Choir: SATB / Hymnes et chorals / Répertoire / Soliste, Choeur Mixte et Orchestre

Par HUSZAR LAJOS. Lajos Huszár composed his motet for mixed choir Strafe mich nicht in deinem Zorn commissioned by the town of Debrecen for the 26th Béla Bartók International Choir Competition in 2014. The composer says about his work: ''This choral work is the closing piece of a series for mixed choir consisting of three motets in German. The text is from the Bible as translated into German by Ma…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

aus: Psalmi Vespertini. Par MAZZOCCHI VIRGILIO. During his tenure under Pope Urban VIII Virgilio Mazzocchi was among the most renowned musicians of Rome. He directed the Cappella Giulia in St. Peters Basilica for 17 years. He also organized the musical activities at the court of the Pope’s influential nephew, Francesco Barberini. The Psalmi Vespertini, Mazzocchi’s most important sacred work, were …

Choeur 4 Voix Mixtes - SATB. Par ABOULKER ISABELLE / GUILLEVIC. Isabelle Aboulker 's Souvenir for SATB choir with Piano accompaniment./ Répertoire / Choeur 4 Voix Mixtes (SATB) sans Accompagnement

Par OLSEN TAWNIE. for upper voices (SSAA) and SATB (with divisions) unaccompanied This innovative setting of the Magnificat celebrates the strength of teenage girls and is suitable for both liturgical and concert performance. The upper-voices sing in the style of Bulgarian choral folk music, using a visceral sound that contrasts with the SATB choir. / Date parution : 2022-03-05/ Répertoire / SSAA …

Par BURTON KEN. British composer Ken Burton uses the writing of Paul Laurence Dunbar (1872–1906), the black American son of emancipated slaves, in his 3-minute work A Prayer. The text of the three verses is bitter-sweet, filled with hope and sadness, and the music combines with this to make a rhythmically simple reflective evening hymn. Burton draws on Spiritual, Gospel and Blues to write a piece …