Par MANN JANE. This system concentrates on the particular fingers which play simultaneously in each hand providing anchor points to improve coordination and speed up the learning process. Using just five scale and four arpeggio patterns throughout, memorising is quick, easy, and secure, and correct fingering guaranteed every time! Even if you don\'t read music notation this illustrated method work…

Left-Handed Ukulele is designed to introduce the player to this fun and easy instrument for self-teaching or private or group instruction. Learn how to play chords and melodies using standard notation, tablature, fingerpicking, strumming and more.Topics covered include:The basicsPlaying chordsPlaying notesReading standard music notationPlaying scalesHammer-ons, pull-offs and slidesFingerpickingand…

Learn To Play Classic Rock Piano From The Masters breaks down the elements that go into playing rock Piano - the melodic riffs, chords, rhythms and bass lines - and explores styles and techniques from all over the map: from hard-driving rock, sweet ballads and funky blues riffs to jazz-inflected polychords.Section I takes examples from dozens of famous songs and shows you exactly what goes on in t…

Par VARGAS ENRIQUE. The definitive, comprehensive explanation of both the harmonic and melodic aspects of flamenco! Flamenco Improvisation - Modal Improvisation and Melodic Construction in the Flamenco Environment by famed guitarist Enrique Vargas. This volume deals with the main flamenco modes extracted from the Arabic modal system, Maqam. First, the concept of tetrachordal modal construction is …

Arr. James L. Hosay. Par BACH JOHANN SEBASTIAN. Two timeless Christmas favorites by J. S. Bach are gloriously arranged for the Concert Band and ready for your interpretation. BREAK FORTH, O BEAUTEOUS, HEAVENLY LIGHT and JESU, JOY OF MAN'S DESIRING comprise the two contrasting movements (a Chorale and a Ballad). You know how valuable chorale style playing can be for the band’s tone quality, breath …

A feature for flugel and tenor horns based on the Passion Chorale. Par HASSLER HANS LEO. A Feature For Flugel And Tenor Horns Based On The Passion Chorale / Niveau : 2.5 / Hymnes et chorals / Répertoire / 3 Cors et Brass Band

Par CURNOW JAMES. A wonderful teaching piece and the ideal young band festival work, BACH VARIANTS (six melodic variations on the Bach chorale AWAKE MY HEART AND SING) should be a staple of every young band library. Chorale style playing does so much for the young band's intonation, tone quality and phrasing. Including this one in your next festival program is certain to reap great rewards by honi…

Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…

Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ?symphony for chorus and orchestra?? First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ?Everything which has breath, Praise the Lord?; one understands by this th…

Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…

Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…

Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…

Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…

Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…