Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

/ Soli (SATB), Choeur Mixte (SATB) Et Orchestre / Partition

Tonalité : E-Dur -. Par REICHA ANTON. Zu den großen, wenn auch kaum bekannt gewordenen Te Deum-Vertonungen der Übergangszeit zwischen Klassik und Romantik gehört zweifellos auch das zu seiner Zeit ungedruckt gebliebene Te Deum von Antonin Rejcha von 1825, das hier als Erstausgabe vorliegt. Schon die Grundtonart E-Dur hebt das reich besetzte Werk von vielen anderen Vertonungen des 'ambrosianischen …

Festlicher Chor. Schlußsatz der 'Hymne an die heilige Cäcilie'. Par SPOHR LOUIS. / Répertoire / Choeur Mixte (SATB) et Piano ou Orgue ou Instrumen

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Motette für gemischten Chor. Par SCHULTZ WOLFGANG-ANDREAS. The title's Third Word of Creation refers to verses from Rilke's Book of Hours which indicate the fear of what other delicate experiments God might come up with after 'light' and 'man'. Schultz contradicts the text by combining it with the monolithic beginning of the First Book of Moses in the Old Testament, which is imbued with the rightn…

Tonalité : E-Dur -. Par REICHA ANTON. Zu den großen, wenn auch kaum bekannt gewordenen Te Deum-Vertonungen der Übergangszeit zwischen Klassik und Romantik gehört zweifellos auch das zu seiner Zeit ungedruckt gebliebene Te Deum von Antonin Rejcha von 1825, das hier als Erstausgabe vorliegt. Schon die Grundtonart E-Dur hebt das reich besetzte Werk von vielen anderen Vertonungen des 'ambrosianischen …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Par SEEGER PETER. Eine Satirische Chor-Revue In 10 Abteilungen/ Répertoire / Solistes, Narrateurs, Choeur Mixte (SATB) et Combo

Tonalité : E-Dur -. Par REICHA ANTON. Zu den großen, wenn auch kaum bekannt gewordenen Te Deum-Vertonungen der Übergangszeit zwischen Klassik und Romantik gehört zweifellos auch das zu seiner Zeit ungedruckt gebliebene Te Deum von Antonin Rejcha von 1825, das hier als Erstausgabe vorliegt. Schon die Grundtonart E-Dur hebt das reich besetzte Werk von vielen anderen Vertonungen des 'ambrosianischen …

Piano Score By Kurt Zoldan.(Lat.) Vocal Score. Par SCHUBERT FRANZ. Soli, Chor und Orchester. / Classique / Répertoire / Travaux Pour Choeurs