Par BUXTEHUDE DIETRICH. This six-verse hymn is based on the melody “Herzlich tut mich verlangen, ” which Buxtehude used both for the solo cantata Herzlich tut mich verlangen BuxWV 42 and for a chorale prelude entitled Ach Herr, mich armen Sünder BuxWV 178. Apart from the “Amen, ” with coloratura decoration, the text is set in a simple four-part texture. The accompanying violins are used in the pre…

Par BUXTEHUDE DIETRICH. Buxtehude took the melody and words from the evening hymn Christ, der du bist der helle Tag. The words are embellished with coloratures and a change of meter enhances the work’s charme. This composition goes beyond the bounds of a straightforward chorale cantata through its use of concertante elements, which also applies the voice parts. The title of this work, on a copy ma…

Par BUXTEHUDE DIETRICH. Buxtehude took the melody and words from the evening hymn Christ, der du bist der helle Tag. The words are embellished with coloratures and a change of meter enhances the work’s charme. This composition goes beyond the bounds of a straightforward chorale cantata through its use of concertante elements, which also applies the voice parts. The title of this work, on a copy ma…

Par BUXTEHUDE DIETRICH. This six-verse hymn is based on the melody “Herzlich tut mich verlangen, ” which Buxtehude used both for the solo cantata Herzlich tut mich verlangen BuxWV 42 and for a chorale prelude entitled Ach Herr, mich armen Sünder BuxWV 178. Apart from the “Amen, ” with coloratura decoration, the text is set in a simple four-part texture. The accompanying violins are used in the pre…

Une douce et lyrique oeuvre chorale qui hanterait votre mémoire. Le texte provient de diverses sources telles que la Bible, de poésie et de paroles de chansons pop qui sont paraphrasées ou fait allusion à non seulement dans le texte, mais aussi dans la musique. / Soprano, Tenor, Choeur Mixte (SATB, 16 minimum) Et Orgue Ou Cuivres

Par BUXTEHUDE DIETRICH. Buxtehude took the melody and words from the evening hymn Christ, der du bist der helle Tag. The words are embellished with coloratures and a change of meter enhances the work’s charme. This composition goes beyond the bounds of a straightforward chorale cantata through its use of concertante elements, which also applies the voice parts. The title of this work, on a copy ma…

Par BUXTEHUDE DIETRICH. Buxtehude took the melody and words from the evening hymn Christ, der du bist der helle Tag. The words are embellished with coloratures and a change of meter enhances the work’s charme. This composition goes beyond the bounds of a straightforward chorale cantata through its use of concertante elements, which also applies the voice parts. The title of this work, on a copy ma…

Par BACH JOHANN SEBASTIAN. All of Bach ’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church, Leipzig, where Bach was appointed as director of music in 1723. During this period, Bach composed most of his cantatas, and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition, reserving his own motet compositions …

Partitions pour solistes soprano et alto, SATB choeur et orchestre.Edité par Jasmin Cameron / Chant Et Piano / Partition

Erstdruck. Par SUSSMAYR FRANZ XAVER. SATB 2Vl 2Hr Org/ Répertoire / Choeur

Ce 1970 # 1 hit de Diana Ross a l'appel super. Fantastique plus proche! Disponible: SATB, SAB, SSA, Instrumental Pak, ShowTrax CD. Temps de Performance: Env. 02:30. / Choeur (Unisson), Voix Hautes Et Voix Egales

Satb. Par SCHEIN JOHANN HERMANN. 10. Folge: EGB – Gotteslob/ Répertoire / Choeur

/ Choeur Mixte (SATB) Et Orgue (Orchestre A Cordes)

/ Choeur Mixte (SATB) Et Piano

SATB / Choeur