Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann’s sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of th…

Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann’s sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of th…

Par SAINT-SAENS CAMILLE. / Oratorio / Répertoire / SATB With SSATBar Soli [Orch.]

Arr. Wil Van Der Beek. À travers les siècles et de nos jours encore, Noël a été un thème d?inspiration privilégié pour les compositeurs. A Classical Christmas (?Noël classique?) rassemble des oeuvres de trois grands compositeurs français du XIXe siècle. Le premier mouvement nous fait découvrir César Franck (1822-1890), grand organiste et brillant compositeur, qui a donné une réelle valeur artistiq…

Arr. Wil Van Der Beek. À travers les siècles et de nos jours encore, Noël a été un thème d?inspiration privilégié pour les compositeurs. A Classical Christmas (?Noël classique?) rassemble des oeuvres de trois grands compositeurs français du XIXe siècle. Le premier mouvement nous fait découvrir César Franck (1822-1890), grand organiste et brillant compositeur, qui a donné une réelle valeur artistiq…

The Library Of Baroque Music is an enormously expansive collection of the greatest works produced during that prolific period that flourished between the Renaissance and Classical eras. All arranged for solo Piano, this volume features works drawn from all the major Baroque composers, including some of the greatest pieces of music ever composed. The progression and development of music during the …

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Arm, arm, ye brave! from Judas Maccab″us (Handel) Behold the monstrous human beast from Belshazzar (Handel) Betrache, meine Seel' from St. John Passion (Bach) Confutatis from Messa di Requiem (Verdi) Crucifixus from MESSA DI GLORIA (Puccini) Erblikke hier, betörter Mensch from The Seasons (Haydn) Et in Spiritum sanctum from Mass in B minor (Bach) Fecit potentiam f…

Par REINECKE CARL HEINRICH CARSTEN. Au XIXe siècle, les célébrations de Noël déplacé plus en plus de l'église à la maison familiale. La Sonatine de Noël délicatement tissé par Carl Reinecke (1824-1910) qui témoigne. Motifs de la Sinfonia de Bach de l'Oratorio de Noël ou du Messie de Haendel mélangent avec les mélodies de chants de Noël populaires tels que ' Silent Night, Holy Night ', ' Vom Himmel…

Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled…

Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled…

Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled…

Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled…