Par APPLEBAUM SAMUEL. An all-time best seller, the Belwin String Builder is a string class method in three parts in which Violin, Viola, Cello and Bass play together throughout. Each book however, is a complete unit and may be used separately for class or individual instruction. The material in the book is graded realistically so that only the minimum of explanatory material is required. Each melo…

Par APPLEBAUM SAMUEL. An all-time best seller, the Belwin String Builder is a string class method in three parts in which Violin, Viola, Cello and Bass play together throughout. Each book however, is a complete unit and may be used separately for class or individual instruction. The material in the book is graded realistically so that only the minimum of explanatory material is required. Each melo…

Par MONTES ALFONSO. Certains des rythmes latino-américains connus sont inclus dans cette collection soigneusement classée de débutant au niveau intermédiaire. Pour ce livre, Mel Bay a demandé un expert sur la musique d'Amérique latine, monde célèbre guitariste-compositeur Alfonso Montes, de mettre en place toute son expertise à venir avec des morceaux de consonance latine réel gardant les exigence…

Par APPLEBAUM SAMUEL. An all-time best seller, the Belwin String Builder is a string class method in three parts in which Violin, Viola, Cello and Bass play together throughout. Each book however, is a complete unit and may be used separately for class or individual instruction. The material in the book is graded realistically so that only the minimum of explanatory material is required. Each melo…

Par APPLEBAUM SAMUEL. An all-time best seller, the Belwin String Builder is a string class method in three parts in which Violin, Viola, Cello and Bass play together throughout. Each book, however, is a complete unit and may be used separately for class or individual instruction. The material in the book is graded realistically so that only the minimum of explanatory material is required. Each mel…

Par GRIGGS JOHN. Brazilian guitar virtuoso Carlos Barbosa-Lima and guitarist/ instructor John Griggs present this collection of short pieces by various Classical composers, plus a few of their own original compositions. Beginning to intermediate in difficulty, each piece has been meticulously set for solo guitar in standard notation and tablature. Selections include works by Handel, Purcell, Jerem…

Par CASABLANCAS BENET. Shade and Darkness, lasting some 12:30 minutes, was co-commissioned by the Centro Nacional de Difusión Musical and the Festival Internacional de Música y Danza de Granada. The work is inspired by Turner's famous painting of the same name, subtitled 'The Night Before the Flood', although this does not imply any programmatic or even less descriptive intention, beyond the compo…

Par SIBELIUS JEAN. Five multi-movement trios for piano and two string instruments by Sibelius are known from the years 1883?1888. The ?large? trios, such as the Havträsk and Korpo Trio (JS 207, JS 209), were written for the classical piano trio scoring of violin, violoncello and piano. Apparently, Sibelius kept composing trios to play among his family and friends, having in mind to be one of the m…

Who says you can\'t play pop music on stringed instruments'! This tenth volume of the successful Pop for Violin series offers plenty of material for those string players who don\'t wish to be confined to playing classical music. Arranged specially for the violin, these pieces are easy to play and sound great!. Volume 10 of the Pop for Violin series presents a special selection of hits that made po…

Series C. Par MONIUSZKO STANISLAW. The work of neoclassical character, in the traditional form of a suite combining transparency of texture with lightness of expression. As is typical for the genre, the parts of the cycle are juxtaposed based on contrast in character and pace. The piece begins with a rough and somewhat 'robbery' Allegro, followed by Moderato, which is a refined and at the same tim…

Modern and Contemporary Music. Par . Now finally in English too: The third part of the organ method Historical Performance Practice in Organ Playing follows on from part two with contributions by Guy Bovet (on Jehan Alain), Hans-Ola Ericsson, Anders Ekenberg, Markus Rupprecht (Olivier Messiaen), Hans Fagius (Maurice Duruflé), Jeremy Filsell (Marcel Dupré), Bernhard Haas (Arnold Schönberg, Ernst Kr…