/ Piano

Magic Mozart. Par . Playfully building a bridge to classical music? Playfully close a gap when not-quite-beginners are in the mood for more, but have not yet arrived at Bach, Satie or Yann Tiersen? If you want to get started quickly and don't want to work through 5 pages of sheet music first? Schott Music and the composer, arranger and songwriter Tautrinker present a completely new format: short p…

/ Méthodes et pédagogie / Guitare / Guitare acoustique / CASTELLE

/ Guitare Ou Luth

Accès d'un an aux cours de piano en ligne (téléchargement) Le cours de piano music2me permet aussi bien aux débutants qu'aux joueurs avancés d'apprendre et d'améliorer leur jeu de piano petit à petit. Un cours bien pensé et pédagogiquement bien structuré qui facilite la pratique et accélère la progression de l'apprentissage grâce à des vidéos contenant de nombreuses informations complémentaires. …

Partition classique pour piano Sergueï Rachmaninov: 3ème concerto pour piano op.30 en Ré mineur Niveau de difficulté élevé ISBN: 9781596150683 N° d'édition: MMO3074 Format: 23 x 30,5 cm 84 pages Enregistrements de démonstration et d'accompagnement téléchargeables incl. (interprète: Alexander Raytchev, orchestre accompagnateur: Plovdiv Philharmonic Orchestra, direction: Nayden Todorov) / Music Minu…

Partition classique pour piano Clara Schumann: Quatre pièces fugitives op.15 Pour piano Publiée par Joachim Draheim Niveau de difficulté moyennement élevé à élevé ISMN 9790004175354, n° d'édition EB 8152 Format: 23 x 30,5 cm 16 pages / Breitkopf and Härtel

Par BEETHOVEN LUDWIG VAN. Widely regarded as the most memorable and musically concentrated of Beethoven’s orchestral works, his symphony No. 5 is also one of the most popular works in the literature. With its unforgettable four-note motive, lean textures and superb orchestration, it is a classic example of the thematic unification Beethoven developed during his middle period- a creative time durin…

We Have All the Time in the World is the classic James Bond theme featuring the warm, graceful vocals of Louis Armstrong. Beloved for its sophisticated, smooth sound, the track - written by John Barry and Hal David - has transcended its tie to cinema, becoming one of the most requested songs at weddings, anniversaries and other celebrations. This brand new arrangement by Thomas Lydon for SATB choi…

for piano solo. Par GREENWOOD JONNY. 88 (No.1) by Jonny Greenwood is a contemporary work for solo piano, suitable for advanced-level players, consisting of two movements, slow and fast. Only previously performed by a handful of selected pianists, this work is now being made available for general public performance for the first time. Jonny Greenwood is best known as the lead guitarist of the band …

Arrangement: Shaw Kirby. Par SHAW KIRBY. This whimsical gem for treble choirs will captivate your audiences. Kirby's exquisite arrangement of this classic song lets each section blossom with a turn at the melody. / Feuillet / Choeur (Unisson), Voix Hautes et Voix Egales

for String Quartet. Par ORFF CARL. Like the Quartettsatz of 1914 (ED 7816), Quartettsatz in c-Moll of 1921, premièred by the Henschel Quartet at the Orff Centre in Munich in 2007, testifies to Orff’s early struggles towards the classical-Romantic tradition. Originally left unfinished as a fragment in C sharp minor, the first version has now been reconstructed (in C minor) from a source that only s…

Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the com…

Par MOZART WOLFGANG AMADEUS. Wolfgang Amadeus Mozart's horn concertos: the Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research. Mozart wrote the Horn Concerto K. 417 - like the other works of this genre as well - for his horn-playing friend Joseph Leutgeb. The jokes which the composer made at Leutgeb's expe…