Psalmen Davids. Par SCHUTZ HEINRICH. Psalm 98 from the 'Psalms of David' for 2 Mixed choirs (SATB) Schutz set to music the 'Psalms of David' 1619 in the new polyphonic 'Concert Style' which he had encountered in Italy at that time. This separate performing edition of the 98th psalm 'Singet dem Herrn ein neues Lied' contains the musical text of the New Schutz Edition and opens up the work to the fi…

Par NG YING YING / O'SULLIVAN FARRELL MARGARET. Book 4 reinforces and revises all concepts learned in Books 1-3. It contains attractive repertoire in various styles and from different periods. Each piece has a comprehensive preparation section covering the musical, technical and structural matters which will be encountered. The aim is to cultivate critical thinking and musical awareness in the stu…

Par KROPP DIETER. L'harmonica, et plus précisément l'harmonica blues, est un instrument fascinant. Si à l'origine on retrouve surtout l'harmonica dans des musiques simples ou dans le folk traditionnel, aujourd'hui il est présent partout : dans la pop, le folk, la musique pour enfants, le gospel, le jazz, le blues, le rock'n'roll ou encore la musique country. 'Les bases de l'harmonica est un premie…

Following the publication of Francis Jackson's organ reduction of Finzi's Requiem da Camera in 2014, Robert Gower, chairman of the Finzi Trust, recitalist and organist of Nottingham Cathedral, has created reductions of the full orchestra accompaniments to two more of Finzi's choral works. These reductions broaden the reach of these works to choirs which do not wish to present the works with orches…

Par SULLIVAN ARTHUR. This opera opened April 23, 1881 at the Opera Comique and ran for 578 performances at both the Opera Comique and Savoy Theatres. The county dames are in love with two poets while the poets are both in love with Patience, the village milkmaid. The brigade men don't see the point to aesthetics, but decide they had better give it a try to win the women's love. / Vocal Music / Ré…

/ Voix Moyenne(s) Et Piano

/ Flûte Traversière / 40 pages / niveau : Très Facile - Facile / Partition

/ Cor / 40 pages / niveau : Très Facile - Facile / Partition

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

Par SPOLIANSKY MISCHA. Spoliansky worked on Symphony over the course of three decades, from 1941 to 1969. It proves to be a very interesting historical document. Some passages are harbingers of orchestral composition techniques now well known in film music, while others evoke the music of the heyday of revue theatres. In his oeuvre Symphony counts as the only symphonic work and can be considered a…

Par MARTIN EASTHOPE. Can there be a church in the world without a copy of this composition? Much loved by countless generations, 'Evensong' captures the spirit of worship in a rural English Parish Church at the close of a perfect summers day. Pure nostalgia!/ Recueil / Orgue