Solomotette Zum Dreifaltigkeitsfest Oder Zu Weihnachten. Par MOZART WOLFGANG AMADEUS. A good six years following its first performance in Milan [1773] a second version of Exsultate, jubilate was completed for a performance on Trinity Sunday in 1779. It has survived in a manuscript from Salzburg. This “Salzburg version, ” which was discovered in 1978, differs from the “Milan version” primarily thro…

Par SPARKE PHILIP. Manhattan nous emmène à New York le temps d’un week-end. Le mouvement d’ouverture, Saturday Serenade, baigne dans l’atmosphère “bluesy” d’un samedi soir probablement passé dans l’ambiance feutrée et enfumée d’un club de jazz. Avec Sunday Scherzo, Philip Sparke illustre un jogging matinal dans Central Park. Ce second mouvement, rythmiquement dynamique, se conclut sur une coda enc…

Offertorium Zum Ostersonntag. Par EBERLIN JOHANN ERNST. Eberlin’s programmatic setting of the offertory “Terra tremuit” was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 [Vulgata 75], with their vivid description of the earth trembling and falling …

Instrumentalsätze Aus Den Trauermusiken Für Die Hamburger Bürgermeister Gerhard Schröder (1723) Und Daniel Stockfleth (1739). Par TELEMANN GEORG PHILIPP. Mourning music consisting of free and chorale-based instrumental movements [”Nun lasset uns den Leib begrab’n” – “Christus, der ist mein Leben”] from Telemann’s funeral music for the Hamburg mayors Schröder [1723] and Stockfleth [1739]. – Music f…

Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann’s sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of th…

Par SCULTHORPE PETER. '. . .true quartet-music, admirably conceived for the medium. I found it a most vivid and compelling piece.'The Sunday Times (Desmond Shawe-Taylor), 7 December 1975/ Répertoire / Quatuor à Cordes

Par REINAGLE ALEXANDER. Useful for either Palm Sunday or Easter, Alexander Reinagle's familiar melody is clothed with a new lyric from the pen of Chris Anderson. Triumphant throughout, Richard Nichol's arrangement develops a backdrop for Christ's majestic entry into Jerusalem. / Date parution : 2022-05-31/ Répertoire / Chant et Piano

144 pieces by CPE Bach, JS Bach, Bartók, Beethoven, Burgmüller, Clementi, Dubernoy, Ellmenreich, Greig, Gurlitt, Handel, Heller, Köhler, Kullak, le Couppey, Petzold, Reinecke, Reinhold, Schumann, Streabbog, and Tchaikovsky. All are at the early intermediate level in a convenient value-priced edition. Includes - ANONYMOUS: Minuet in G Major, BWV Appendix 116 - Polonaise in G minor, BWV Appendix 119…

Par SPARKE PHILIP. Manhattan nous emmène à New York le temps d’un week-end. Le mouvement d’ouverture, Saturday Serenade, baigne dans l’atmosphère “bluesy” d’un samedi soir probablement passé dans l’ambiance feutrée et enfumée d’un club de jazz. Avec Sunday Scherzo, Philip Sparke illustre un jogging matinal dans Central Park. Ce second mouvement, rythmiquement dynamique, se conclut sur une coda enc…

In these lessons for the intermediate fingerstyle guitarist Dave Van Ronk presents his arrangements of blues and a classic rag. The book includes a conversation with Dave, a discography, 6 tunes in notation and tablature, and 3 CDs teaching each tune phrase by phrase. LESSON ONE: A blues in 12/8 with Leroy Carr's Midnight Hour Blues. Blood Red Moon follows played in a dropped D tuning. The lesson …

Aus: Deutsche Sonntägliche Evangeliensprüche. Par RASELIUS ANDREAS. for the 3rd Sunday after Easter / Mottet / Répertoire / Choeur SSATB

Instrumentalsätze Aus Den Trauermusiken Für Die Hamburger Bürgermeister Gerhard Schröder (1723) Und Daniel Stockfleth (1739). Par TELEMANN GEORG PHILIPP. Mourning music consisting of free and chorale-based instrumental movements [”Nun lasset uns den Leib begrab’n” – “Christus, der ist mein Leben”] from Telemann’s funeral music for the Hamburg mayors Schröder [1723] and Stockfleth [1739]. – Music f…

Par SIMPSON ROBERT. Robert Simpson's Symphony #9 is a powerful experience. There is mystery and a sense of concentrated intensity here carried in a single monumental movement driven by one basic pulse. Simpson composed this work for the Bournemouth Symphony Orchestra and it was first performed by them, conducted by Vernon Handkley, at Poole in Dorset, On 8 April 1987. This item is the full conduct…