A medium swing chart at 136 BPM for a smaller band consisting of tenor, trumpet, trombone, piano, bass, guitar, and drums. Includes solo space for all. (2:39) / Ensemble De Jazz

'REALTIME MOVIE STANDARDS', das sind acht bekannte Kino-Soundtracks - live und in 'realtime', in absoluter Studioqualität eingespielt! Die Profimusiker um Bernd Kiltz (Gitarre), Daniel Prandl (Piano), Christian Kussmann (Bass) und Florian Alexandru-Zorn (Drums) gewähren einen tiefen Einblick in die Interpretations- und Begleittechniken für Filmmusik und lassen teilhaben an ihren Erfahrungen, Tipps…

Keyboard, Guitar & Drums optional. Par PARKS CARSON. / Niveau : Assez Facile / Répertoire / 2 Trompettes, Trombone et Tuba

Includes: Let's Rock, Majestic March, When The Saints Go Marching In, Mickey Mouse March, Power Rock, Farandole, Jus' Plain Blues, My Heart Will Go On, Rainbow Connection, Supercalifragilisticexpialidocious, Drums of Corona, Laredo (Concert March), Pomp and Circumstance, Stratford March and Do-Re-Mi. / Clarinette

Méthode de batterie Apprentissage des styles jamaïcais Ska, Rocksteady et Reggae Par Gil Sharones ISBN 9781495089701, n° d'édition HL00221968 Format: 23 x 30,5 cm 120 pages En langue anglaise Vidéos en ligne incl. / Hudson Music

Par GALPER HAL. For All musicians wishing to learn fantastic bass lines. While reading from the book, play along with the bassist on the recording (sold separately) until you feel you’ve mastered his “feel” and nuances. Then, using the special stereo separation on all of our Play-A-Long recordings, switch the bassist off and play along by yourself with just the piano and drums! This book (like all…

Drums optional. Par NAULAIS JEROME. / Niveau : Elémentaire / Répertoire / Trombone et Clavier ou Piano

This is an album with a happy sound! The rhythm section really takes charge and points the way, which makes each track really swing. All three ryhthm section members have played with the Cannonball Adderley quartet, so you are getting it from the authentic source ! Catchy melodies, bluesy riffs, and hip changes are the hallmark of this set . Find out what ?groovin? is really all about! This is tru…

Drums optional. Par TAILOR NORMAN. / Niveau : Intermédiaire / Répertoire / Contrebasse et Piano

Here we have a typical minor blues in all 12 keys. Few chord progressions offer the freedom and variety of expression found in the minor blues progression. Great players have all approached this chord progression in a variety of ways from attacking each chord vertically in its pure form to playing horizontally ?across? the progression, usually with a blues or minor pentatonic scale, to taking all…

Par . / Date parution : 2024-06-01/ Recueil / Batterie

Baritone Sax. Par . Here is an economical collection of 15 complete arrangements in a variety of styles. Perfect for quickly building a library of great sounding charts. Playable with 3 saxes, 2 trumpets, 1 trombone, piano, drums. Includes: Ain't No Mountain High Enough; Baby, It's Cold Outside; Blue 'n' Moody; Blue Train; Come Fly with Me; Final Countdown; Green Onions; Hawaii Five-O Theme; Livin…

Soloist: Ryan Kisor, trumpet

A new and exciting way for trumpet players to learn and practice basic jazz style.
This book/CD set features 15 solo etudes based on blues and standard chord progressions, demonstrated by Ryan Kisor on trumpet along with a world-class rhythm section: Mike LeDonne, piano. Peter Washington, bass. and Kenny Washington, drums.
The recording features tw…

Will Todd's Jazz Missa Brevis gives new life to the sung Latin Mass texts in an accessible, short setting which embraces a variety of jazz styles, from the swinging jazz waltz Kyrie to the up-beat Latin-groove Gloria. The smooth jazz ballad Sanctus, 7/8 Benedictus and soulful Agnus Dei complete this inspiring Mass setting. Underpinned by Todd's characteristic jazz harmonies and melodic craftsmansh…

Par MANTOVANI BRUNO. After Eclair de lune for three principal snare drums, three ensembles and electronics, and after my Concerto for two violas written for Tabea Zimmermann and Antoine Tamestit, I felt compelled to compose a new work for double soloist, and ended up choosing the piano. First of all from a desire to write for Varduhi Yeritsyan and François-Frédéric Guy, but also because the confro…