Par BACH JOHANN SEBASTIAN. In his Preludes and Fugues, Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the many transmitted sources: hardly any autographs, but all the more copies. The genesis of the works and the question of versions associated with it are described at length in…

Editor: Heinemann, Ernst-Guenter Towards the end of the 18th century, Clementi increasingly advocated the piano as the successor to the harpsichord. He composed expressly for the new instrument and in 1801 published a piano school. His interest in teaching is also shown by the 'Six progressive Sonatinas' op. 36 ' six sonatinas in ascending order of diffi culty, which are still extremely popular w…

Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Full Score) This publication offers a source-critical edition of Mozart’s fragmentary “Requiem” as well as an alternative to the traditional Süssmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a s…

Piano Reduction Of The Early 1844 Version. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn' s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer d…

Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethove…

Editor: Katrin Eich Fingering: Andreas Boyde Brahms mainly composed the eight Piano Pieces op. 76 in summer 1878 in the summer resort of Pörtschach at Lake Wörth. Theodor Billroth, a close friend, was enthusiastic about the new works: 'These are magnificent pieces, beautiful and interesting to play. They lie so well under the hand for those who are a little used to Schumann's and Chopin's techniq…

Clarinet Quintet
Series : Bärenreiter Studienpartituren - Study scores
Edition : Study Score. Urtext Edition
Editor : Schmid, Ernst Fritz
Binding : stapled
Instrumentation : Clarinet (b flat), 2 Violin, Viola, Violoncello

Edition : Playing Score; Urtext Edition Editor : Schmitz, Hans-Peter;Leisinger, Ulrich Binding : stapled Instrumentation : Flute

Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Vocal Score) This publication offers a source-critical edition of Mozart’s fragmentary “Requiem” as well as an alternative to the traditional Süssmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a …

Dvorak's Serenade in E major for string orchestra is one of his most popular and frequently played works. It was written in the spring of 1875, when he had just experienced his first successes at the conductor's podium and had received a state arts scholarship. The score and parts were published by Bote and Bock, Berlin, in 1879. This Urtext edition is based on the composer's autograph score. It c…

Archduke. Par BEETHOVEN LUDWIG VAN. By the time Beethoven completed the ?Archduke? Trio in 1811 he had been working on it for several years. In April 1814 he could finally give the work its première together with Ignaz Schuppanzigh and Joseph Linke, this being Beethoven?s last public appearance as a pianist. He dedicated the piece to his friend, pupil and patron, Archduke Rudolph of Austria. Today…

Ravel's 'Valses nobles et sentimentales? created a stir when they were anonymously premiered in Paris's Société nationale indépendante in 1911: many listeners thought they were by Satie, or even Kodály!For our new Urtext edition of this work, the famed musicologist Nicolas Southon, a co-editor of the 'oeuvres Complètes de Gabriel Fauré?, has examined a large body of sources to present a musical te…

Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethove…