| Tzigane Violon 1 Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…
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| Sinfonie In C (HAYDN JOSEPH) Orchestre [Conducteur] Barenreiter
Par HAYDN JOSEPH. Haydn Symphony No.69 in C major (Laudon) (Hob.I:69) (Full Score) Letters of the composer have come down to us only on a few of Haydn’s symphonies, amongst them the “Laudon” Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher’s suggestion to name the symphony after the widely known and favoured general Gideon Ernst von Laudon (1717-1790). By using this nam…
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| Sonate 'Arpeggione' (SCHUBERT FRANZ) Clarinette et Piano [Conducteur et Parties séparées] Barenreiter
Par SCHUBERT FRANZ. Sonata In A Minor D 821 'Arpeggione' arranged for Clarinet & Piano. This volume is based on the Urtext of the New Schubert Edition; the solo part has been arranged for performance on the clarinet while the Piano part is identical to Schubert ´ s original as presented in the New Schubert Edition. The New Schubert Edition is a scholarly-critical complete edition reflecting curren…
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| Mozart: Triosonaten Kv 10-15 (MOZART WOLFGANG AMADEUS) Piano Trio: piano, violon, violoncelle [Partition] Carus Verlag
Par MOZART WOLFGANG AMADEUS. Since their publication in the New Mozart Edition, Mozart's sonatas K. 10–15 count as piano trios. Furthermore, the title of the first edition, published by father and son Mozart in 1765 reads 'Six Sonates pour le Clavecin qui puevent se jouer avec l'accompagnement de Violon ou Flaute Traversiere”. In other words, these pieces are harpsichord sonatas that may be accomp…
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| Tzigane Violoncelle Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…
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| Sämtliche Klavierwerke (BACH JOHANN SEBASTIAN) Piano seul [Partition] Barenreiter
Par BACH JOHANN SEBASTIAN. An amazingly inexpensive study edition presenting all of Bach's clavier music in four large, handy volumes containing the definitive Urtext from the New Bach Edition. This unique edition was prepared by internationally recognized scholars on the basis of all known sources and the latest research findings. Besides familiar versions of many pieces, the reader will also dis…
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| Johann Paul von Westhoff Six Suites (DR) Violon [Partition] Mel Bay
Par DR. HAYES-JONES SARAH. Unknown until their discovery was announced in 1971 by Péter Várnai in an article in Die Musikforschung, this set of six suites for solo violin, published in 1696, is in all likelihood a second edition of, or second collection to his First Dozen Allemandes, Courantes, Sarabands, and Gigues for Solo Violin without Basso Continuo published in 1682 which are considered lost…
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| Mass for Double Choir A Cappella Double Choeur a Cappella Bärenreiter
Par MARTIN FRANK. This edition of Frank Martin’s mass is a scholarly-critical as well as a performing edition that takes all sources into account. As a matter of fact, it was only during the research for this edition that a previously unknown source was discovered and evaluated – a radio recording of the mass, which was produced in 1970 by the Dutch NCRV Vocaal Ensemble with the participation of t…
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| Danse macabre op. 40 (SAINT-SAENS CAMILLE) Violon et Piano [Partition] Barenreiter
Transcription for Violin and Piano by the Composer. Par SAINT-SAENS CAMILLE. In his symphonic poem “Danse macabre” Saint-Saëns takes up a poem by Henri Cazalis that he had already set as an art song. Here the Devil brings the dead to life by playing his violin. Although the orchestral work was given a lukewarm reception in its early performances, or was even rejected, it became highly popular and …
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| Die Auferstehung Und Himmelfahrt Jesu (TELEMANN GEORG PHILIPP) Orchestre Barenreiter
Oratorio, edition of selected works, Urtext edition. Par TELEMANN GEORG PHILIPP. Composed around 1760, Die Auferstehung und Himmelfahrt Jesu is one of Telemann ’s last large-scale vocal works. The libretto, by Karl Wilhelm Ramler, recounts the Biblical events from the Resurrection to the Ascension in seven sections. Alternating between recitative, da capo arias and festive choruses, Telemann succe…
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| Tzigane Orchestre, Violon Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…
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| Streichquintett G-Dur Op. 77 (DVORAK ANTONIN) Quatuor à cordes: 2 violons, alto, violoncelle [Partition] Barenreiter
Par DVORAK ANTONIN. Dvorák's 'String Quintet in G major” op. 77, had five movements when it was premiered on 18 March 1876. Its second movement was the 'Intermezzo” from his 'String Quartet in E minor” (1870). Later Dvorák removed this movement from the quintet, expanded it, and published it as a separate 'Notturno” for string orchestra op. 40. The 'Intermezzo” is included in its original version …
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| Adina (ROSSINI GIOACHINO) Piano, Voix [Partition] Ricordi
Edizione Critica F. Della Seta - Riduzione Per Canto E Pianoforte. Par ROSSINI GIOACHINO. Composed in 1818 on commission from an unknown individual in Lisbon, Adina was left to languish some years until its premiere in 1826, with a single performance in that city remaining virtually the only one on record until the opera's revival in 1963. The present vocal score is based on the critical edition o…
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| Markuspassion (BACH JOHANN SEBASTIAN) Solistes SAT, Choeur SATB, 2 Flûtes Traversières, [Partition] Carus Verlag
Version Hellmann/Glöckner. Par BACH JOHANN SEBASTIAN. This is a revised edition of Diethard Hellmann’s reconstruction of the St. Mark Passion of 1723 based on parodies. It contains a new foreword by Andreas Glöckner which deals with the present state of research on the Passion. The edition now includes all 16 chorales which have been handed down and which appear in facsimile in this edition. This …
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| Il Barbiere Di Siviglia (Le barbier de Séville) Piano, Voix Ricordi
The new reduction of Il barbiere di Siviglia is based on the critical edition of the full score by Alberto Zedda that, republished in 2009, appeared in turn as a fully revised edition - in the light of new sources and updated philological criteria - of the historic and pioneering critical edition of 1969. The 1969 Barbiere di Siviglia was based on the autograph and on manuscript and printed source…
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| Heitor Villa-lobos - ouvres Pour Piano - Edition Originale Piano seul Durand
Ce volume dans la série «'Les éditions originales Durand ' Salabert ' Eschig'» présente le répertoire pour piano de Heitor Villa-Lobos repris des éditions figurant au catalogue Eschig. Les gravures originales sont reproduites, fournissant aux interprètes un cliché de l'apparence initiale de ces 'uvres incontournables, du vivant du compositeur ou posthume.
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| Le Solfège Pour Les Nuls, 2ème Edition Formation Musicale : Solf�ge - Dict�es - Exercices [Partition + CD] First Editions
Par PILHOFER M / JOLLET J-C. Oui, le solfège peut être un jeu d'enfants !
Les cours de solfège à l'école ont été votre pire cauchemar ? Vous avez appris la musique enfant, mais avez tout oublié il y a bien longtemps ? Vous souhaiteriez chanter dans une chorale ou vous joindre à un groupe amateur, mais vous n'osez pas car vous ne savez pas lire la musique ? Cet ouvrage est fait pour vous.
Expliqu…
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| 3 Movements For Piano Trio (MOZART WOLFGANG AMADEUS) Piano Trio: piano, violon, violoncelle G. Henle
Fragments K. 442. Par MOZART WOLFGANG AMADEUS. Mozart often began work on a composition only to put it aside, unfinished. Some of these fragments contain wonderful music, as is proved by these three Piano trio fragments. Mozart composed them at different times as individual movements, though the posthumous first edition brought them together as a supposedly new and unknown Piano trio by the compos…
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| Keyboard Works (HAENDEL GEORG FRIEDRICH) Clavier ou Orgue Electronique [Partition] Dover Publications
Par HAENDEL GEORG FRIEDRICH. Here, for the first time in a popularly accessible edition, are 35 of his finest keyboard works for solo instruments, reproduced from the monumental Deutsche Handelgesellschaft edition, including eight 'Great Suites' and 'Fugue In A Minor'. For this new edition, the pieces have been rearranged and retitled according to the latest scholarly sequences found in The New Gr…
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| Gloria, Rv 589 Piano, Voix Ricordi
The present reduction derives from the critical edition of the score published in this catalog in 2002 (PR 1362). Although it is not possible to establish with certainty the time and the occasion for which it was composed - between the end of 1716 and beginning of 1717 - the Gloria RV 589 is the best known among the works Vivaldi wrote on this subject, enough to be considered the Gloria by Vivaldi…
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| Vespro Della Beata Vergine 'Marienvesper' (MONTEVERDI CLAUDIO) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
2 Solo Sopranos, 2 Solo Altos, 3 Solo Tenors, 2 Solo Basses, Mixed Choir and Orchestra. Par MONTEVERDI CLAUDIO. Scholarly-critical Urtext edition orientated towards performance practice. Detailed critical commentary (Eng) in the full score. Movements 10, 13 and 14 are included in their original high clef in the appendix of the full score. These movements are also available with Piano reduction as …
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| Grande Sonate For Pianoforte E-Flat Major Op. 7 Piano seul Barenreiter
If the nickname 'Appassionata? was appropriate for one of Beethoven's Sonatas, it would be for his E-flat major Sonata op. 7 rather than his famous work in F minor op. 57. This was Carl Czerny's opinion who felt that op. 7 was written in a rather passionate state of mind. It was not only Beethoven's first 'Grande Sonate? but also his first work of this genre which he had published individually.The…
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| The Famous Solo For Double Bass And Orchestra Epuisé
Contrebasse, Orchestre G. Henle
Urtext Edition, Piano reduction, paperboundFirst edition of the arrangement for double bass and string quartetPiano reduction and parts for string quartet in e minor/G major and f sharp minor/A major, parts for double bass in e minorwith marked and unmarked double bass partThe viola I and viola II parts for the alternative quintet arrangement (neither of which are included in the printed edition) …
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| Piece En Forme De Habanera (RAVEL MAURICE / HAMELIN) Clarinette et Piano Leduc, Alphonse
Arrangeur: Gaston Hamelin. Par RAVEL MAURICE / HAMELIN. Initially composed in 1907 for Bass Voice and Piano, Habanera by Maurice Ravel was transcribed for Bb Clarinet and Piano for this edition. Based on a Cuban Contradanza, it features a special habanera rhythm and is generally performed with sung lyrics. In this edition, the Clarinet is a substitute for the Voice. While composing this piece, Mau…
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| Il Teuzzone, RV 736 (ANTONIO VIVALDI) Voix et Orchestre [Partition] Ricordi
Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano e inglese). Par ANTONIO VIVALDI. 'With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio,…
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| Requiem C Minor Gemischter Chor (SATB) und Orchester Barenreiter
Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…
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| String Quartets Op. 112 And 153 (SAINT-SAENS CAMILLE) Quatuor à cordes: 2 violons, alto, violoncelle [Partition] Barenreiter
Conducteur Ba 10927 et Ba 10928. Par SAINT-SAENS CAMILLE. Ludwig van Beethoven's overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to produce his two contributions to the genre. Couched in classicism, they relate in form and style to early 19th-century French quartets and to a ti…
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