An exciting new choral setting of Elgar's beloved 'Nimrod' from the 'Enigma' Variations by David Hill this version for choir and organ should be a firm favourite for choirs around the world.
An affordable paper-bound edition of Elgar's complete chamber music. Presented as a clear type set full score with an editorial introduction for both musicians and scholars alike. Highly recommended.
Composed in 1884 for Violin or Cello and small Orchestra this is one of Elgar's most popular works for accompanied soloist and has been transcribed for a variety of instruments This arrangement is for the original solo instrument - the Violin with a Piano reduction of the Orchestral accompaniment.
Lo! Christ The Lord Is Born is actually the second coming of this carol. Elgar and his wife sent the work out as a part-song Grete Malverne on a Rock in 1897 as their Christmas card. The poet Shapcott Wensley librettist of The Banner of St George set his words to the tune and it was published as this carol in 1909.
Cantata for Soprano Tenor Baritone Bass soloists SATB chorus and orchestra.Caractacus was the last and most ambitious of Elgar's dramatic cantatas written to fulfill a commission negotiated by Henry Embleton for the Leeds Festival Committee which received its premiere performance on October 5th 1898. Full Score in paper-bound format with an informative introduction and some facsimile pages …
This first of the five Pomp and Circumstance marches is the most popular and one of Elgar's most widely performed compositions. Scored here for Organ Solo.
Composed in 1914 for Violin and Piano Carissima represents a lighter and more pastoral side of Elgar's prolific output and is a heartwarming work for the accomplished Violinist.
Elgar bridged the nineteenth and twentieth century with his fine compositions. 'Sailing Westward' is arranged for soprano alto tenor and bass vocal parts.
A part-song arranged for SATB by John Pointer with accompaniments for two violins and pianoforte. The words are written by C. Alice Elgar. (Violin parts published separately).
In the masterful hands of Jay Bocook this hauntingly beautiful melody of Elgar's makes a wonderful setting for the field. Nicely adapted to feature woodwind colors a brief trumpet solo and a powerful full band push before ending quietly.
