Op. 38. Par ELGAR EDWARD. This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar?s moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of t…

Arr. Philip Sparke. Par ELGAR EDWARD. Avec Pomp and Circumstance, un cycle de cinq marches militaires, Edward Elgar a donné à la marche une véritable dimension symphonique. La Marche n° 1 est incontestablement la plus célèbre des cinq. De la mélodie du trio, Elgar devait déclarer qu’elle était de celles dont on n’a l’inspiration « qu’une fois dans sa vie ». Il réutilisera cette mélodie dans son oe…

Par ELGAR EDWARD. Chanson de Matin ('Morning Song') (Op. 15, No. 2) was likely written by Edward Elgar around 1889, originally for violin and piano. He later created an orchestral version. The premiere of this version in 1901 was conducted by none other than Henry Wood. Wood conducted the Promenade Concerts in London for almost 50 years and is considered the 'father' of The Proms. The English comp…

Arrangements en ligne de melodie pour les themes classique populaire. Comprennant 'Bolero' (Ravel), 'Nimrod' (Elgar) et 'Radetzky March' (Strauss). / Clarinette / 64 pages / Partition

Edward Elgar's Salut d'amour is one of those pieces by the British composer that has a particularly haunting melody. Composed in 1888 for his future wife Caroline Alice Roberts, the work became an enormous success early on. There are numerous arrangements - but the only versions for which the autograph manuscripts survive are those for Violin and Piano (HN 1188), Piano solo (HN 1190) and Violoncel…

Op. 38. Par ELGAR EDWARD. This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar’s moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of t…

Over 60 of the most famous pieces in classical music specially arranged for Easy Piano. This superb collection covers a wide range of composers and musical periods from Bach, Mozart and Handel through to Chopin, Elgar, Debussy and Mahler. This book is perfect for any Grade 1 - 2 pianist to explore a wonderful variety of well-known masterpieces. / Piano

Elgar a écrit sa comédie musicale ' billet doux ' en 1888, il dédié à sa fiancée Caroline Alice Roberts. Elle a été créée en 1889 et a aidé à établir la réputation de Elgar comme compositeur. À ce jour, le travail est resté extrêmement populaire et ce NT / Quatuor A Cordes (Contrebasse Ad Libitum)

Une superbe compilation de 57 morceaux populaires classiques arrangés pour piano solo. Inclus 'Greensleeves', 'Sheep May Safely Graze', 'Fur Elise' le 'Nimrod' d'Elgar. / Piano / 132 pages / Partition

Par ELGAR EDWARD. Dream Children Op. 43 is a setting composed by Edward Elgar to a reverie by Charles Lamb. There are two pieces for solo piano written in 1902./ Recueil / Instrument en Sib et Piano

Edward Elgar écrivit grandes oeuvres symphoniques pour instruments solistes avec accompagnement d'orchestre, mais aussi des oeuvres de musique de chambre et des oeuvres occasionnels, en particulier pour le violon: pour 'Salut d'amour' par exemple ou 'Chant de nuit'. Cette série comprend aussi 'La Capricieuse', composé en 1891. Le violoniste formé Elgar a su écrire un caprice, ou un morceau de musi…

Last Night of the Proms 'A sans que cela mars - impensable! 'Pomp and Circumstance militaire Mars n 1', avec sa section du milieu, le 'Land of Hope and Glory 'hymne comme par Edward Elgar (1857-1934), appartient à la finale de l'événement musical de Londres comme le Mars Radetzky habituellement joué que la dernière pièce de Concert du Nouvel An de l'Orchestre philharmonique de Vienne. La renommée …

Elgar was pre-eminently the composer of large forms. Complex, lengthy development of musical ideas was for him a measure of genius. His songs, with the exception of the orchestral cycle Sea Pictures , were not often the vehicles for his most striking ideas. Paradoxically, he was also bedevilled by a fine literally taste. He once told a friend that he felt it better to set the best second-rate poet…