Par MOZART WOLFGANG AMADEUS. Cosi Fan Tutte, K. 588, by Wolfgang Amadeus Mozart, the overture arranged here for Flute Choir by Shaul Ben-Meir. Mozart composed Cosi Fan Tutte in 1789, an opera buffa in two acts, premiered at the Burgtheater in Vienna, Austria, on January 26, 1790. The title, Cosi fan tutte, literally means 'So do they all', but is usually translated into English as 'Women are like …

- SATB Soli, SATB Choir, Orchestra- Piano-Vocal Score (Latin)- Revised Edition (2005)- Full Score and Instrumental Parts are also available for purchase / Ensemble A Vent

Par DUFEUTRELLE SOPHIE. Sophie Dufeutrelle 's Temps Variable (Unsettled Weather) for Flute Choir or other wind instruments./ Répertoire / Ensemble de Flûtes Traversières

Bärenreiter's new scholarly-critical edition of Gabriel Fauré's evergreen, the Pavane op. 50, has been edited by Robin Tait as part of the 'Complete Works of Gabriel Fauré?.The popularity of the work is mostly attributed to its many arrangements but the original version for orchestra is being published here for the first time. Shortly after completing the orchestral work, Fauré began work on a ver…

Arranged for choir with one male voice. Par VIVALDI ANTONIO. Le Gloria en ré majeur RV 589 est une des œuvres les plus célèbres de Vivaldi. Cette œuvre représentative à la manière de ce qu’on appelle « messe-cantate » se compose de 12 parties qui se différencient dans leur effectif, style, tonalité et l’émotion exprimée. Le talent de Vivaldi ressort à la fois dans les parties chorales solennelles …

Par WILLIAMS JOHN. John Williams, le prolifique compositeur américain et chef d'orchestre a une carrière qui s'étend sur six décennies. Williams a composé de nombreux les musiques de films plus célèbres dans l'histoire, y compris ceux des mâchoires, Star Wars, Superman, E.T. (l'extra-terrestre), les aventuriers de l'arche perdue, Jurassic Park, la liste de Schindler, crochet, mémoires d'une Geisha…

Par BULLA STEPHEN. Stephen Bullas highly descriptive work was written to commemorate the 50th anniversary of the Battle of Iwo Jima, which took place between the 19th February and 26th March 1945. Casualties on both the American and Japanese sides were horrendously high before the famous image of the raising of the flag on top of Mount Suribachi signalled the end of one of the most significant and…

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Composée pour Chant/Vocal/Choeur la partition Jekyll - Piano Choeur de Lay Raoul des éditions Billaudot touche un public sachant apprécié la musique Classique. / Soprano, Baryton, Choeur Mixte Et Ensemble Instrumental / Partition

Par ESENVALDS ERIKS. O Salutaris Hostia is one of Eriks E?envalds? most popular pieces. Originally written for female voices, the composer later created a version for full choir on which this arrangement is based. It has a gentle meditation with the two soloists drifting across the soft band accompaniment, alternately echoing and imitating each other or joining together in thirds. The effect is qu…

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were eve…

Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourf…

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …