Par VERDI GIUSEPPE. Opera / Opéra-opérette / Répertoire / Chant et Piano

Par LEONCAVALLO RUGGERO. Ever since its first performance in Milan 1892, Pagliacci has wowed audiences and become a classic example of the Italian Verismo school of Operatic realism. This is the full score of Ruggiero Leoncavallo's successful Opera. / Opéra-opérette / Répertoire / Choeurs d'Opéra

Par MASSENET JULES. An opera in four acts (French and English text). / Opéra-opérette / Répertoire / Chant et Piano

Par RAMEAU JEAN-PHILIPPE. Amongst Rameau?s stage works which have come down to us in two main versions, such as ?Dardanus? (1739, 1744), ?Platée? (1745, 1749) and ?Zoroastre? (1749, 1756), none fell into oblivion for as long a period as ?Castor et Pollux?. After the work had been premiered in 1737, not until 1754 did Rameau decide to revise it. He asked his librettist ?Gentil-Bernard? to add an ac…

Stephen Sondheim's musical thriller is a towering achievment in the genre. Making a strong case the a musical can be about anything - even serial killers and cannibalism. Although the original production was massive in size, subsequent revivals have ranged from more intimate settings, to opera house productions where the score feels equally at home.This Vocal Selections collection has been newly r…

Par VERDI GIUSEPPE. Opera/ Répertoire / Chant et Piano

for Tenor Saxophone and Piano. Par PUCCINI GIACOMO. This baritone aria from Puccini's opera Edgar gives the tenor saxophone soloist a rare opportunity to sing in the upper register. Transcribed by Rami El-Farrah / Date parution : 2024-06-01/ Répertoire / Saxophone Ténor et Piano

Par HARVEY JONATHAN. Andrew Porter says '. . . a stirring and beautiful adventure. . . He has written some of the most ardent love music since Messiaen's, and love music finds its place in the opera. . . There is also music of pain and despair. Bell sounds, chants, choruses, electronics, swelling harmonies, sharp-focus solo lines fill the theatre with deep, ever-changing ever-stirring music.' The …

Enregistré à Prague avec l'Orchestre symphonique de tchèque. Les CDs dans ces packs contiennent deux versions de chaque sélection : une avec un chanteur et l'autre avec accompagnement d'orchestre seulement. Tous les livres de la série contiennent historiques et tracer des notes sur chaque opéras, opérettes ou spectacle et piano/chant des réductions de la musique. Les chanteurs entendus sur ces enr…

Par MOZART WOLFGANG AMADEUS. Opera / Opéra-opérette / Répertoire / Chant et Piano

Jessica O'Leary (Editor). Over the years, many examination pieces have captured the imagination of teachers and students, but the stars of past syllabuses are often forgotten. This collection brings together best-loved grade 3 Violin pieces, including Build that Wall, Overnight Mail Express (Cohen) and Sleep Song (Humperdinck). Containing fresh editions of folk and classical masterpieces alongside…

Par MOZART WOLFGANG AMADEUS. Mi Tradì Quell’Alma Ingrata is a song by Wolfgang Amadeus Mozart from his opera 'Don Giovanni'. This work is scored for Soprano Voice with Piano Accompaniment. The lyrics are in Italian. / Opéra-opérette / Répertoire / Chant et Piano

Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, his Two Sketches being no exception. After a prominent career as a flautist with the Paris Opera, Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal…

Par SIMONE NINA. Of all the major singers of the late 20th century, Nina Simone was one of the hardest to label. She recorded extensively in soul, jazz, and pop and was also comfortable with blues, gospel, and Broadway. She has subsequently been labelled as a 'soul' singer in terms of emotion, rather than form. Her repertoire included jazz standards, gospel and spirituals, classical music, folk so…

Will Todd, born in 1970, is forging a strong reputation for himself as a composer who is equally at ease in opera, oratorio, church music and jazz. His style is instantly accessible and lastingly memorable. He spent his formative years steeped in both jazz and the English choral tradition so in his choral music he is able to juxtapose strong rhythmic drive and rich harmonies with exquisitely lyric…