Par MENDELSSOHN-BARTHOLDY FELIX. In 1872, shortly after a stay with Thibaut in Heidelberg, 'Tu es Petrus' was composed, an echo of his contact with the style of Palestrina. Mendelssohn himself considered the work, which uses and artful and strictly contrapuntal development of the motif, the 'most successful piece' of that year./ Répertoire / Choeur SSATB, 2 Flûtes Traversières, 2 Hautbois, 2

Par MENDELSSOHN-BARTHOLDY FELIX. In 1872, shortly after a stay with Thibaut in Heidelberg, 'Tu es Petrus' was composed, an echo of his contact with the style of Palestrina. Mendelssohn himself considered the work, which uses and artful and strictly contrapuntal development of the motif, the 'most successful piece' of that year./ Répertoire / Choeur SSATB, 2 Flûtes Traversières, 2 Hautbois, 2

aus: Die deutsche Liturgie. Par MENDELSSOHN-BARTHOLDY FELIX. For the Protestant church service according to the new Prussian Agenda of 1829 Mendelssohn set to music the Kyrie, Gloria, Sanctus, Honour to the Father and various Amens and Alleluias. The entire printing with all the orders of service in the complete edition of the German liturgy make it easy to integrate these pieces even today into a…

Par MENDELSSOHN-BARTHOLDY FELIX. In 1872, shortly after a stay with Thibaut in Heidelberg, 'Tu es Petrus' was composed, an echo of his contact with the style of Palestrina. Mendelssohn himself considered the work, which uses and artful and strictly contrapuntal development of the motif, the 'most successful piece' of that year./ Répertoire / Choeur SSATB, 2 Flûtes Traversières, 2 Hautbois, 2

I Would That My Love (Op.63 No.1) is a popular song by Mendelssohn published in 1845 as the first in a collection of six duets for upper Voice with Piano accompaniment. It has been translated hereinto English.The Romantic composer Felix Mendelssohn-Bartholdy (1809-1847) has been highly regarded in Britain from the time of his first visit in 1829. He was a favourite of Queen Victoria and also mad…

Par MENDELSSOHN-BARTHOLDY FELIX. Cet Andante est le 2ème mouvement de la Sonate en Mib Majeur pour Clarinette que Mendelssohn composa en 1824 à l'âge de 15 ans. C'est un très beau dialogue entre la Clarinette et le Piano qui demande beaucoup de complicité de la part des deux instrumentistes. / Niveau : Intermédiaire / Répertoire / Clarinette en Sib et Piano

from Paulus. Par MENDELSSOHN-BARTHOLDY FELIX. Paulus (1834-1836) est le premier oratorio de Mendelssohn. Il raconte la vie de Saint Paul. L'ouverture est une fantaisie sur le célèbre choral Wachet auf, ruft uns die Stimme. Rarement donné, l’oratorio Paulus est pourtant significatif du romantisme allemand. L’arrangement de Robert van Beringen nous fait redécouvrir ce chef-d’oeuvre oublié. / Niveau …

Aus: Die Deutsche Liturgie. Par MENDELSSOHN-BARTHOLDY FELIX. For the Protestant church service according to the new Prussian Agenda of 1829 Mendelssohn set to music the Kyrie, Gloria, Sanctus, Honour to the Father and various Amens and Alleluias. The entire printing with all the orders of service in the complete edition of the German liturgy make it easy to integrate these pieces even today into a…

Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…

On 13 June 1830 Felix Mendelssohn Bartholdy finished his Rondo Capriccioso. After the Leipzig publishers Hofmeister and Breitkopf & Härtel had refused to publish the work – probably because of the seemingly excessive fee demanded by the composer – the work eventually was published by Mechetti in Vienna and J. B. Cramer Addison & Beale in London almost at the same time. Originally int…

Choral. Par MENDELSSOHN-BARTHOLDY FELIX. The German setting of the Te Deum was comissioned for the celebration of the 1000th aniversary of the German Reich in the Berlin cathedral. In the entirely homorhythmic choral arrangement, Mendelssohn seeks variety of sound through colorful harmonies and contrast between the different groups [choir, organ, brass and strings]./ Répertoire / Solistes SATB, Ch…

Non Nobis Domine / Nicht Unserm Namen, Herr. Par MENDELSSOHN-BARTHOLDY FELIX. The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. / Date parution : 1995-01-01/ Répertoire / Solistes STBar, Choeur SSAATTBB, 2 Flûtes Traversi

Aus: Die deutsche Liturgie. Par MENDELSSOHN-BARTHOLDY FELIX. For the Protestant church service according to the new Prussian Agenda of 1829 Mendelssohn set to music the Kyrie, Gloria, Sanctus, Honour to the Father and various Amens and Alleluias. The entire printing with all the orders of service in the complete edition of the German liturgy make it easy to integrate these pieces even today into a…

Choral. Par MENDELSSOHN-BARTHOLDY FELIX. The German setting of the Te Deum was comissioned for the celebration of the 1000th aniversary of the German Reich in the Berlin cathedral. In the entirely homorhythmic choral arrangement, Mendelssohn seeks variety of sound through colorful harmonies and contrast between the different groups [choir, organ, brass and strings]./ Répertoire / Solistes SATB, Ch…

Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…