Par GREEN FRED PRATT. With his move to a Methodist Home for the Aged, Fred believed his writing days to be over. 'I knew that old age does nothing for the inspiration'. However, he was wrong, and this modest 'sequence in verse on the theme of old age' brings smiles and tears as Fred takes us into his new home and shares his, and the community's, hopes and fears, joys and sorrows in 53 'verses'; on…

Fred Bock's setting of this famous Samuel Wesley tune was a classic from the start. It has been newly released as part of Fred's “Classics” series. A tasty keyboard accompaniment as only Fred could write supports awarm and rich choral part. Useful as an anthem offertory or service piece it is easy to medium in learning difficulty. Also available in SAB 2 Part and SSA.

Par FIEBIG KURT / WERNER FRITZ. Gattungen: Kirchenlieder, Sätze, Motetten -/ Répertoire / Choeur Mixte

Du solo d'ouverture sensible, à travers la polyphonie captivante texturé, à l'refrain final chorale, cette centrale contemporaine enseigne une leçon inspirante sur la force de la chanson. 'De la meilleure partie de qui je suis, je chante!' / Choeur

You've never heard it like this before! A dramatic solo provides the powerful introduction before this hip spiritual arrangement kicks into a groovy jazz waltz. A call and response verse highlights individual sections of the choir (or soloists) and an ultra-cool transition builds and modulates into the final choral refrain. Great to perform with a jazz combo. Arranged for 2-part choir by Patsy F…

How often do we find a warm ballad written especially for Hanukkah? No boom-chicks here, and no minor key either, just a tender heartfelt message of family and tradition. Incorporates a contemporary setting of the traditional Hebrew 'Maoz Tzur? just before a dramatic modulation to the final refrain. / 3 Parties Mixtes

A shimmering a cappella refrain provides an especially memorable highlight at the end of Mark Hayes', otherwise accompanied, choral arrangement. Originally penned by the 'Father of American Music,' this beloved song has long been associated with the grand pageantry of the Kentucky Derby. / Choeur TTBB

A shimmering a cappella refrain provides an especially memorable highlight at the end of Mark Hayes', otherwise accompanied, choral arrangement. Originally penned by the 'Father of American Music,' this beloved song has long been associated with the grand pageantry of the Kentucky Derby. / Choeur SSAA

20 unique solo arrangements of rock classics in standard notation and tablature for the Classical Guitar, including: Bohemian Rhapsody - Don't Fear the Reaper - Dust in the Wind - Free Bird - Hotel California - Let It Be - Nights in White Satin - Tears in Heaven - Time in a Bottle - Wonderful Tonight - You Are So Beautiful and more. / Guitare

Par QUEEN. Learn the ins and outs of the distinctive Brian May guitar style with this collection of 15 classic songs that span the varied career of the stadium rock chameleons. Each song is presented in accurate Guitar Tab with complete lyrics and chord boxes, including Bohemian Rhapsody , I Want To Break Free and The Show Must Go On . Foreword by Stevie Chick. / Niveau : Elémentaire / Tablatures…

Jay's particularly folky accompaniment features a jaunty piano with optional bass and percussion (available free at alfred.com/choralparts). Fully arranged with new harmonic and rhythmic content on each subsequent verse. Rollicking and fun, 'doo-dah day!' / Choeur SAB

Jay's particularly folky accompaniment features a jaunty piano with optional bass and percussion (available free at alfred.com/choralparts). Fully arranged with new harmonic and rhythmic content on each subsequent verse. Rollicking and fun, 'doo-dah day!' / 2 Parties Mixtes

Contents: The Brooklet from Die schone Mullerin (Schubert) * Daisies, from Six Songs (Rachmaninoff) * Flight of the Bumble Bee, from The Tale of Tsar Saltan (Rimsky-Korsakov) * Hopak, from Sorochintsy Fair(Mussorgsky) * Liebesleid (Kreisler) * Liebesfreud (Kreisler) * Lilacs, from Twelve Songs (Rachmaninoff) * Lullaby, from Six Romances (Tchaikovsky) * Minuet, from L'Arlesienne Suite No. 1 (Bizet)…

Cet ouvrage (ainsi que les volumes suivants) traite de l'apprentissage de la technique de l'instrument en liaison avec l'étude de l'improvisation. Il s'adresse à des musiciens de niveaux et de préoccupations différents. Si l'on trouve des ouvrages de technique pure (souvent en rapport avec l'école classique du saxophone), si d'autres traitent de l'improvisation (mais de ce seul sujet), rares par c…