| Concerto Per Violino, Archi E Bc, Rv 318 Op. Vi/3 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et Basse Continue Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…
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| Works for Wind Orchestra (HINDEMITH PAUL) Orchestre d'harmonie Schott
Par HINDEMITH PAUL. The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but as work cycles
with different functional relationships. These contrasting pieces complement each other if experienced as part of the overall structure. Hindemith himself not only …
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| Sonate Nr. 1 in d-Moll op. 75 (SAINT-SAENS CAMILLE) Violon et Piano [Partition] Barenreiter
Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: Influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.1 was incorporated into the repertoire of numerous late 19th-century violinists…
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| Quatuor Pour 2 Violons, Alto Et Violoncelle / Streichquartett Op. 10. Hrsg Douglas Woodfull-Harris (DEBUSSY CLAUDE) Quatuor à cordes: 2 violons, alto, violoncelle [Partition] Barenreiter
Par DEBUSSY CLAUDE. Debussy's only string quartet, composed in 1893, was his first masterwork. Together with two further works from this creative period, Prélude à l'après-midi d'un faune and Pelléas et Mélisande, the quartet established the composer's position as the rising star of the French music scene. Discrepancies existed from the initial publication in 1894 between the score, corrected and …
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| Mariken de Nimègue H 236/2 I (MARTINU BOHUSLAV) Soli, choeur mixte et accompagnement Bärenreiter
Par MARTINU BOHUSLAV. Bohuslav Martinu composed the one-act opera 'Mariken de Nimègue' based on a medieval Dutch Marian miracle during his stay in Paris in 1933 to a French text by Henri Ghéon. This is the unpublished and unperformed first version of the opera. The second and final version was created in 1934, which Martinu included in his Czech-language opera cycle 'Hry o Marii' (Marian Plays) H …
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| The Book Of Urizen (DE HAAN JACOB) Orchestre d'harmonie [Conducteur et Parties séparées] De Haske Publications
Par DE HAAN JACOB. The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not jus…
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| Barcarolle for Piano in F-sharp major Op. 60 (CHOPIN FREDERIC) Piano seul [Partition] Barenreiter
Par CHOPIN FREDERIC. In 1845/46 Chopin composed his bel canto inspired “Barcarolle” in F-sharp major op. 60, which became a model for subsequent generations of composers.
In his evaluation of the divergent and partly even contradictory sources – due to the different engraving models (Stichvorlagen) for the first editions published almost simultaneously in Paris, London, and Leipzig – the editor o…
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| Piano Sonatas I-III (SCHUBERT FRANZ) Piano seul Barenreiter
Par SCHUBERT FRANZ. Schubert?s piano sonatas reflect the entire cosmos of his distinctive writing, spanning from an early experimentation with this form to the iconic last three sonatas, which the composer completed in 1828, the last year of his life. All three volumes are equipped with informative prefaces on the genesis and sources, as well as valuable notes on piano playing in Schubert's time (…
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| Ighigenie auf Tauris (GLUCK CHRISTOPH WILLIBALD) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Vienna version 1781. Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigenie auf Tauris (Vienna version 1781) (Vocal Score) Music drama in four acts Following upon the great success of “Iphigénie en Tauride”, Gluck arranged the popular drama of human passions, guilt and unconditional friendship once again for Vienna’s Burgtheater, where it was premièred in 1781. Especially remarkable is the masterly orche…
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| Arminio (HAENDEL GEORG FRIEDRICH) Opéra [Conducteur] Barenreiter
Opera in tre atti. Par HAENDEL GEORG FRIEDRICH. Antonio Salvi's ; Arminio is one of the best-loved operatic librettos of the Baroque period. Against the historical background of the so-called ; Battle of the Teutoburg Forest in 9 AD in which the Cherusci leader Arminius as ; Liberator of Germany (Tacitus) inflicted a devastating defeat on the Romans, Handel's opera, first performed in 1737, is abo…
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| Concerto For Orchestra (BARTOK BELA) Orchestre G. Henle
With Critical Report. Par BARTOK BELA. The Béla Bartók Complete Critical Edition is a joint project of G. Henle Publishers, Munich and Edition Musica Budapest. The volume at hand was edited by Klára Móricz. By publishing Concerto for Orchestra the score for one of Bartók’s truly importantorchestra works is now available. The well readable introduction describes the genesis of this work that Bartók…
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| Le Willis (PUCCINI GIACOMO) Piano, Voix Ricordi
Ed. critica di Martin Deasy - Riduzione per canto e pianoforte. Par PUCCINI GIACOMO. Here, appearing for the first time, is the piano vocal score of Le Willis, Giacomo Puccini’s first stage work, whose full score remained unpublished until 2020, when it was issued by Casa Ricordi (NR 139546).The critical edition by Martin Deasy is based, as far as the first six Numbers are concerned, on the autogr…
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| Concerto Per Violino, Archi E Bc, Rv 324 Op. Vi/1 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et Basse Continue Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…
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| MIKROKOSMOS FOR PIANO VOLUME 5-6, BB 105 (BARTOK BELA) Piano seul [Partition] EMB (Editio Musica Budapest)
Par BARTOK BELA. Bartók's Mikrokosmos has been one of the milestones in pedagogical piano repertoire for 80 years - and yet it is also far more than a 'classical' piano primer. These 153 piano pieces, organized in ascending order of difficulty, engage not only with technical aspects of piano playing but also with the fundamentals of composition - from 'Imitation and Inversion,' 'Ostinato,' and 'Fr…
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| Concerto Per Violino, Archi E Bc, Rv 216 Op. VI/4 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et B.C. Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…
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| Psalm 'Non Nobis Domine' / 'Nicht Unserm Namen, Herr' Op. 31 Mwv A 9 Réd. Piano (MENDELSSOHN-BARTHOLDY FELIX) Soli, choeur mixte et accompagnement Barenreiter
The first great orchestral psalmMendelssohn's first great orchestral psalm took almost six years to complete, from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838.Unlike his other orchestral psalms, Mendelssohn took the Latin words from the Vulgate as his principal text which stem…
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| Concerto For Violin And Orchestra A Minor Op. 53 (DVORAK ANTONIN) Orchestre, Violon Barenreiter
This study score is based on our recently published new scholarly-critical edition (BA 10422) of Dvorák's op. 53, his only violin concerto. Besides the original print, the edition takes into account Dvorák's autograph, which served as a model for the engraving. A fresh evaluation of the autograph has made it possible to reconstruct several variants ignored in the first and subsequent editions and …
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| SKRJABIN A. - COMPLETE PIANO SONATAS VOL.3 Piano seul Barenreiter
No genre reflects Skrjabin?s artistic evolution more vividly than his piano sonatas. Sonatas Nos. 6, 7 and 8 which are presented in this edition were written between 1911 and 1913, at times contemporaneously with the late Sonatas Nos. 9 and 10. All autographs and printed sources including Skrjabin?s sketches and drafts have been thoroughly evaluated. The edition presents a meticulously edited musi…
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| Works for Violoncello and Piano (RACHMANINOV SERGEI) Violoncelle, Piano Barenreiter
Par RACHMANINOV SERGEI. First Urtext edition of Rachmaninoff’s works for violoncello
With a well-presented layout and practical page turns
Includes a detailed Introduction on the genesis and transmission of the works (Eng/Ger) and a Critical Commentary (Eng) with a description of the sources / Date parution : 2025-01-21/ Recueil / Violoncelle et Piano
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| Concerto Per Violino, Archi E Bc, Rv 318 Op. Vi/3 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et Basse Continue [Conducteur] Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…
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| Sonata (FRANCK CESAR) Flûte traversière et Piano Barenreiter
Cesar Franck's Sonata for Piano and Violin is one of the most treasured works in the violin repertoire, a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.After Franck's death in 1890 the original publisher of the Sonata, the…
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| Die Feen Wwv 32 (WAGNER RICHARD) Conducteur [Conducteur] Schott
The Richard Wagner Complete Edition presents the composer's entire output for the first time in a reliable form. The conductor Michael Balling, in the early years of the 20th century, attempted to make Wagner's work more accessible for research and performance, but the edition only reached 10 volumes - some with grave shortcomings - and was discontinued after Balling's death in 1925. A further att…
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| Dvd Kaukonen Jorma Fingerpicking Guitar Method 2 Dvd (KAUKONENE JORMA) Guitare [DVD] Hal Leonard
5 titres entièrement analysés, décomposés et expliqués : I'll Let You Know Before I Leave, Trouble In Mind, Tom Cat Blues, Genesis et Vampire Woman. En anglais, avec un livret en solfège et tablatures, 2 DVD pour une durée totale de 2 heures. / Guitare
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| 3 Sonatas In C Min, F Maj, D Maj Op. 10 (BEETHOVEN LUDWIG VAN) Piano seul Barenreiter
The three popular sonatas op. 10 were written between the end of 1795 and the beginning of 1798, only shortly after Beethoven had completed his first fully-fledged sonatas op. 2. In the press they were announced as ?3 very nice piano sonatas' of a composer whose name would sufficiently guarantee ?for the quality of his work to the audience.' The three technically and musically demanding works, whi…
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| Sonate Inglesi per Organo ? Vol. 4 (GLADSTONE FRANCIS EDWARD) Orgue [Partition] Ut Orpheus
Par GLADSTONE FRANCIS EDWARD. The organ sonatas of Francis Edward Gladstone (1845-1928) are fine examples of the developing English sonata tradition of the late-nineteenth century and early twentieth century. They exemplify a practical approach to the instrument with consistently moderate technical demands while also allowing the player scope for interpretation with the increasing availability of …
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| Il Prigionier Superbo (PERGOLESI GIOVANNI BATTISTA) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Ricordi
Edizione Critica A Cura Di Claudio Toscani. Par PERGOLESI GIOVANNI BATTISTA. EDIZIONE NAZIONALE DELLE OPERE DI GIOVANNI BATTISTA PERGOLESI (Casa Ricordi in collaborazione con la Fondazione Pergolesi Spontini di Jesi) Based on the anonymous recasting of a libretto derived in turn from La fede tradita e vendicata by Francesco Silvani (1705), Il prigionier superbo by Giovanni Battista Pergolesi was f…
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| Ighigénie en Aulide (GLUCK CHRISTOPH WILLIBALD) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigénie en Aulide (Vocal Score) Tragedy - Opera in three acts Iphigénie en Aulide is the first of six operas that Gluck composed for the Académie Royale de Musique. In keeping with his plans for operatic reform, he sought to create noble, expressive and natural melodies that did justice to every language and every national spirit while eliminating the “ridic…
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| BEETHOVEN L.V. - LEONORE OUVERTURE N°3 - SCORE Orchestre Barenreiter
Beethoven, Ludwig vanLeonore Overture for Orchestra no. 3- The most popular of the ?Leonore? overtures- Based on the G. Henle Complete Edition of the ?Works of Ludwig van Beethoven?- Orchestral parts in an enlarged format (25.5 cm x 32.5 cm)Of the four overtures that Beethoven composed for his only opera, the ?Leonore Overture? No. 3 is the most popular. The first reviewer found fault with it for …
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