Series I: Prelude 'Rêverie (Reverie) in E major, op. 24 - Piano Concerto in F sharp minor, op. 20. Par SCRIABINE ALEXANDER. / Date parution : 2022-01-18/ Recueil / Orchestre et Piano

Par IRELAND JOHN. CONTENTS When I am old (B - E) A Garrison Churchyard (B - D sharp) Annabel Lee (speaker and piano) Ireland's setting, for speaker and piano, of Edgar Allan Poe’s 'Annabel Lee' could be used either to add variety to a song recital, or to form the unusual centrepiece of a soiree or similar programme of mixed entertainment. Like the two songs also included in this collection, it was…

At the dawn of the 19th century Beethoven struck out on new paths with his two opus 27 sonatas, each of which he called a 'sonata quasi una fantasia?. Both of them, in particular Sonata #2 which was later nicknamed the 'Moonlight Sonata?, were destined for immortality.Jonathan Del Mar, second to none in his knowledge of Beethoven's music,.has obtained new readings in this fastidious scholarly-crit…

Le piano de Beethoven Sonate n o 24 en fa dièse Op.78 est maintenant disponible en édition individuelle avec un CD d'accompagnement, édité et enregistré par le célèbre savant Beethoven, Robert Taub. / Piano

Hissez le drapeau noir et sortir les coutelas! Avec la percussion ajoutée, cette pièce est une introduction amusante et excitante à la tonalité de ré mineur, qui rappelle les jours de gloire de la piraterie, certain d'entendre tous les membres de votre auditoire. Les élèves utiliseront une variété de techniques de droite, y compris Double Up-arcs, arc ascenseurs et pizzicato. Ils élargiront leurs …

In E-Flat Major / In C-Sharp Minor. Par BEETHOVEN LUDWIG VAN. At the dawn of the 19th century Beethoven struck out on new paths with his two opus 27 sonatas, each of which he called a 'sonata quasi una fantasia”. Both of them, in particular Sonata no. 2 which was later nicknamed the 'Moonlight Sonata”, were destined for immortality. Jonathan Del Mar, second to none in his knowledge of Beethoven's…

Volume One
Quartet No. 1 in F Major, Op.18, No. 1
Quartet No. 2 in G Major, Op.18, No. 2
Quartet No. 3 in D Major, Op.18, No. 3
Quartet No. 4 in C Minor, Op.18, No. 4
Quartet No. 5 in A Major, Op.18, No. 5
Quartet No. 6 in B-flat Major, Op.18, No. 6
Quartet No. 7 in F Major, Op. 59, No. 1
Quartet No. 8 in E Minor, Op. 59, No. 2
Quartet …

Exceptional singer Reynaldo Hahn (1875-1947) owes his early successes to the 'songs for voice and piano? genre, whose raison d'être he defines in his journal as follows: 'To highlight a poem, word for word but without uniformity - to emphasize its meaning without distorting it - to shine light upon one idea, obscure another and present it all in vocal, sung form - to produce a sharp, precise sensa…

As indestructible as Rachmaninoff's c-sharp-minor Prélude (HN 1211) may be, it is not his only Prélude to have begun a 'solo career? of its own: with its rousing rhythms and rhapsodic middle section, the famous piece in g minor certainly takes its place among them. Pianists who aren't yet ready to tackle the complete cycle of 24 Préludes (available as HN 1200) can still enjoy Rachmaninoff 'at his …

Commandé pour les Concerts de chambre BBC Proms en 2000, ' Vaporize ' est vivant avec énergie rythmique et sharp syncopations. Dédiée à John McCabe après que Duddell a été impressionné par la chorale de l'ouverture de McCabe ' Cloudcatcher Fells ', le travail de huit minutes doit sa fraîcheur et la vitalité de clarté du Duddell d'une partie de l'écriture, épargnant la pédale et la préférence pour …

/ Quatuor A Cordes

Par VAN DER ROOST JAN. This hymn was commissioned by “Antwerpen 93”. And this city, on the banks of the river Schelde has been nominated “Cultural Capital of Europe” for 1993. The work-group “animatie” took the initiative and commissioned a hymn, which -as the finale to a grand open-air event on 27th March- was premièred by hundreds of musicians from all over Europe. Philippe Langlet (France) was …

Book 1. Par HARWOOD BASIL. Sonata No. 1, Op. 5 Two Preludes, Op. 52 Two Meditations, Op. 57 A Quiet Voluntary, Op. 70 Basil Harwood's organ music takes a chronological journey through the composer's creative years. This journey begins with the Organ Sonata No. 1 in C sharp minor, op. 5 and ends with Quiet Voluntary for Evensong, op. 70, composed in 1946 when the composer was eighty-seven. In the i…