Par HAYDN FRANZ JOSEF. Édition en 3 volumes: HN 1536 (volume I), HN 1538 (volume II), HN 1540 (volume III) La révision de l’édition en trois volumes des Sonates pour piano de Haydn paraît également dans une édition sans doigtés. Qui souhaite ainsi étudier une sonate dans sa forme textuelle la plus «pure» et fidèle au canon d’origine, sans l’aide complémentaire de doigtés, verra désormais son désir…

Par HAYDN FRANZ JOSEF. One of Haydn's most famous symphonic movements, this selection will give your students a chance to develop a refined, 'Classic' style of playing. It seems like Haydn included everything in this movement---a delicately beautiful main theme, wild, minor-keyed outbursts, military percussion, and a solo trumpet fanfare. No wonder the London audiences went crazy over it! Arranged…

Tonalité : F-Dur - Hob. Xxii:1. Par HAYDN FRANZ JOSEF. Despite all of its folk-line simplicity of melody, Haydn's first mass contains a pious note that, just like its youthful verve, still was to hold fascination for him in his late years when, in 1805, he re-orchestrated his first work. The first version of the mass is considered to have been composed in 1749 or 1750. It was around the same time …

Pauken-Messe. Par HAYDN FRANZ JOSEF. The Missa in tempore belli by Joseph Haydn is an interesting work in several respecst. Firstly this setting of the Mass provides pointers to the situation of Austrian church music as it had been affected by imperial decrees. Secondly the political situation, with the imminent invasion of Austria by Napoleon's troops, had reached a crisis point which is reflecte…

Tonalité : F-Dur - Hob. Xxii:1. Par HAYDN FRANZ JOSEF. Despite all of its folk-line simplicity of melody, Haydn's first mass contains a pious note that, just like its youthful verve, still was to hold fascination for him in his late years when, in 1805, he re-orchestrated his first work. The first version of the mass is considered to have been composed in 1749 or 1750. It was around the same time …

Tonalité : F-Dur - Hob. Xxii:1. Par HAYDN FRANZ JOSEF. Despite all of its folk-line simplicity of melody, Haydn's first mass contains a pious note that, just like its youthful verve, still was to hold fascination for him in his late years when, in 1805, he re-orchestrated his first work. The first version of the mass is considered to have been composed in 1749 or 1750. It was around the same time …

Nelsonmesse. Par HAYDN FRANZ JOSEF. The so-called “Nelson Mass” is the third of the six great High Masses that Haydn wrote between 1796 and 1802 for the name-days of Princess Maria Josepha Hermenegild Esterházy. According to the dates given in the autograph he composed the work in the period between 10 July and 31 August 1798. It was thus written in the year of the first performance of the Creatio…

Par HAYDN FRANZ JOSEF. HN 1536 (volume I), HN 1538 (volume II), HN 1540 (volume III) La révision de l’édition en trois volumes des Sonates pour piano de Haydn paraît également dans une édition sans doigtés. Qui souhaite ainsi étudier une sonate dans sa forme textuelle la plus «pure» et fidèle au canon d’origine, sans l’aide complémentaire de doigtés, verra désormais son désir satisfait au mieux pa…

Pauken-Messe. Par HAYDN FRANZ JOSEF. The Missa in tempore belli by Joseph Haydn is an interesting work in several respecst. Firstly this setting of the Mass provides pointers to the situation of Austrian church music as it had been affected by imperial decrees. Secondly the political situation, with the imminent invasion of Austria by Napoleon's troops, had reached a crisis point which is reflecte…

Par HAYDN FRANZ JOSEF. Datée du 1er juin 1790 dans le manuscrit autographe, la Sonate en Mi bémol majeur a été écrite par Haydn pour Marianne von Gennzinger, dont il était personnellement proche et avec qui il faisait de la musique. La destinatrice en fut touchée, mais avait manifestement quelques difficultés avec le croisement des mains dans le très beau passage en si bémol mineur de la partie mé…

Zum Nahmensfest des Bonapart produciret. Par HAYDN FRANZ JOSEF. For the first time this work ascribed earlier to Joseph Haydn will be edited here under the name of his brother, Johann Michael Haydn, and based on the most reliable source from 1765 from the Benedictine monastery Göttwieg. There, in the course of a century the work was heard forty times for opening of the solemn High Mass, as also in…

Par HAYDN FRANZ JOSEF. Haydn's delightful Missa Brevis in F was both one of his earliest and latest works: he originally scored it for soloists, choir and strings, and returned to it at the end of his life to add wind parts. Either version may be performed using this new, authoritative edition, prepared by the Haydn scholar Denis McCaldin. / Niveau : Elémentaire / Répertoire / Chorale

Hob.XX:2. Par HAYDN FRANZ JOSEF. The Seven Last Words of our Saviour on the Cross (Die Sieben letzten Worte unseres Erlösers am Kreuze) (Hob. XX:2) Oratorio (Vocal Version) The original orchestral version of 'The Seven Last Words' (Hob. XX:1A), probably composed in 1785/86, was later arranged by Haydn into an oratorio, probably in 1795/96. It is scored for SATB soloists, mixed chorus (SATB) and or…

Par HAYDN JOHANN MICHAEL. The Christmas responsories belong to a particular tradition of choral settings of responsoria which had developed since the middle ot the 16th century. The entirely homophonic style of composition make the words easily understandable. The forward flow of the words - Haydn did not repeat words - is intensified and accentuated by harmonic means. In contrast to hias Holy Wee…

Tonalité : D-Dur - Mh 829. Par HAYDN JOHANN MICHAEL. Das letzte seiner 5 'Te Deum'-Kompositionen schrieb Michael Haydn für den Namenstag von Kaiser Franz II. [ab 1804 Franz I. von Österreich]./ Répertoire / Choeur SATB, 2 Hautbois, 2 Clarines, Timbales, 2 V