14 pieces in rock style. Par POGSON STEVE. If your students love rock music, why not use it. Now you can, with Steve Pogson's imaginative and enjoyable Way to Rock. 14 pieces written in rock 'n' roll, blues, reggae, ballad and other contemporary styles which come complete with keyboard accompaniments and chord symbols. Optional solos and themes for improvisation are also included, so you can mix a…

Par HANNICKEL MIKE. AT THE CUZCO MARKET leads your band to yet another far-off land. Imagine the hustle and bustle, and the noise and bright colors! You’re there in Cuzco, Peru with this tantalizing new piece composed by a master of young band literature, Mike Hannickel. Pack your bags! Here we go! / Niveau : 2 / Répertoire / Concert Band ou Harmonie

15 Selections from the Easy Jazz Ensemble Series. From Hal Leonard's long-standing series for Easy Jazz Ensemble, here is a marvelous collection of 15 outstanding arrangements. From well-known jazz standards to rock classics, this is quality and variety at a great value! Includes: All Blues, All of Me, Beyond the Sea, Boogie Woogie Bugle Boy, Freddie Freeloader, Green Onions, Hey Jude, In a Senti…

Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the mus…

A Century Of Piano Music contains pieces graded accordingly to difficulty, originally written variously for concert hall, class, festival or home: miniatures and more extended pieces that show off each composer at their best. Every major artistic movement can be discerned in this collection of easy and accessible piano works by some of the biggest names in British music of the twentieth century. A…

Un manuscrit de Prague à Londres
Voici l?un des plus importants volumes de musique de tous les temps pour instrument soliste. Il s?agit du recueil de 317 pages de tablature manuscrite pour luth baroque qui se trouve à la British Library de Londres contenant 237 pièces de Silvius Leopold Weiss (1687-1750) groupées ainsi : 26 sonates solo complètes entre lesquelles se glissent 3 préludes, 2 fug…

Par SAKAI ITARU. At the Lake (“Sur les bords du lac”) d’Itaru Sakai raconte une légende japonaise. La musique est aérienne et mystérieuse à l’image de l’histoire qu’elle illustre. Il était une fois dans la lumière pâle du petit matin, un jeune homme, prénommé Innove. Alors qu’il longeait le lac, il entendit une mystérieuse voix féminine : « La princesse Eugemaille est emprisonnée dans le château d…

Par TARR EDWARD H.. The renowned author and pioneering teacher (the first lecturer for any historical brass instrument at the Schola Cantorum Basiliensis) has collected and condensed his long teaching experience into the present three volumes. Though intended chiefly for players of baroque and natural trumpets, the study of these volumes should also be obligatory for players of modern valve trumpe…

Par SHEERAN ED. Après ses albums à succès x (Multiply), (Plus) et ÷ (Divide), le chanteur-compositeur anglais Ed Sheeran est de retour avec un nouveau disque, = (Equals), qui a été écouté en streaming plus de dix millions de fois durant les premières vingt-quatre heures après sa sortie, fin octobre 2021. Peter Kleine Schaars a tiré de cet album les tubes « Bad Habits », « Shivers », « Overpass »…

Ces recueils sont destinés aux élèves pianistes de la fin du 1er cycle au début du 3e cycle. Constatant que les élèves ados recherchaient un répertoire plus actuel, j'ai composé des pièces plus proches d'eux, à la fois simples et actuelles dans les harmonies, mais aussi écrites, pensées et construites d'une manière pédagogique. Ainsi elles permettent aux élèves de sortir du répertoire classique to…

King Arthur (Arr. Laurie). Par PURCELL HENRY. King Arthur was the only one of Purcell's professionally produced operas to have been designed as a semi-opera - the others were all adaptations of earlier plays. Dryden made a real attempt to integrate the music into the drama, but since he ascribed to the dramatic conventions of the period which virtually confined music to allegorical or supernatural…