Par LE GENDRE DOMINIQUE. The piece opens with the strings swaying between two notes that are either right next to each other or 15 tones apart but the interplay of these two notes sets each instrument in sympathetic vibration with each other. A melodic line appears in the first violin and is continued by the double bass while the second violin and viola continue to play with the two-note motif, pu…

Le six-volume 'la technique du violon systématique' couvre tous les aspects du violon et fournit ainsi une base complète pour l'apprentissage, l'enseignement et les musiciens interprètes. Les volumes contiennent de vastes suggestions pour la préparation raisonnable et appropriée techniquement exigeant passages dans des chefs-d'oeuvre de la musique. La simple idée de mettre en place la technique du…

Le six-volume 'Technique Violon systématique' couvre tous les aspects du violon et permet de fournir une base complète pour l'apprentissage, l'enseignement et la pratique de musiciens. Les volumes contiennent des suggestions importantes pour la préparation raisonnable et approprié de passages techniquement difficiles en chefs-d'oeuvre de la musique. La simple idée de mettre en place la technique d…

Kantate zum 1. Sonntag nach Epiphanias. Par BACH JOHANN SEBASTIAN. Among the vocal compositions incorrectly attributed to Johann Sebastian Bach, the cantata has a place of its own, because its tonal language approaches the unmistakable style of the Thomaskantor. This applies especially to its choral movements and recitatives. In the surviving sources, only one of which dates back to the 18th centu…

Kantate zum 1. Sonntag nach Epiphanias. Par BACH JOHANN SEBASTIAN. Among the vocal compositions incorrectly attributed to Johann Sebastian Bach, the cantata has a place of its own, because its tonal language approaches the unmistakable style of the Thomaskantor. This applies especially to its choral movements and recitatives. In the surviving sources, only one of which dates back to the 18th centu…

Kantate zum 1. Sonntag nach Epiphanias. Par BACH JOHANN SEBASTIAN. Among the vocal compositions incorrectly attributed to Johann Sebastian Bach, the cantata has a place of its own, because its tonal language approaches the unmistakable style of the Thomaskantor. This applies especially to its choral movements and recitatives. In the surviving sources, only one of which dates back to the 18th centu…

Kantate zum 1. Sonntag nach Epiphanias. Par BACH JOHANN SEBASTIAN. Among the vocal compositions incorrectly attributed to Johann Sebastian Bach, the cantata has a place of its own, because its tonal language approaches the unmistakable style of the Thomaskantor. This applies especially to its choral movements and recitatives. In the surviving sources, only one of which dates back to the 18th centu…

Par SICILIANO MARIE-HELENE / ZARCO JOELLE. Destiné à des 'fin de premier cycle', cet ouvrage de chant présente un large répertoire. De par le caractère et la diversité des styles musicaux (opéras, lieder, mélodies...), il a pour but la rencontre chronologique entre différentes époques et différentes formes musicales. La tessiture est adaptée aux voix des jeunes enfants, ainsi que les textes, au dé…

String Quartet #3 was written for, and first performed by the Balanescu Quartet, February 1990 at the Queen Elizabeth Hall, London. Duration 16 minutes. A score is available on sale.. Quoting composer: In the summer of 1989 I composed a choral work, Out of the Ruins , for Agnieszka Piotrowska's BBC2 documentary which dealt with the physical and emotional responses of some inhabitants of Leninakhan…