Score and parts for Saariaho's Cendres , arranged for Alto Flute, Cello and Piano. Quoting Saariaho: While writing Cendres , I was mainly concentrating on the interpretation of particular musical ideas by the three different instruments of the trio, each of which has its unique character and palette of colours. Musical tension is created and regulated by sometimes bringing the instruments as close…

For Flute, Clarinet In Bb, Harp, and String Quartet. Par LASH HANNAH. Form and Postlude is a piece in one continuous movement but with a distinct postlude which ends the work. I play throughout with the idea of pacing on many levels: the largest level is the idea of proportion of sections to one another, then harmonic rhythm (in the broad sense), then harmonic rhythm on a more local level, and of …

Par CURNOW JAMES. Joyfully proclaim the Christmas season with James Curnow’s energetic exploration of Angels We Have Heard On High! While adhering to ranges and rhythms easy enough to prepare for performance by Christmas, this exciting arrangement explores the multitude of colors that can be expressed by Woodwind, Brass and the Percussion instruments. Counterpoint and contrast make it an exception…

Par KOONCE FRANK. A substantial amount of early music for the guitar remains unknown to modern performers and audiences. In recent years, however, musicologists, scholars and performers on period instruments have provided a wealth of accessible new source materials which players can now begin to interpret in convincing and effective ways. Nevertheless, many still feel intimidated by the prospect o…

Sol Mineur. Par MONTEVERDI CLAUDIO. The Magnificat for 6 voices and basso continuo is the 'small sister' of the Magnificat from the so-called Marian Vespers [Vespers 1610]. Monteverdi published it in 1610 together with the larger work which included obbligato instruments - a real alternative for Vesper services and performances where only an organ is available./ Répertoire / Solistes, SSATTB et Pi…

Par CURNOW JAMES. Joyfully proclaim the Christmas season with James Curnow’s energetic exploration of Angels We Have Heard On High! While adhering to ranges and rhythms easy enough to prepare for performance by Christmas, this exciting arrangement explores the multitude of colors that can be expressed by Woodwind, Brass and the Percussion instruments. Counterpoint and contrast make it an exception…

The original version of this setting of the well-known traditional English folk song was completed in 1974, and was commissioned by Rachel McMillan College of Education (where Gregson was a lecturer at the time) for its Music Department Choir (female voices). It then had the somewhat unusual instrumentation of spinet, flute and string quartet.In 2017 Gregson was asked to revise it for performance …

Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) published Fanfares Liturgiques in 1952. As with his other wind compositions, Fanfares Liturgiques was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor…

Par WALLACH HOWARD. Contains some of the most popular pieces ever written for guitar, including Malaguena, El Testamento de Amelia, Lagrima and Recuerdos de la Alhambra. Helpful playing tips and plenty of fingerings are included, making this your ultimate source for Spanish guitar pieces. Every piece is written in standard music notation and easy-to-read tablature showing exactly where each note s…

Par SORENSEN BENT . When it comes to titles, almost all the works I have composed have found their title before or at the same moment I started them. That is why it was also surprising - not to say transgressive - for me that my work for 9 instruments for Ensemble MidtVest was completely untitled until the last bar. Then it dawned on me that the titlelessness was a natural result of the music's vo…

Arr. Jacob De Haan. Par TRADITIONAL. Jacob de Haan arranged the famous piece Amazing Grace for four-part variable ensemble, which may be complemented with percussion. With this intrumentation, it is possible to play the piece with almost any combination of instruments. The piece opens with the song theme, which after a modulation, flows into an intermezzo, characterized by a free interpretation of…

Par CURNOW JAMES. Joyfully proclaim the Christmas season with James Curnow’s energetic exploration of Angels We Have Heard On High! While adhering to ranges and rhythms easy enough to prepare for performance by Christmas, this exciting arrangement explores the multitude of colors that can be expressed by Woodwind, Brass and the Percussion instruments. Counterpoint and contrast make it an exception…

Take your audience on a voyage to the vast, unexplored areas of the Amazon Rainforest, where most of the world's isolated tribes dwell. Through the use of call-and-response, repetitive rhythmic grooves, and percussion instruments native to the region, this piece was written to celebrate the diverse and lively music culture that exists within the indigenous groups who call the Amazon Rainforest hom…