Arrangeur: Matt Johnston. Par HERBERT VICTOR. L'Encore is a short vignette originally composed for Flute, Clarinet (in A) and orchestra accompaniment. For this edition with piano reduction, to transpose the A Clarinet part for B-flat Clarinet would put the clarinet in an awkward key, so instead, included in the volume are additional transposed parts for the flute and piano. Thus, the clarinetist w…

The quickest, easiest, most enjoyable method for learning to play the mandolin! Alfred's Basic Mandolin Method is one of the many new additions to the Alfred's Basic family of methods, featuring clear, well-paced instruction. Learning to play has never been easier or more fun than with Alfred's Basic Mandolin Method---the best choice for today's beginning mandolin students. Book 2 features: * New …

/ Voix Et Piano

Par HAWES PATRICK. Gallipoli originally appeared as part of the second movement of The Great War Symphony written to commemorate the centenary of the First World War. The moving words of Sydney Bolitho which are well-known in Australia deserve wider recognition and this setting seeks to show them in a majestic, optimistic light. In performance, it is important to convey a sense of sorrow but also …

Young composers often make their living with incidental music. Such was the case of Leonid Desyatnikov (*1955) who wrote in his early years a lot of music for puppet shows and dramatic performances. Later the author collected some pieces together forming the suite 'Reminiscences of the Theatre?, the title being of course a reminiscence of Robert Schumann's famous 'Album für die Jugend? (No 25). De…

Here is the clearest, most useful chord book for the mandolin ever published. Over 1,000 standard chord forms. Several forms are shown for each type of chord, and each form has its own easy-to-read diagram. What's more, the chords are grouped logically, making it eay to find the ones you need to play any song. No matter what kind of music you are into, you will find both the usual and unusual chor…

Par HAIGHT RUSSELL. This collection of ten jazz etudes with accompanying audio provides intermediate to advanced alto sax students with a fun and effective way to learn to play in the specific odd meters: 3/4, 5/4, 7/4, and 9/4. Each etude is based on the chord progression of a different jazz standard, and includes an in-depth analysis of the melodic, harmonic, and rhythmic devices used. The addit…

A collection of Motown Classics arranged for easy Keyboard. Each song features melody line, vocals, chord displays, suggested registrations and rhythm settings. Includes Dancing In The Street , Lady Marmalade and The Tracks Of My Tears . / Niveau : Facile / Recueil / Clavier Electronique et Ligne Mélodique

Par KRAUS JOSEPH MARTIN. Joseph Martin Kraus [1756 1792] composed his Requiem in 1775at the age of 19 for the parish church in his hometown of Buchen, Odenwald. This followed the Miserere of 1773, and is the second of his surviving sacred compositions. Already in this early work Kraus shows that he was a representative of the musical ?Sturm und Drang.? With all its youthful unconcern towards compo…

Par BERNOTAS CHRIS. If there is one thing music educators are it is resilient! Resilience, by Chris M. Bernotas, is dedicated to all music educators in recognition of how they always adapt to the unknown and rise to every challenge. This overture is the perfect concert opener for your first-year string orchestra. Using only the notes in the key of D, and melodic parts for all, every student will s…

Par . These easy piano arrangements are at the intermediate level and are instantly recognizable to any and all respectable gamers! Featuring music from contemporary composers including Michael Giacchino, Bear McCreary, Iian Eshkeri, Kow Otani, Lena Raine, and Christopher Tin, this collection is ideal for everything from a high school talent show, repertoire for a piano lesson or recital, or simpl…

Par LANGER MANFRED. Uniform choral sound, homogeneous singing with singers in similarly uniform dress. What interest does the audience have in the fates of the individual singers? How good it is that today one may “act up“ again. When else is there time for chatting on the risers, screaming and shouting, articulating one’s ignorance concerning contemporary art expressing hopes of getting a solo, f…