Although Schumann's first attempts at composing for this supreme form of chamber music in 1838/39 were only fragments, the three String Quartets op. 41 in a minor, F major and A major were written in one go in June/July 1842. At the first private performances the audience was enthusiastic and it was Mendelssohn's praise in particular that occasioned Schumann to dedicate the new works to him. The c…

Kantaten I-Iii. Par BACH JOHANN SEBASTIAN. ?A widely-accepted form for the Christmas Oratorio is to perform parts I?III exclusively. In their concentration on the actual Christmas story they form a rounded whole. The present edition is conceived especially for this kind of performance. ? [Singen und Musizieren im Gottesdienst, Juli/August 2000] / Oratorio / Répertoire / Solistes SATB, Choeur SATB…

Par JARRELL MICHAEL. Composition works like an arborescent structure. At each ramification you choose a path, which depends on the whole dynamic of the whole piece. Doing this, you leave quite a lot of ideas and fragments behind. Nachlese is a german term already used by Goethe for the idea of 'reading again', referring to, commenting something... The idea of this cycle (Nachlese) is to come back…

In 2012, I composed a set of variations (originally for orchestra and subsequently arranged for two pianos in 2013 ) based on one of Wagner's most inspired and haunting melodies, the 'alte Hirtenweise' [old shepherd's song], an extended cor anglais solo at the start of Act III of Tristan and Isolde. This seemingly simple, yet deceptively complex melody was my starting point for an expansive fantas…

/ Niveau : Facile / Recueil / Piano

Par PART ARVO. 'I have developed a highly formalised compositional system, which I have been using to write my music for twenty years. Summa is the most strict and enigmatic work in this series', said Arvo Pärt in 1994. The neutral title itself embodies the essence of the content as the work is based on the text of the Latin Credo. The great simplicity of the piece masks its complexity. The underl…

Vol.1: Trios I a VIII. Par NAULAIS JEROME. Vol. 1: Trios I A Viii / Niveau : 1er Cycle / Recueil / 3 Hautbois

Par CASEY W. / JACOBS J.. Après 20 ans la graisse est encore le mot ! 15 chansons classiques arrangés pour piano, voix et guitare. / Rép International / Recueil / Piano, Chant et Guitare

Par PRUVOT MICHEL. Michael's theme / I've counted what I have - Angel Eyes - Third invention - The Walls / Niveau : Elémentaire / variété - jazz / Recueil / Accordéon

Vol. I: Concerto I In F Major, Op. 2 N. 2/ Recueil / Violon Principal, 2 Violons, 2 Altos, Violoncelle

Par CARTER SYDNEY. 18 songs with piano or guitar accompaniment. CONTENTS After six and all day Sunday (A - B); Bird of heaven (A - A); British Museum waltz (B flat - C) Come, love, carolling (A - C); George Fox (C - C); Glass of water (G - A) Judas and Mary (B - B); Like the snow (B - D); Long time since I had a lesson (C - D) Man with a microphone (A - D); The Mask I wore (A - B); The Postmaster …

Set of parts: vln I, vln II, vla, vc, db.. Par RUTTER JOHN. for SATB or SSA and strings, with opt. organ Set of parts for John Rutter's much-loved Nativity Carol, one of the composer's earliest pieces. The string accompaniment is compatible with both SATB and SSA versions of Nativity Carol, and this set includes the following string parts: 4 x vln I, 4 x vln II, 3 x vla, 2 x vc, 1 x db. / Date par…

Par ALBENIZ ISAAC. Cadiz' Serenata by I. Albeniz transcribed for the guitar by Miguel Llobet. 'Cadiz' Serenata by I. Albeniz transcribed for the guitar by Miguel Llobet./ Répertoire / Guitare

You Know I’m No Good, Valerie, Love Is a Losing Game, Back to Black, Rehab. Par WINEHOUSE AMY. You Know I'M No Good, Valerie, Love Is A Losing Game, Back To Black, Rehab / Niveau : 3 / Pop and rock / Recueil / Concert Band ou Harmonie

Par BRYARS GAVIN. “Apart from the ten 5-minute string quartets that I wrote in 1992 as the original version of A Man in a Room, Gambling, there are 8 years between my second and third quartets. Another element which finds its way into the quartet comes from my work with groups from the world of early music, particularly from the experience of writing for a consort of viols …. In several places I a…