Offertorium Zum Ostersonntag. Par EBERLIN JOHANN ERNST. Eberlin’s programmatic setting of the offertory “Terra tremuit” was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 [Vulgata 75], with their vivid description of the earth trembling and falling …

Par VAN DER ROOST JAN. The Wooden Soldier (Le soldat de bois) est une pièce courte et simple commandée par le Ministère singapourien de l’Education. Cette oeuvre a été initialement écrite comme pièce imposée pour le Festival de la Jeunesse se déroulant à Singapour en 2012. Comme de nombreuses formations scolaires présentent quelques lacunes au niveau de certains pupitres, Jan van der Roost a été s…

Score + Parties. Par BRAHMS JOHANNES. Bärenreiter's scholarly-critical edition of Brahms' popular Quintet in F minor for piano and strings contains everything a cutting edge Urtext edition is meant to offer. It presents a solid and wellresearched musical text based on Brahms' autograph as well as the first edition, and draws on the autograph of the two-piano version (composed six years later) for …

Rhapsodie. Par JANACEK LEOS. The rhapsody for orchestra “Taras Bulba” is the most important and on account of its genesis the most interesting of the three programmatic orchestral works the composer wrote between 1914 and 1920. All three of these works were responses to the contemporary social and political context: “The Fiddler’s Child” was an indictment of the state of society, “Taras Bulba” was…

Nomenclature : 1.0.0.0 / 2.1.1.0 / perc / hp / guit / cel / pno / 2clav / 2.1.1.0 + electr. Durée : 67' Genre : Contemporain Média : Partition Nombre de pages : 178 (A3) Editeur : Lemoine Date de parution : 10/12/2010 Commanditaire : Opéra de Lille et Ministère de la Culture et de la Communication Création : 07/03/2011 - Lille, Opéra - Fabrice Di Falco (Grégor, cT), Magali Léger (la Soeur de Grégo…

Sheets for piano. Par FAINI DARIO (DARDUST). Urban Impressionism is the matching folio of the eponymous new recording project by Italian composer, producer and pianist Dardust. He once again challenges the conventions of neoclassical/contemporary music and does so, as is his wont, by breaking down the boundaries between the arts, uniting music and architecture, harmonising contrasts but starting f…

Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant la Renaissance Française.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - quatre volumes.Volume 1 (réf.5931) : Anonymes (1-2) - Guillaume GUERSON - Nicolas WOLLICKVolume - 2 (réf.5932) : Loys BOURGEOIS - Symphorien CHAMPIER - Maximilian GUILL…

This composition is an episodic work that paints a musical portrait of Red Rock Mountain, a beautiful mountain landscape in Pennsylvania. Brass fanfares and soaring wind lines begin the piece, transitioning into an emotional section depicting the mountains at dusk. As the sun rises and sheds light on its peaks, the music becomes lyrical and rhythmically incisive, culminating in a heroic brass fina…

Par SPARKE PHILIP. This piece depicts the refined beauty of the Grand Canyon at sunrise and sunset. These are the best times to view the Canyon with the sun low in the sky casting shadows that give depth and form to the vast panorama. Angel’s Gate is one of the many named rock formations in the canyon. The composer has tried to depict the sights and sounds of dawn, birdsong in the early morning sk…

Par VAN DER ROOST JAN. Condacum’ was composed on the occasion of the 25th anniversary of the Arts Council in the Belgian district of Kontich, the home town of the composer Jan Van der Roost. It is an interesting composition in which the history of this Belgian community is depicted in sound. The opening reminds one of the advance of the Roman army, whilst the dynamic development is full of vitaliy…

Offertorium Zum Ostersonntag. Par EBERLIN JOHANN ERNST. Eberlin’s programmatic setting of the offertory “Terra tremuit” was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 [Vulgata 75], with their vivid description of the earth trembling and falling …

Camille Saint-Saëns
Le Carnaval des animaux
Ernst-Günter Heinemann (Editeur)
Edition Urtext, reliure paperback
pour flûte (piccolo), clarinette (Si bémol/Ut), harmonica de verre, xylophone, piano I, piano II, violon I, violon II, alto, violoncelle, contrebasse
Conçu en tant que pièce humoristique de circonstance à l’occasion du concert de Carnaval de son ami le violoncelli…

Par PART ARVO. Arvo Pärt wrote the prayer of peace 'Da pacem Domine' to fulfil a commission from Jordi Savall. He began to set this ninth-century Gregorian antiphon two days after the Madrid bombings on 11 March 2004 as his personal tribute to the victims. Since then Da pacem Domine has been performed every year in Spain to commemorate the victims of this terrorist attack. Even while originally co…

Par SAINT-SAENS CAMILLE. Conçu en tant que pièce humoristique de circonstance à l’occasion du concert de Carnaval de son ami le violoncelliste Charles-Joseph Lebouc en mars 1886, le Carnaval des Animaux obtint un tel succès que Saint-Saëns en demanda, peu de temps après, l’interdiction d’exécution et de publication. Il craignait, de fait, que cette «Grande Fantaisie zoologique» - consistant en 14 …