Par AHO KALEVI. Kalevi Aho's (b. 1949) concerto no. 2 for cello and orchestra (2013) is in five movements performed without a break. It begins with a swinging Berceuse, followed by a very quick, virtuosic Presto in 5/8 time. The heart of the concerto is the cadenza-like third movement, Adagio, dominated throughout by the soloist. A fairly short Allegretto is followed by the closing Epilogue. This …

Arr. John Blanken. Par CACCINI GIULIO. Giulio Caccini (ca. 1550 - 1618), also known as Giulio Romano, was an Italian composer, singer, and lute player and is regarded as the founder of opera. Today, Caccini’s music is receiving attention again being performed by world stars such as Andrea Bocelli and Inessa Galante. In this arrangement Ave Maria the solo part can be taken by several instruments or…

Auld Lang Syne. Par TRADITIONAL. This traditional melody is known worldwide as a song of farewell. Jan Van der Roost treated it as an anthem in this splendid arrangement. The melody is brought to us in whole or in part by various instruments and is surrounded by logical yet original - sometimes surprising - chords that dare to fluctuate. After a broad tutti, the ensemble begins to die out. The pie…

EDITION : SEPARATE PART INSTRUMENTATION : 2 TREBLE RECORDERS, 2 OBOES, 2 VIOLINS AND BASSO CONTINUO DATE OF PUBLICATIONS : 01/10/1980 NUMBER OF PAGES : 3 ARRANGER : BRUGGEN, FRANS SERIES : CONCERTINO

L'expression est l'essence même de l'improvisation jazz et le point de départ de l'ornementation et de créativité. Comme un des instruments de plomb du Jazz, le saxophone est souvent nécessaire pour s'attaquer à une mélodie solo. Chaque extrémité, la ruse et la technique sont fourni ici, en vous donnant un arsenal de tactiques musical pour définir votre solo jouant le feu. Avec ce DVD de la série …

Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei deinem Wort” and “Verleih uns Frieden gnädiglich. ” The Lübeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody “Erhalt uns Herr. ” This was the basis for Buxtehude’s composition. The copy of the tabulature of this cantata in the Düben Collection can be dated to the summer …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

The art of improvising chord-style solos is an important part of any musician's resources. This book has been written to improve that art for guitar, vibes and all keyboard instruments. A careful study of these solos will give you a thorough understanding of chordal playing and substitutions. It is great for voicing as well as improvisation. / Guitare

Par BLANKEN JOHN. COME ONE AND ALL! Come see the great Circus Bamboni! This four movement work, with flexible four-part instrumentation (+ drum set), will amaze and charm you like no other. The fi rst movement features the band as it tunes up and prepares for the show. Then the talented trapeze artists make an appearance as they fly through the sky high above the audience. The elephants parade aro…

Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei deinem Wort” and “Verleih uns Frieden gnädiglich. ” The Lübeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody “Erhalt uns Herr. ” This was the basis for Buxtehude’s composition. The copy of the tabulature of this cantata in the Düben Collection can be dated to the summer …

At last the excitement of traditional folk fiddling can be experienced by your entire string orchestra! Written by two renowned educators, this fun and motivating collection of 16 cross-cultural fiddle tunes is presented in a unique format that makes it perfect for players of any level or age. Each tune includes a solo version, followed by a 3-part 'arrangement' for group performance. Chord symbol…

Par CANAT DE CHIZY EDITH. L'élaboration de ce quatuor à cordes a correspondu pour moi à une période de grande liberté par rapport à la composition (liberté d'influences, de forme, de langage), liberté allant de pair avec une jubilation croissante dans l'acte d'écrire. D'ou ce titre évocateur qui a généré une forme en arche avançant peu à peu vers une énergie extrême au centre de la pièce pour s'ét…

Auld Lang Syne. Par TRADITIONAL. This traditional melody is known worldwide as a song of farewell. Jan Van der Roost treated it as an anthem in this splendid arrangement. The melody is brought to us in whole or in part by various instruments and is surrounded by logical yet original - sometimes surprising - chords that dare to fluctuate. After a broad tutti, the ensemble begins to die out. The pie…

Arr. Wil Van Der Beek. Par CACCINI GIULIO. Giulio Caccini (ca. 1550 - 1618), also known as Giulio Romano, was an Italian composer, singer, and lute player and is regarded as the founder of opera. Today, Caccini’s music is receiving attention again being performed by world stars such as Andrea Bocelli and Inessa Galante. In this arrangement Ave Maria the solo part can be taken by several instrument…