Par LOCHS BERT. Le concept à succès des Swing Quartets, Jazz Quartets et Groove Quartets se présente maintenant également en habits de Noël : Bert Lochs a arrangé quatre chants traditionnels de Noël dans un style swingué avec accompagnement de combo. Les Swingin' Christmas Quartets sont disponibles pour quatuors de trompettes, flûtes, clarinettes et saxophones altos, toutes les versions étant comb…

Movie Quartets for All is a versatile, educational, and fun series intended for like or mixed instruments to perform in any size group or combination of instruments. All books are in score format with each line increasing in difficulty from Grade 1 to Grade 3--4. Perfect for concerts with family and friends, recitals, auditions, and festivals. Available for brass, woodwinds, strings, and percussio…

Par LAYE PHILIPPE / GARGALIAN SYLVAIN / BESOZZI FREDER. / Niveau : Cycle 1 / Musique Instrumentale / Date parution : 2023-03-21/ Recueil / Quatuor de Clarinettes

Le compositeur Pascal Proust puise à volonté dans son immense expérience de musicien et professeur de musique ; son catalogue d?oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a écrit 14 Easy Clarinet Quartets pour clarinettistes ayant environ 2 à 3 années de pratique, dans un style musical accessible et coloré. De ce fait, ces quatuors sont des pièces idéales pour …

Instrumentation : 2Vln.Vla.Vc Title : String Quartets K464, K465Out of Print K464, 465

These 4 pieces, Waltz, Sad Song, Rain, and Shake It Out, offer this often-neglected percussion group musically satisfying and fun-to-play pieces. The techniques required are rudimentary, and the instruments are usually available to the beginning band director. The pieces are written from the unique percussionist's prospective, where students are expected to: * Count multiple bars rest * Play numer…

Comme le volume des quatuors facile, celui-ci contient aussi des séquences de danse composées de plusieurs mouvements. Outre ces mouvements de danse populaire (deux danses renaissance, trois valses), cette publication fournit également aux utilisateurs plus vastes pièces de caractère à un niveau intermédiaire. Dans les mouvements comme, par exemple, Soirée carillons, Hobgoblin, la bergère et le co…

Flute, Violin, Viola, Cello. Music Partner Play-along CD available, see MP 17a / Flûte Traversière(S) Et Autres Instruments

Saint-Saëns, Camille String Quartets op. 112, 153 - First scholarly-critical edition of these French masterpieces - Includes the original version of the Finale to String Quartet no. 2 - Based on the Urtext from ?Camille Saint-Saëns ? Complete Edition of the Instrumental Works? Ludwig van Beethoven?s overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Sai…

Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use …

Arranger : David Heyes The Transcriptions Series series Recital Music publish a wealth of original works for double bass alongside a popular, accessible and growing range of transcriptions for bassists of all ages and abilities. Most transcriptions published by Recital Music are by David Heyes, who has a successful and proven track record when arranging for double bass. Czardas for violin and p…

Par PART ARVO. It takes 75 minutes to relate the story of the Passion according to the Latin of St John's Gospel; Pärt uses solo singers for the roles of Pilate and Christ, and a group of four soloists (soprano, counter tenor, tenor and bass) for the Evangelist, together with a small chorus. Understatement is all: the instrumental accompaniment is confined to a quartet of woodwind and strings that…

For Flute, Clarinet In Bb, Harp, and String Quartet. Par LASH HANNAH. Form and Postlude is a piece in one continuous movement but with a distinct postlude which ends the work. I play throughout with the idea of pacing on many levels: the largest level is the idea of proportion of sections to one another, then harmonic rhythm (in the broad sense), then harmonic rhythm on a more local level, and of …