Himmelfahrtsoratorium. Par BACH JOHANN SEBASTIAN. Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 [Ascension Oratorio]. Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text incl…

Par BACH JOHANN SEBASTIAN. The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. This ties in with the crucial question of Bach?s authorship, which has been the subject of much controversy in the past. There were heated discussions about it even just prior…

by Baroque Composers. Par BACH JOHANN SEBASTIAN. Sixteen of Bach’s transcriptions for solo keyboard instruments (Piano and Harpsichord) of concertos for Violin and other non-keyboard instruments by Vivaldi, Telemann and others. Reprinted from the definitive Bach-Gesellschaft edition prepared by Ernst Naumann./ Répertoire / Clavier et Piano

Kantate Zum Reformationsfest (In Der Bearbeitung Von Wilhelm Friedemann Bach). Par BACH JOHANN SEBASTIAN. Tonalité : D-Dur - Bach, Wilhelm Friedemann (Arr. ) - BWV 80/ Répertoire / Solistes SATB, Choeur SATB, (arr Satz 1 + 5 von W.

Reconstructed from BWV 1056. Par BACH JOHANN SEBASTIAN. This violin concerto in G minor has not come down to us in the form presented here. It has been reconstructed from a lost violin concerto that survives solely in Bach's arrangement for harpsichord, namely, as the Harpsichord Concerto in F minor (BWV 1056). The reconstruction is based on a meticulous evaluation of those autograph harpsichord c…

Par BACH JOHANN SEBASTIAN. In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts to this concerto based on the acclaimed New Bach Edition. The present expanded publication goes a step further in that it offers not only the two solo violin parts as presented in the New Bach Edition, but also two additional parts with fingerings and bowings by the baroque specialist Andrew Ma…

Jesu bleibet meine Freude from Cantata 147. Par BACH JOHANN SEBASTIAN. Bach’s appointment as the Cantor at Leipzig’s Thomaskirche in 1723 required him to produce a new cantata for every Sunday service. Jesu, Joy of Man’s Desiring is taken from his Cantata No. 147 and is unusually elaborate, treated more like an aria than a chorale. It is perhaps the best-loved cantata movement from Bach’s entire o…

Himmelfahrtsoratorium. Par BACH JOHANN SEBASTIAN. Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 (Ascension Oratorio). Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text incl…

Wachet auf, ruft uns die Stimme. Par BACH JOHANN SEBASTIAN. This enchanting melody is from the fourth movement of Bach’s Cantata 140 which was composed in 1731 using the parable of the wise and foolish virgins as the text. The work is beautiful in its simplicity with only three melodic lines, demonstrating Bach’s counterpoint at its best. For greatest effect it is suggested that the trumpets and t…

Bwv 772-786. Par BACH JOHANN SEBASTIAN. J. S. Bach's 15 Two-Part Inventions BWV 772-786 as edited by Franklin Taylor. J. S. Bach's 15 Two-Part Inventions BWV 772-786 as edited by Franklin Taylor./ Répertoire / Piano

Par BACH JOHANN SEBASTIAN. L'origine de ces pièces rassemble des avis divers, surtout pour ce qui concerne les Adagios dont la paternité reste inconnue. Il a été avancé que W.A. Mozart aurait à voir avec les transcriptions des Fugues, ce que n'atteste aucun manuscrit autographe ou copie contemporaine. Par contre, trois d'entre elles sont issues des 2 cahiers du Wohltemperiert Klavier, Das ('Le Cla…

Cross Staff Cantata (Kreuzstabkantate). Par BACH JOHANN SEBASTIAN. Ich Will Den Kreuzstab Gerne Tragen 'Kreuzstabkantate' (I will my cross-staff gladly carry) 'Cross Staff Cantata (Kreuzstabkantate)') BWV 56 Cantata for the 19th Sunday after Trinity Bach ’s solo cantata Ich Will Den Kreuzstab Gerne Tragen is taken from his third cantata cycle for Leipzig. To judge from its position in the liturgy,…

Kantaten. Urtext Der Neuen Bach-Ausgabe. Par BACH JOHANN SEBASTIAN. The present vocal score follows the , Neue Bach- Ausgabe ', Series I, Vol. 10. At the same time it contains the addition introduced into the performing material of the practical edition (BA 5107) restricted by the necessity of being compressed between two staves. The notation of the vocal parts, however, was faithfully taken over,…

Himmelfahrtsoratorium. Par BACH JOHANN SEBASTIAN. Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 [Ascension Oratorio]. Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text incl…