Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

Wachet auf, ruft uns die Stimme. Par BACH JOHANN SEBASTIAN. This enchanting melody is from the fourth movement of Bach’s Cantata 140 which was composed in 1731 using the parable of the wise and foolish virgins as the text. The work is beautiful in its simplicity with only three melodic lines, demonstratingBach’s counterpoint at its best. For greatest effect it is suggested that the trumpets and tr…

Alec Templeton (1909-1963):Bach Goes to TownGeorge Gershwin (1898-1937):Prelude in C sharp minorJohann Sebastian Bach (1685-1750)Johann Simon Kreuzpointner (*1968):Toccata à la Jazz / Orgue

Arr. Henk Hogestein. Der Name von Johann Sebastian Bach ist untrennbar mit der Stadt Leipzig verbunden. Seit dem Anfang des 20. Jahrhunderts findet in Leipzig jährlich das Bachfest statt. Markenzeichen von Leipzig ist dabei Internationalität: Jedes Jahr kommen Solisten aus aller Welt, um erneut die Barockmusik des großen Meisterkomponisten aufzuführen. Das Bachfest inspirierte Henk Hogestein zu se…

Kantate Zum 13. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. The closing chorale of the cantata is given without text in the autograph. In this edition, the recommendation of the Neuen Bachausgabe [NBA 1/21] is followed./ Répertoire / Solistes SATB, Choeur SATB, Trompette (Da Tirarsi)

Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Art de la fugue (l') de Bach Johann Sebastian. Idéale pour les musiciens pratiquant Saxophone et ayant un niveau proche de Cycle 2, cette pièce se classe dans la catégorie Classique sous la référence BACH01667. / Saxophone / niveau : Cycle 2 / Partition

Vous êtes chanteur? Aucun doute cette partition vous satisfaira à 100%. Cataloguée sous la référence BACH22621-BA, cette partition de Bach Johann Sebastian a pour titre Sept chorals Cahier 1 (chorals 1 à 4). A n'en pas douter, elle se classe logiquement dans la catégorie Classique. / Chant/Vocal/Choeur / niveau : Or:5 / Partition

Kantate Zum 13. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. The closing chorale of the cantata is given without text in the autograph. In this edition, the recommendation of the Neuen Bachausgabe [NBA 1/21] is followed./ Répertoire / Solistes SATB, Choeur SATB, Trompette (Da Tirarsi)

Kantate Zum 13. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. The closing chorale of the cantata is given without text in the autograph. In this edition, the recommendation of the Neuen Bachausgabe (NBA 1/21) is followed. / Musique religieuse / Répertoire / Solistes SATB, Choeur SATB, Trompette (Da Tirarsi)