Ces recueils offrent des compilations indispensables à tout musicien classique, ainsi que des arrangements d'oeuvres contemporaines pour piano solo. (Vol. 1) Leonard Cohen - Carly Comando - Ludovico Einaudi - Philip Glass - Elton John - David H. Lanz - Wim Mertens - Ennio Morricone - Michael Nyman - Astor Piazzolla - Erik Satie - Yann Tiersen - John Williams. (Vol. 2) Giovanni Allevi - John Barry …

Par BLOW JOHN. Edited by Barry Cooper The organ voluntaries, double or cornet voluntaries and psalm-tune settings by John Blow form a substantial corpus of material - 48 pieces in all - that sheds much light on the developing keyboard style of the late 17th century. Predominantly serious and contrapuntal, they bear witness to the technical mastery of their composer and to his role as an important …

Arr. Naohiro Iwai. Par GIBB BARRY. The hit of the seventies! When you say disco, you immediately think of the Bee Gees. Their hit song Stayin’ Alive has become an evergreen partly due to the fabulous dancing of John Travolta in the film Saturday Night Fever. This arrangement for concert band will make a great encore at your next concert! / Niveau : 4 / Musique légère originale / Répertoire / Co…

Ce volume de cours de piano fantastique contient dix grandes chansons avec Pop Hits, Broadway smashes, thèmes de films et plus encore. Il apporte un complément idéal à la John Thompson moderne Piano cours Grade 4 et toutes les chansons sont arrangés pour Piano solo par Glenda Austin. / Piano / 48 pages / Partition + Cd

Composer : Stanley, John Instrumentation : 2Trp,Org(Klav) Editor : Cooper, Barry

We Have All the Time in the World is the classic James Bond theme featuring the warm, graceful vocals of Louis Armstrong. Beloved for its sophisticated, smooth sound, the track - written by John Barry and Hal David - has transcended its tie to cinema, becoming one of the most requested songs at weddings, anniversaries and other celebrations. This brand new arrangement by Thomas Lydon for SATB choi…

We Have All the Time in the World is the classic James Bond theme featuring the warm, graceful vocals of Louis Armstrong. Beloved for its sophisticated, smooth sound, the track - written by John Barry and Hal David - has transcended its tie to cinema, becoming one of the most requested songs at weddings, anniversaries and other celebrations. This brand new arrangement by Thomas Lydon for SSA choir…

A 20th century jazz prodigy with a supreme talent for improvisation, Louis Armstrong would become a successful popular entertainer in later years. He could still revisit the dazzling instrumental performances of his youth but in time 'Satchmo' became even more famous for his gravelly vocals and larger-than-life guest performances in TV shows and musical films. Scott Fitzgerald famously wrote that …

This James Bond theme tune was released in 1981 with the film starring Roger Moore. The vocalist, Scottish singer Sheena Easton , beat out the band Blondie to record the song which went on to become a chart success and nominated for an Academy Award. The soaring love song integrates the signature style of Bond themes usually composed by John Barry, but this time written by Bill Conti and Mick Lees…

We Have All the Time in the World is the classic James Bond theme featuring the warm, graceful vocals of Louis Armstrong. Beloved for its sophosticated, smooth sound, the track - written by John Barry and Hal David - has transcended its tie to cinema, becoming one of the most requested songs at weddings, anniversaries and other celebrations. This brand new arrangement by Thomas Lydon for SAB choir…

Goldfinger will always call to mind Shirley Bassey 's assertive vocal on the soundtrack of the James Bond film of the same name. Written by John Barry, Leslie Bricusse and Anthony Newley, it became the definitive in-your-face Bond song before the series' theme tunes became quieter and more pop-oriented. This version has been arranged for SAB choir with piano accompaniment by Thomas Lydon. / Choeur…

Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey, written by Don Black and set to music by John Barry. This TTBB arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment. / Choeur TTBB Et Pian…

Goldfinger will always call to mind Shirley Bassey 's assertive vocal on the soundtrack of the James Bond film of the same name. Written by John Barry, Leslie Bricusse and Anthony Newley, it became the definitive in-your-face Bond song before the series' theme tunes became quieter and more pop-oriented. This version has been arranged for TTBB choir with piano accompaniment by Thomas Lydon. / Choeu…