Par BLANKEN JOHN. COME ONE AND ALL! Come see the great Circus Bamboni! This four movement work, with flexible four part instrumentation (+ Drum Kit), will amaze and charm you like no other. The first movement features the band as it tunes up and prepares for the show. Then the talented trapeze artists make an appearance as they fly through the sky high above the audience. The elephants parade arou…

Technical Studies for trumpet and brass 2nd volume. Par SOGLIA RENATO. The aim of this work is to propose a serious and innovative didactic in the study of trumpet technique (and brass), to develop a suitable lip setting (mouthpiece) and fill gaps in technique, speed and agility, which are indispensable to succeed in performing all the music written for this instrument. The structure is very agile…

Par CORELLI ARCANGELO. While the value of authenticity in the performance of Baroque music is now widely appreciated, many players still feel daunted by the task of realising the unadorned melodies and basses of Corelli’s Op. 5 Violin Sonatas in their original form. Fortunately, Gustav Jensen’s edition of these works provides an ideal solution to the problem. Carefully fingered and bowed, with the…

This fantastic concert march was written in 1907 and is regarded by many as one of Fucik's finest works. The triumphant ending makes it a great finale to any concert, leaving your audience with a smile on their face and a spring in their step! (4:00) / Orchestre

Par BRITTEN BENJAMIN. Britten's Elegy was first performed at The Maltings in Snape, Suffolk, by Nobuko Imai in 1984 as part of the 37th Aldburgh festival. This beautiful piece was originally sketched by Britten in 1930 upon leaving school at the age of sixteen. / Niveau : Elémentaire / Répertoire / Alto

Par CARSE ADAM. Chant de l'escarpolette Dance Scherzo Gavotte Menuet Capricieux Prelude Rigaudon Teacher and editor Mary Cohen has compiled a two-volume selection of violin music by Adam Carse, covering the elementary and intermediate grades. Carse wrote exquisite miniatures in the tradition of Kreisler and Elgar. Mary Cohen has updated technical details, while leaving intact the imperishable musi…

Par HAENDEL GEORG FRIEDRICH. The episode from Ovid‘s “Metamorphoses” in which Daphne attempts to escape Apollo’s advances by turning into a laurel tree, causing the devastated god to weave a laurel crown in memory of the nymph, has inspired the masterworks of many artists. Gian Lorenzo Bernini, whose famous marble sculpture is housed in the Galleria Borghese in Rome, is only one example of this. M…

Par SEITHER CHARLOTTE. “Red roots” (2022) hints at its source material in depth – only to turn it into something independent. Starting from a Beethovenian cell (from the unpublished sketch, “Wir irren allesamt”), the focus is on leaving the point of departure, which brings up new lines in the interior of the piano. Here, the (supposed) Beethoven presents himself as an “invented memory”, so reality…

Par BLANKEN JOHN. COME ONE AND ALL! Come see the great Circus Bamboni! This four movement work, with flexible four-part instrumentation (+ drum set), will amaze and charm you like no other. The fi rst movement features the band as it tunes up and prepares for the show. Then the talented trapeze artists make an appearance as they fly through the sky high above the audience. The elephants parade aro…

For sounds lasting and leaving from different points and forming a sounding sculpture / Ensemble Moyen Contemporain

A Requiem For Victims Of Power. Par CUOMO DOUGLAS J.. The text for this piece is derived from the Epistle to the Reader of Sir Thomas Browne’s Hydriotaphia, (1658). Subtitled Urn Burial, the essay is a reflection on the discovery of a Roman urn burial site in Norfolk and the practice of disinterment. I compiled the text by redacting (i.e. eliminating) many of the words of the original, leaving beh…